The Castle of Cagliostro

Master thief Lupin III and his colleague, Daisuke Jigen, flee the Monte Carlo Casino with huge quantities of stolen money, but as they celebrate their latest heist, Lupin recognizes the bills as distinctively high-quality counterfeits.[lower-alpha 1] Deciding to seek out the source, they head to the Grand Duchy of Cagliostro, the alleged wellspring of the counterfeits.

Shortly after arriving, the two are passed by a young woman being chased by a group of armed thugs. They rescue the young woman, but in the ensuing mayhem Lupin is knocked unconscious and the woman gets captured, but she leaves him a signet ring. After seeing the ring, Lupin recognizes the woman as Clarisse, the princess of Cagliostro, who will soon be married to Count Cagliostro, the country's regent. The Count's arranged marriage will cement his power and recover the fabled ancient treasure of Cagliostro, for which he needs both his and Clarisse's ancestral rings.

The next night, a squad of assassins attack Lupin and Jigen at their inn, but they escape. Lupin leaves his calling card on the back of Jodot, the Count's butler and chief assassin, announcing he is going to steal Clarisse. Lupin summons Goemon Ishikawa XIII and tips off his longtime pursuer, Inspector Koichi Zenigata, to his whereabouts to provide a distraction. Lupin disguises himself as Zenigata and makes his way into the castle, while the real Zenigata ends up trapped in the castle's catacombs. After meeting his on-off lover Fujiko Mine posing as Clarisse's lady-in-waiting, Lupin makes his way to Clarisse and returns her ring, vowing to help her to escape. Before he can act, the Count drops Lupin down a trapdoor into the catacombs. Lupin mocks the Count through the ring he gave to Clarisse – a fake containing a transmitter – and the Count sends three assassins to retrieve the real ring.

Lupin encounters Zenigata, and they form a pact to help each other escape. After overpowering the assassins, they escape into a room full of printing presses, the source of the counterfeits which Cagliostro has used throughout history to form a global shadow empire. Zenigata wants to collect evidence, but Lupin points out they must escape the castle first. They start a fire as a distraction and steal the Count's autogyro, but as they attempt to rescue Clarisse, Lupin is seriously wounded. Clarisse offers the ring to the Count in exchange for Lupin's life, but after securing the ring, the Count's attempt at betrayal is foiled when Fujiko's actions allow her, Lupin, and Zenigata to flee. As Lupin recovers from his injuries, Zenigata tries convincing his superiors at Interpol to prosecute the Count for counterfeiting, but fearing political repercussions, they halt the investigation and remove him from the case. Lupin intends to stop the wedding and rescue the princess, revealing to his companions that ten years earlier she had saved his life during his unsuccessful first attempt to find the treasure of Cagliostro. Fujiko tips off Lupin regarding how to sneak into the castle, and forms a plan with Zenigata to publicly reveal the counterfeiting operation under the cover of pursuing Lupin.

The wedding with a drugged Clarisse appears to go as planned, until Lupin disrupts the ceremony and, despite the Count's precautions, makes off with Clarisse and the Count's rings. To expose the Count's operations, Zenigata leads Fujiko, posing as a television reporter, to the Count's counterfeiting facility. After the Count corners Lupin and Clarisse on the clock tower's face, Lupin attempts to trade the rings for Clarisse's life, but the Count betrays him, and Lupin and Clarisse fall into the castle's lake. After using the rings on a secret mechanism built into the tower, the Count is crushed to death by the converging clock arms. Lupin and Clarisse watch as the mechanism drains the lake to reveal exquisite ancient Roman ruins — the true treasure of Cagliostro. Clarisse explains that she doesn't want Lupin to go, even expressing her readiness to become a thief like him, but Lupin gently rejects her, and he and his friends bid farewell to Clarisse, now the rightful ruler of Cagliostro. With Zenigata pursuing them again (for the crime of "stealing Clarisse's heart") and Fujiko fleeing with the plates from the printing presses, Lupin and the gang leave Cagliostro.

