The Contender (2000 film)

Director Rod Lurie said he wrote the screenplay because he wished to make a film starring Joan Allen, and wrote the part of Laine Hanson with her in mind.[1] Having a fascination with politics, and inspired by his daughter, he wished to make a feminist film that would differ from Allen's frequent role as troubled wife.[1] At the time, the Lewinsky scandal was in the news, and actor Jeff Bridges acknowledged the story was a response to it.[2] In writing the screenplay, Lurie considered a number of possible endings, including one in which Laine is assassinated. However, he wanted to give a message of hope to his daughter and audiences.[1]

Actor Gary Oldman decided to produce the film, attracted to the screenplay which he felt was reminiscent of All the President's Men (1976).[3] He did not see Sheldon Runyon as a villain, and Lurie claimed he was not written to be one.[1] Oldman's manager Douglas Urbanski noted they independently produced the film before DreamWorks became involved.[4]

Before approaching Jeff Bridges for the part of President Evans, Lurie submitted the screenplay to Paul Newman, reflecting how the character was envisioned to be older than he is in the final film. Newman turned down the role, which Lurie attributed to the actor's retirement.[1] Bridges also sings the song featured in the beginning of the film.[5]

Lurie wanted Sam Elliott for the part of Kermit, despite skepticism that he was best known for playing cowboys.[1] Christian Slater joined the cast, saying he was interested in the screenplay's discussion of principles.[6]

Arlington National Cemetery in Virginia was recreated in the film.

The scene where Laine is interviewed by Larry King was shot before principal photography.[5] False gravestones were made for a set recreating Arlington National Cemetery in Virginia, with many of the markers having the same name,[5] while The Washington Post gave permission for shooting in their office for one scene.[1]

A number of scenes were filmed during rain, but this precipitation does not appear in the film because a severe amount is needed to be visible. In one such scene, before Laine is announced as vice presidential nominee, a typhoon was forecast, and Lurie's assistant from India performed a religious ritual to ward it off, which the director credited with working.[5] The scene where Laine debates abortion with the House Judiciary Committee is directly influenced by The Manchurian Candidate (1962).[7]

In the scene where Allen is riding by supporters in a car, few extras attended the shot, which lasted only 15 minutes. As a result, a number of crew members were costumed and stood in.[5]

After the film was nearly completed, Lurie received a phone call saying producer Steven Spielberg was interested in the project. Lurie and Allen said it was the first time DreamWorks adopted a film the company had not produced.[5]

Lurie said nearly 30 minutes of footage was deleted because it did not reflect intended themes of principles and leadership. Based on lack of enthusiasm in test screenings to the final scene where Laine addresses the House Judiciary Committee, and with Spielberg's advice, Lurie added music intended to be inspirational, which did receive a better response from test audiences.[1]

The Contender holds an overall approval rating of 76% on the review aggregator website Rotten Tomatoes based on 130 reviews, with an average rating of 6.7/10. The site's critical consensus reads, "The Contender wears its political heart on its sleeve, but strong performances and a solid screenplay help the end result add up to a gripping drama from either side of the aisle".[12] On Metacritic, the film has a weighted average score of 59 out of 100 based on 35 critics, indicating "mixed or average reviews".[13]

Roger Ebert gave the film four stars out of four, calling it "one of those rare movies where you leave the theater having been surprised and entertained, and then start arguing".[2] Emanuel Levy wrote in Variety that Lurie was improving as a director and screenwriter, but the film was "too obvious and verbose".[14] Lisa Schwarzbaum gave the film a B− in Entertainment Weekly, saying Bridges emulated Bill Clinton in "charisma, charm, appetite", and that "The Contender booms and pontificates, full of bravado and that ineffable quality of the current political season, chutzpah", but "only pretends to be enlightened, liberal".[15] Rolling Stone's Peter Travers called the film "a lively, entertaining ride" before descending into partisanship.[16] In The Chicago Tribune, Michael Wilmington called it "a smart, tense political drama about presidential politics".[17] Bob Graham of the San Francisco Chronicle praised Allen and Bridges.[18] Stephen Hunter of The Washington Post wrote, "As entertainment of a tawdry but compelling sort, The Contender certainly delivers", but found Allen's character uninspiring.[19]

In 2003, critic J. Hoberman assessed the film to be a feminist attack on double standards, in which "unbridled female sexuality" is perceived as a threat to the system. Hoberman concluded then-Senator Hillary Clinton was more the contender than 2000 presidential candidate Al Gore, and that the film was "a prophecy of 2004".[20] Author Harry Keyishian wrote the ending, in which it appears Laine will be confirmed despite her civic religion, is unrealistic, and "swelling music replaces logic and probability".[21] M. Keith Booker called it "a surprisingly complex film", in which Runyon is a villain who stands by his principles, while Evans is heroic despite being "a savvy politician", a harder man than what the public sees.[22] In 2009, Gary Susman of Entertainment Weekly named Evans as one of the 10 greatest fictional presidents.[23]

After viewing The Contender, actor Dustin Hoffman placed a telephone call to Oldman to commend his work in the film.[24]

Producer and actor Gary Oldman became the subject of political controversy in the film.

The film has also been the subject of controversy. In an October 2000 issue of Premiere magazine, Oldman supposedly alleged that editing cuts were made due to the studio's Democratic leanings. Oldman and his co-producer, Urbanski, reportedly accused the DreamWorks studio and director Rod Lurie of editing the original film to make it more Democrat-biased, mainly by making the Runyon character less sympathetic than was originally intended.[25][26]

However, Oldman stated in other interviews that his criticisms were only directed at Lurie and that the quote was "bastardized, kinda" when reprinted on Internet sources. He went on to complain that his issue with the film was how it became progressively less "ambiguous" as the editing went on, specifically citing the music as a problem in turning it into a film about "good guys and bad guys".[27] Roger Ebert stated that Oldman's denunciation of the film never happened, and quoted Urbanski as saying Oldman is "the least political person I know" and taking credit for producing the film independently from DreamWorks, which eventually adopted it.[4][8]