The Divine Miss M

Midler began singing in the Continental Baths, a gay bathhouse in New York City's Ansonia Hotel, in the summer of 1970.[1] During this time, she became close to her piano accompanist, Barry Manilow, who co-produced the album.[2] It was during her time at the Continental Baths that she built up a core following and many of the album's songs were sung by her in her live performances.

The song "Bugle Boy" became a successful rock cover of the classic swing tune originally introduced and popularized in 1941 by the Andrews Sisters, to whom Midler has repeatedly referred as her idols and inspiration, as far back as her first appearances on The Tonight Show Starring Johnny Carson. Midler told Johnny Carson in an interview that she always wanted to move like the sisters, and Patty Andrews remembered: "When I first heard the introduction on the radio, I thought it was our old record. When Bette opened at the Amphitheater in Los Angeles, Maxene and I went backstage to see her. Her first words were, 'What else did you record?'"[3] During another Midler concert, Maxene went on stage and presented her with an honorary bugle. Bette recorded other Andrews Sisters hits, including "In the Mood" and "Lullaby of Broadway".[3] Several tracks were recorded for The Divine Miss M that did not make the final cut, like: "For Free," "He Was Too Good to Me," "Empty Bed Blues," "My Freedom And I," "I Shall Be Released," "A Teenager In Love," as well as "Old Cape Cod," and "Marijuana," which were later released on Bette's 3rd album, Songs For The New Depression.[4] Early promotional DJ copies of the album featured “Hello in There” switched with “Daytime Hustler” but that was altered due to there being three emotional ballads all on the same side.[4]

Professional ratings

Review scores
Source	Rating
AllMusic	[5]
Christgau's Record Guide	A−[6]
The Rolling Stone Album Guide	[7]
Q	[8]

The album has received acclaim by music critics. Mark Deming from AllMusic website retrospectively wrote that "while Midler was and is best known for her outgoing stage persona, numbers like "Am I Blue" and "Do You Want to Dance?" demonstrate how much emotional heat she can bring to a torch song, and her interpretations of "Delta Dawn" and "Hello in There" are powerful, moving stuff, portraying their characters with a palpable compassion and nuance" he also said that the album "is her best album" because it "captured the many facets of her musical personality beautifully and showed her quirks were a rich part of what made her music so powerful."[5] Music critic Robert Christgau gave the album an A− in a contemporary review, and pointed out that the album and the tracks selected are "a production that suggests its nutty quality without distracting from her voice, a rich instrument of surprising precision, simultaneously delicate and vulgar."[6]

The Divine Miss M reached the Top Ten on Billboard's album chart and was later awarded a Platinum Disc by the RIAA,[9] It featured three hit singles—"Do You Wanna Dance?", "Friends", and "Boogie Woogie Bugle Boy"—the third of which became Midler's first No. 1 Adult Contemporary hit.[10] In 1973, the album won Midler a Grammy Award for Best New Artist.[11] "Do You Want to Dance?", "Boogie Woogie Bugle Boy" and "Friends" were all Top 40 hit singles from the album, with "Boogie Woogie Bugle Boy" climbing to #8 on the Billboard Hot 100 and reaching #1 on Billboard's Adult Contemporary chart.[10]

• Ahmet Ertegün – producer, tracks: A2 to A4, B3, B4, B6
• Barry Manilow – producer, tracks: A2 to A4, B3, B4, B6
• Geoffrey Haslam – producer, tracks: A2 to A4, B3, B4, B6
• Joel Dorn – producer, tracks: A1, A5, B1, B2, B5
• Lew Hahn – recording engineer
• Barry Manilow – musical arranger, musical conductor
• Richard Amsel – cover illustration
• Richard Mantel – cover art direction & design
• Kenn Duncan – backliner photo
• Remixed by Geoffrey Haslam, Lew Hahn, Bob Liftin
• Remixed at Regent Sound Studios and Atlantic Studios
• Recorded at Atlantic Recording Studios, New York.