The End of the Tour

James Ponsoldt was sent the screenplay by screenwriter Donald Margulies, who was also Ponsoldt's former professor at Yale University.

Lipsky's 2010 memoir Although of Course You End Up Becoming Yourself was a New York Times bestseller and an NPR Best Book of the Year.[3] Lipsky also received the National Magazine Award in 2009 for writing about David Foster Wallace.[4] Time magazine's Lev Grossman wrote, "the transcripts of their brilliant conversations read like a two-man Tom Stoppard play,"[5] and NPR's Michael Schaub called the book "crushingly poignant ... startlingly sad yet deeply funny."[6]

In 2011, Pulitzer Prize–winning playwright Donald Margulies read the memoir. "Here was a story of two men circling each other," Margulies told the Los Angeles Times.[7] "It was all there." He wrote a screenplay based on Lipsky's book. A few lines were additionally inspired by Wallace's posthumous novel The Pale King. Margulies included material that Lipsky shared with him about time with Wallace off-tape and which he had not included in his memoir. Margulies pointed out,

"What Lipsky shared with me is that moment that some people have accused me of creating. As being too Hollywood. [Laughs]. When in fact it was something that Lipsky didn't include in his book because he felt that it got in the way of Wallace's voice. Because that was really what he was trying to convey in that book... That moment that occurs between the two guys in Julie's kitchen, I wouldn't have known if David Lipsky hadn't shared that with me. Not to sound too coarse about it, but it provided me with my third act. Because it's a turn that occurs. A schism that occurs that changes the tenor of what follows. Dramatically speaking, I felt that that was absolutely necessary. And serendipitous that such a thing actually occurred, and that David Lipsky was generous enough to share it with me, and gave me permission to include it in the film. So there were things that I pulled to it that were not in the book. But certainly not anything that didn't happen."[8]

Margulies sent the completed script to James Ponsoldt, his former student at Yale University and a Sundance Award-winning director. The New York Times has described him as "A devoted David Foster Wallace fan himself."[9] Ponsoldt had excerpts read at his wedding from Wallace's memorable commencement speech "This is Water", at Kenyon College.[9] (Ponsoldt told The Wall Street Journal he had read Wallace since high school, and that Infinite Jest "was the most substantive relationship of my freshman year.")[10] Ponsoldt later told The A.V. Club about his response to being offered the script by Margulies: "I was flattered. I was excited. I was very nervous. I was hyper-aware of Lipsky's book. Wallace is a hero to me." He continued, "When I read it, I was deeply, deeply moved and blown away by what Donald had pulled off."[11]

Ponsoldt discussed the project's history with an interviewer, "[Lipsky's] book came out in 2010. It was a 'New York Times' bestseller. He wrote it with the support of some of David Foster Wallace's family. They're thanked prominently in the acknowledgements. The article that Lipsky had written for 'Rolling Stone' when Wallace died won a National Magazine Award. Our film was made with the support of people who knew Wallace, who aided in the making of the film."[11] Margulies explained, "We've approached this with such, we think, humanity."[9] Speaking with Time magazine, David Lipsky related that before sending the memoir to publishers, he asked for the Wallace family's approval.[12] Jason Segel told the Los Angeles Times, "My personal feeling in taking on the movie and especially in seeing it is that it's a real extension of David Foster Wallace's themes and writing."[13] Vanity Fair's Richard Lawson reported, "His estate does not endorse this movie. But Segel, and Ponsoldt, and everyone else involved do him wonderful justice anyway. By the end of the tour, we truly feel the weight and impact of what a loss for our culture Wallace's death was."[14]

Eisenberg was cast as David Lipsky in December 2013.[15] Eisenberg told the Orange County Register he had been a fan of Wallace's work since college. "I just thought it was phenomenal." An admirer of Margulies' plays, it took him "no time at all to accept the part," Eisenberg said. With a screenplay, "You only really have the story and the characters to judge, and this had a wonderful story, wonderful characters."[16] Eisenberg spent time with Lipsky learning how to accurately portray a journalist.[17] Wired, after observing that "there has been enough conversation over the meaning and implications of director James Ponsoldt's fourth feature The End Of The Tour to rival the page count of Infinite Jest," praised Eisenberg's performance as "the best part of the film," deserving of "awards attention."[18]