Lupin III began as a Japanese manga series written and illustrated by Monkey Punch. The title character, Lupin III, was inspired by (and is claimed in the series to be the grandson of) Maurice Leblanc's fictional character Arsène Lupin, a gallant and famous outlaw able to outsmart even Sherlock Holmes.[5] Lupin III is a gentleman thief and announces his intentions to steal valuable objects by sending a calling card to the owners of the desired items. The manga's popularity led to two anime series, titled Lupin III and Lupin III Part II.[5] The first film, The Mystery of Mamo, was released on 16 December 1978. Cagliostro released a year later following the financial success of that film. This is marked as the first feature-length film to be directed by Miyazaki, who had previously co-directed episodes of the first Lupin anime series with Isao Takahata. The two directors along with Toshio Suzuki would give birth to Studio Ghibli in 1985. He was also a writer and director of two episodes in the second series under the pseudonym "Telecom", both produced a year after Cagliostro.[5] In works other than Castle of Cagliostro and the series episodes directed by Miyazaki and Takahata, Lupin III is portrayed as a scheming and lecherous thief, sometimes supported by his former enemies Jigen and Goemon. Miyazaki's film conflicts with the typical behavior and personality of the characters, a change that has been described as Lupin "growing up".[5][6]

Castle of Cagliostro marked Miyazaki's debut as a theatrical movie director, but he also was a writer, a designer, and a storyboardist on the movie.[6] The production for the film began in May 1979 with the writing of the story and storyboarding for the film.[7] Miyazaki began by drawing a bird's eye view of the setting before creating the story to completion. After the first draft scenario was returned to Miyazaki without change, he began the storyboards. The story was divided into four parts, but after reaching the third part changes had to be made at the storyboard phase in order to not exceed the decided running time.[8] Animation work began in July while the storyboards were only a quarter complete; Miyazaki had to complete them during the animation production. Production wrapped up at the end of November and the film's premiere on 15 December 1979 was a short seven and a half months from the project's undertaking, with only five months of production time.[7]

The film draws upon many sources of inspiration that were important in the production of the film. McCarthy writes that a research trip was not specifically undertaken for the film, but says Miyazaki's Heidi, Girl of the Alps sketchbooks were useful for the scenery.[7] Miyazaki would cite Italian Mountain Cities and the Tiber Estuary from Kagoshima Publishing as influencing the production of the film.[7] The film included elements that were seen in other Arsène Lupin works, including La Justice d'Arsène Lupin by Boileau-Narcejac, involving the discovery of a tremendous stash of forged franc notes with which World War I–era Germany had planned to destabilize the French economy.[9] Maurice Leblanc's The Green-eyed Lady also featured a secret treasure hidden at the bottom of a lake.[10] The design of mechanisms with secret tunnels in the clock tower, and the adventure plotted around beauty is inspired from Ghost Tower by Edogawa Ranpo.[11] The castle is visually influenced by that of the original 1952 unfinished release of The Shepherdess and the Chimney Sweep.[12] Greenberg writes, "Cagliostro also borrowed many narrative and visual elements from Grimault's film: the basic plotline of disrupting the wedding of an evil tyrant and a beautiful innocent girl, the tyrant's luxuriously-decorated palace that is also full of traps, and a gang of henchmen serving the tyrant – both oversized goons and ninja-like assassins..."[13] The staff added personal touches to the film, the most iconic being Lupin's car, the Fiat 500, was the car of head animator Yasuo Ōtsuka.[10] Clarisse's car in the chase scene is a Citroen 2CV, which is Miyazaki's first car.[10]

McCarthy describes the summery color palette of the film as matching the scenery and the characters, but notes the use of dark and light colors are used to emphasize the subplot of the dark and light sides of the Cagliostros.[7] The film's score was composed by series regular Yuji Ohno, and varies between jazz, romance and orchestral music. Notably, it includes a variation of Lupin III's iconic TV theme.[7] The music was performed by You & The Explosion Band, who had previously worked on the second television series. The main vocal song "Fire Treasure" was performed by Bobby (aka Toshie Kihara) and saw release as an LP single.[14] The first release of the soundtrack was Lupin the 3rd The Castle of Cagliostro Original Soundtrack BGM Collection, an album containing extended versions of select cues from the film. It was originally sold on vinyl and cassette tape in 1983, but later saw release on CD in 1985 with several additional prints runs.[15] In 2003, the entire score was finally released on a newly commissioned album entitled Lupin the 3rd: The Castle of Cagliostro – Music File and also contained 13 unused cues.[16]

Castle of Cagliostro's portrayal of the characters was changed to better identify with Miyazaki's concept of a "hero" and to remove a sense of apathy in the story.[6] This resulted in Lupin being a happy-go-lucky and upbeat thief who drives and lives out of a Fiat 500; a sharp contrast to the scheming and lecherous Lupin who drives expensive cars like the Mercedes-Benz SSK because it was "Hitler's favorite".[6] The changes would also impact secondary characters like Jigen and Goemon, changing their serious and cold personalities into friendly and humorous; even the erotic elements involving the femme-fatale Fujiko were dropped.[6]

