The Courts of Idleness

The book includes two main collections of short stories: “Book I: How Some Passed Out of The Courts for Ever” which consists mainly of pre-war frivolities, and “Book II: How Others Left the Courts Only to return” which relates post-war tales. Dividing the groups is a single-story “Interlude”.

The first story of Book I has the characters in London, after which they proceed to the island of Rih (a thinly-disguised Madeira).[2] The final story concludes with the sudden end of the male characters, now serving in the Great War, who hear a sound which some interpret as a ship's siren and others as the sound of a heavy gun. A moment later, all are killed in the crater of a great shell.

The Interlude features a unique set of characters, initially in Scotland on the opening day of the Great War, and subsequently on the Western Front.

The stories of Book II return to the entirely different 'Berry' set of characters from The Brother of Daphne collection, with the addition of Adèle Feste, an American. The first two stories of this Book immediately follow those of the earlier collection. Next come three stories set at the end of the war in which the Berry & Co. characters meet in Egypt and, joined by Adèle, travel home via Rome. The volume closes with a final story, "Nemesis”, in which Berry and Boy are back in London.

The stories of Book I were published monthly in The Windsor Magazine in 1914 and 1915, with the final story (which concludes during the War on the Macedonian front, where Mercer himself served) being published in June 1919.[3]

The first two stories of Book II were published in the Windsor in August and September 1914, the remaining four not appearing until 1919. The latter are partly set in Egypt, where Mercer had also served. The final story, "Nemesis", was originally intended for Punch and is shorter than the normal Windsor stories. In the Windsor version the protagonist is named Jeremy, but for the book this was changed to Berry.[4]

After being released from war service and returning home, Mercer decided not to return to his pre-war work at the bar, but to concentrate on writing.[5]

The illustrations from The Windsor stories were not included in the book version, although one of the illustrations by Norah Schlegel (1879-1963) from "For Better Or For Worse" was used to illustrate the dustjacket of the first edition.

• 1921 - "To Her. Whose voice is melody, Whose grace is perfection, Whose understanding is infinite. My Lady Paramount"
• 1929 - "To My Lady Paramount"
• 1942 - "To the countryside of England, the hanging forests of Austria, and the tilted, flower-starred meadows of the Pyrenees."

The review in the September 1920 edition of Punch was much less enthusiastic than that for the author's first collection, The Brother of Daphne:[6] "The main object of the characters in The Courts of Idleness (Ward, Lock) was to amuse themselves, and as their sprightly conversations were often punctuated by laughter I take it that they succeeded. To give Mr Dornford Yates his due he is expert in light banter; but some three hundred pages of such entertainment tend to create a sense of surfeit."[7] The reviewer ended on a more positive note, saying "Mr Yates can be strongly recommended to anyone who thinks that the British take themselves too seriously",[7] a quotation that Ward Lock used on the rear covers of many of the author's later volumes.

• Smithers, AJ (1982). Dornford Yates. London: Hodder and Stoughton. ISBN 0 340 27547 2.
• Usborne, Richard (1974). Clubland Heroes. London: Barrie & Jenkins. ISBN 0 214 20012 4.