The Buffalo Skinners

After the disappointing sales of their 1991 album No Place Like Home, Big Country were dropped by their label, Phonogram. The band decided to split up, but a couple of weeks later lead vocalist and guitarist Stuart Adamson phoned guitarist Bruce Watson to suggest the band give things another go, and in turn he and bassist Tony Butler agreed to reunite. The band were quickly signed to Compulsion by the label's boss Chris Briggs, who as an A&R man, had originally signed the band to Phonogram in 1982. They recorded The Buffalo Skinners as a trio alongside session drummer Simon Phillips.[2]

In a 1993 interview with Sunday Life, Watson revealed that both Peace in Our Time and No Place Like Home (1991) were "stodgy affairs aimed at the American market" and a compromise to meet with Phonogram's commercial expectations for the band. Watson said, "Now we're back to doing what we do best – being Big Country. The new album is what we are about – we produced it ourselves and are really proud of it."[2] In an interview with The Lennox Herald, Adamson said, "We decided to produce ourselves because ultimately we know what kind of sound we're looking for. In terms of the spirit and commitment this is the best record we've made since the first two. We were told [by Compulsion] just to go in, record it and get over what we wanted musically."[3]

Once the band's former drummer Mark Brzezicki heard the album, he asked to rejoin the band and did so in time for the band's forthcoming tour.[3]

Professional ratings

Review scores
Source	Rating
AllMusic	[4]
NME	3/10[5]

On its release, Neil McKay of Sunday Life praised The Buffalo Skinners as "a long overdue return to form". He wrote, "With the guitars right up front this strays close to hard rock territory, but the songs are as rousing and tuneful as in their early heyday."[6] Adam Sweeting of The Guardian described the album as "quaintly old-fashioned, but performed with conviction". He added, "Big Country still write strident rock anthems with a tartan twist, and reflect on love, greed and blue-collar angst."[7]

Johnny Dee of NME noted that, despite the "echo-urban-warrior chest thumpery", the album is "still plain old flag-waving rock" which "couples squalling six-string excess" with the band's "more familiar triumphant, fists in the air, 'we-shall-overcome-just-be-yourself' lager advert choruses". He praised the band's "talent for exultant, fanfaring stadium rock" but felt that their "resolutely poker-faced earnestness makes them so ripe for ridicule". He felt the overriding lyrical theme saw them "cast as some kind of new world superheroes surveying a planet destroyed by mega-corp empire building" which would be "fair enough if the lyrics themselves weren't so much hackneyed school project marvellous". Dee concluded, "One man's passionate anthemic epic-rock is another man's heap of steaming soft metal dung. Whatever your persuasion, The Buffalo Skinners, destined to be Big Country's sixth top ten album, won't disappoint." [5]

Big Country

• Stuart Adamson – guitar, vocals
• Tony Butler – bass guitar, backing vocals
• Bruce Watson – guitar, mandolin

Additional personnel

• Colin Berwick – keyboards
• Joe Bull – programming
• Simon Phillips – drums