Fred Patten, who worked at Streamline Pictures was involved in the English adaptation of the film and was involved in the choice of title for the English release,

The Japanese title is Lupin III: Cagliostro no Shiro, which is literally Lupin III: Cagliostro of Castle [sic].[lower-alpha 2] So which would be better in English; Cagliostro Castle, Cagliostro's Castle, or The Castle of Cagliostro? It was my argument that The Castle of Cagliostro sounded the most sinister. Cagliostro Castle is just a castle's name, like Windsor Castle, but the Castle of Cagliostro emphasizes that it is the evil Count's lair![17]

The film had a production budget of ¥500 million or $2,282,000 (equivalent to $9,000,000 in 2022) at the time,[3][18] surpassing Space Battleship Yamato (1977) to become the most expensive anime film up until then.[18] Its production budget record was later matched by Miyazaki's Laputa: Castle in the Sky (1986)[19] and then surpassed by Royal Space Force: The Wings of Honnêamise (1987).[18]

In his first feature-length directorial role, Miyazaki deploys numerous examples of his style to great effect. Dani Cavallaro highlights the signature details of Miyazaki's style and form being displayed in this work and how it impacts the portrayal of the story.[5] Cagliostro, the country and setting, is depicted in meticulous detail and unconstrained by limitations of architecture, geography and culture, which can be described as "akogare no Paris" (Paris of our dreams), which is a fantastical view of Europe through Eastern eyes. The use of unexpected and unique camera angles and attention to individual movement of the characters are distinctive signatures of Miyazaki's style, including the opening heist scene which provides characterization and spirit to understanding the character of Lupin.[5] The changes made to the portrayal of the cast, depicting a heroic and selfless Lupin, a friendly Jigen, funny Goemon, and un-sexualized Fujiko, were initially not well received by fans. Otaku USA's Surat compared this shift to "a James Bond movie where [James Bond] stayed at Motel 6 and his 'Bond mobile' was a Toyota Camry!"[6]

The film's Japanese theatrical release was on 15 December 1979.[7] A 4K UHD version by VAP was released on 24 July 2019.[20]

In Japan, the film grossed ¥610 million, equivalent to $2,784,000 (equivalent to $11,000,000 in 2022), in 1979.[3][38] The MX4D release in 2017 grossed a further ¥76 million ($678,000) in Japan.[39] The film's overseas screenings in 2007 and 2017 grossed $152,775 in Italy and South Korea,[40] and $142,425 in the United States,[41] adding up to at least $3,753,200 grossed in Asia, Italy and the United States.

In terms of box office admissions, the film sold 900,000 tickets in Japan as of 2006,[42] 109,072 tickets in France and Italy,[43] 58,000 tickets in the United States,[44] and 1,729 tickets in South Korea,[45] adding up to at least 1,068,801 tickets sold worldwide.

While the film was not initially a box-office success, it gained popularity through numerous re-releases and was even voted as "the best anime in history" by the readers of Animage in November 2001.[46][47] Following a July 1992 release by Streamline Pictures,[2] Janet Maslin said she thought the film "should fare nearly as well [as Akira] with animation fans of any age, provided they are unwavering in their devotion to the form and do not think 100 minutes is an awfully long time." According to Maslin, the film is an "interestingly wild hybrid of visual styles and cultural references" whose "animation is weak when it comes to fluid body movements, but outstanding in its attention to detail."[2] According to Marc Savlov of The Austin Chronicle, "C of C refrains from the Technicolor ultra-violence that helped make films like Golgo 13, Akira, and Vampire Hunter D such audience favorites, and instead focuses on broad, almost slapstick humor and chaos to keep viewers riveted. Sometimes it works, and unfortunately, sometimes it doesn't."[1]

On the review aggregator website Rotten Tomatoes, 95% of 22 critics' reviews are positive, with an average rating of 7.5/10.[48] According to Metacritic, which compiled 6 reviews and calculated an average rating of 72 out of 100, the film received "generally favorable reviews".[49] Some fans maintain that it is not a "true" Lupin title, due to Miyazaki's altering of the titular character into a bumbling hero, rather than his original ruthless criminal self.[50] Monkey Punch, creator of Lupin III, called Castle of Cagliostro an "excellent" film, but agreed Miyazaki's vision of Lupin differs from his own.

In Dani Cavallaro's The Anime Art of Hayao Miyazaki, the film was said to have received the "Award for Best Animated Feature".[5] The actual award was from the 1979 Mainichi Film Concours, where the film received the Ōfuji Noburō Award.[51] No concrete evidence for this claim has even been put forward and the misinformation in the releases serves to cement its decades-long persistence.[6]

The film was the best selling anime DVD in May 2001, and the third best selling in June.[52][53] Both of Manga Entertainment's releases of The Castle of Cagliostro received DVD Talk Collector Series recommendation status, the highest status given by the review website DVDtalk.com.[54][55] In January 2001, the Japanese magazine Animage elected Castle of Cagliostro the 9th best anime production of all time.[56] Chris Beveridge of AnimeOnDVD.com gave the film a grade of "A+", although he disliked Manga Entertainment's use of PG-13 level language in the English dub.[57] The Castle of Cagliostro placed in 5th place on Japan's Agency for Cultural Affairs's list of best anime.[58] The film was named The Best Japanese Animated Film of All Time by Japanese film magazine Kinema Junpo in 2009.[59] In 2020, Screen Rant ranked The Castle of Cagliostro as the best movie made by Miyazaki.[60] In the same year, CBR.com ranked The Castle of Cagliostro as the best Lupin movie.[61]

The Castle of Cagliostro has been watched and appreciated by various people in the film industry, including Steven Spielberg.[62] Several critics have noted similarities between The Castle of Cagliostro and the Indiana Jones films by Spielberg and George Lucas, particularly the first Indiana Jones film Raiders of the Lost Ark (1981).[63][64][62] These similarities include a rollicking adventure, humorous tone,[62] similar overall action style,[64] treasure hunting plot, a clever protagonist (Lupin and Indiana Jones) thrown into very difficult situations, overcoming obstacles with his wits, the use of gadgets, the help of several competent sidekicks, and a high-speed car chase down winding mountain roads.[63] This has led to rumors, though unconfirmed, that the film may have influenced the Indiana Jones series of films due to these similarities.[63] However, both the script and most of the filming for Raiders of the Lost Ark was completed by early 1981,[65] years before The Castle of Cagliostro first became available in English.

In 1983, TMS Entertainment and Stern Electronics wanted to capitalize on the success of animated laserdisc video games at the time. They released the arcade game, Cliff Hanger, which used footage from this film, along with the previous Lupin film Mystery of Mamo.[6] Even though the films themselves weren't available in North America at the time, the Cliff Hanger game was featured in an episode of the 1980s game show Starcade. The arcade game also made an appearance in The Goonies (1985).[66]

The character of Clarisse has been cited as a potential ancestral example of moe character design.[67]

Cagliostro deeply influenced Pixar co-founder John Lasseter, along with Miyazaki's later films; in October 2014, Lasseter delivered a keynote address to the Tokyo International Film Festival describing how Miyazaki's influence upon his own life and work began when he first saw a clip from Cagliostro.[68]

Walt Disney Animation Studios' 1986 film The Great Mouse Detective, co-directed by John Musker and Ron Clements, paid homage to Cagliostro with the film's climactic Big Ben sequence.[12] The two-minute climax scene used computer-generated imagery (CGI), making it the first Disney film to extensively use computer animation, a fact that Disney used to promote the film during marketing. In turn, The Great Mouse Detective paved the way for the Disney Renaissance.[69][70]

Another reference to the clock-tower fight is in "The Clock King" episode of Batman: The Animated Series.[12] In the original video animation (OVA) Here Is Greenwood, students set a play where the scene of Lupin saving Clarisse on the clock tower is re-enacted.

Gary Trousdale, co-director of Disney's Atlantis: The Lost Empire, said that a scene at the end of Atlantis, where the waters recede from the sunken city, was directly inspired from the ending in Cagliostro.[71] One of the sequence directors of The Simpsons Movie also mentioned Cagliostro as an influence; a brief shot where Bart Simpson rolls down the roof of the family house was inspired by Lupin running down the castle roof during his rescue attempt.[72]

The 2019 film Lupin III: The First was inspired by The Castle of Cagliostro. The director Takashi Yamazaki found the tone in The Castle of Cagliostro as the best portrayal for the 3D film.[73][74] Yamazaki was profoundly moved by The Castle of Cagliostro ever since he saw the film on TV in the 1980s. The experience entrenched in himself the idea that Japan can make high-quality films. The moment influenced the direction for the current film.[75] Therefore, the movie is constructed around the model of Cagliostro with many homages added. The ending's emotional climax is similar to the climax in Cagliostro.[76]

• Alessandro Cagliostro

• The Castle of Cagliostro at The Big Cartoon DataBase
• The Castle of Cagliostro at IMDb
• The Castle of Cagliostro (anime) at Anime News Network's encyclopedia
• The Castle Of Cagliostro at Lupin III Encyclopedia