According to The New York Times, Segel was nervous about taking the part as David Foster Wallace. But "paging through the screenplay, Mr. Segel felt a rush of recognition." Preparing for the role, Segel listened exhaustively to Lipsky's recordings, watched online clips of David Foster Wallace, and assembled a small book club to read Infinite Jest. He told The New York Times that when he bought the novel, the saleswoman rolled her eyes. "She said, 'Infinite Jest. Every guy I've ever dated has an unread copy on his bookshelf.'"[9] Segel's performance as David Foster Wallace was called "a revelation" by Entertainment Weekly,[19] "stunning" by Vanity Fair[14] and "infinitely impressive" by the Chicago Sun-Times.[20] The Huffington Post wrote, "It's early, but let's prep Jason Segel's Oscar campaign just to be safe."[21]

Mickey Sumner was cast as Wallace's classmate Betsy. "It was a movie about David Foster Wallace," she explained, "whom I adored and loved." Anna Chlumsky—playing Sarah, Lipsky's girlfriend—told Variety she was attracted by the depth of Margulies' screenplay.[22] By March 18, 2014, Academy Award-nominated actor Joan Cusack had joined the cast as Wallace's Minneapolis–Saint Paul escort, Patty Gunderson.[23] On March 19, 2014, Ron Livingston joined the cast as Rolling Stone editor Bob Levin.[24]

Principal photography began on February 19, 2014, in Grand Rapids, Michigan, and Hudsonville, Michigan, and continued for five weeks.[25][26][27] On March 19, 2014, it was announced that filming was taking place at JW Marriott Grand Rapids and shooting was said to wrap soon.[28] Around March 20, 2014, Muskegon County Airport was used for scenes representing Chicago O'Hare Airport and a fuselage of an Embraer 145 in Muskegon hangar was used for aircraft interior scenes. Around March 21, some scenes were filmed at the Mall of America and near the Third Avenue Bridge in Minneapolis.[29]

The film's soundtrack, written by Danny Elfman, was released by Lakeshore Records on July 24, 2015.[30] Supervised by Tiffany Anders, the soundtrack features songs by Alanis Morissette, R.E.M., Brian Eno, and Felt. There is also a cover by Tindersticks of Pavement's ballad "Here". Director James Ponsoldt told ComingSoon.net, "From early on, R.E.M. and Brian Eno were a band and a musician that sort of factored into the time that David Lipsky and David Foster Wallace spent together. And they had conversations about what they listened to. So I knew that R.E.M. and Eno would feature in the movie."[31] Reviewing Elfman's score at Soundtrack Dreams, Minhea Manduteanu wrote, "From 'Walking the dog' on, everything fell into place. It's not by accident that this final section includes a cue by Brian Eno. Elfman channeled his inner Eno in those cues and it worked magic."[32]

The performance of Jason Segel as David Foster Wallace received critical acclaim.

The film received a 92% "Certified Fresh" rating on Rotten Tomatoes, based on 161 reviews, with an average rating of 8/10. The site's critical consensus states: "Brilliantly performed and smartly unconventional, The End of the Tour pays fitting tribute to a singular talent while offering profoundly poignant observations on the human condition."[38] The film also holds a score of 82 out of 100 on Metacritic, based on 35 reviews, indicating "universal acclaim".[39]

At RogerEbert.com, critic Brian Tallerico called the film a "joy," and "stunning ... a gift of highly intellectual discussion between two brilliant people at turning points in their lives," while also praising Jason Segel and Jesse Eisenberg.[40]

In his review for The New York Times, A.O. Scott wrote, "I love it ... You hang on its every word and revel in its rough, vernacular beauty ... This one is just about as good as it gets."[41] Entertainment Weekly gave the film an "A−" rating and Chris Nashawaty wrote it was "thoughtful and deeply affecting ... The real revelation (an overused word, but it truly applies here) is Jason Segel... It's a profoundly moving story."[42] Matthew Jacobs of HuffPost cited Jason Segel's portrayal of Wallace as one of the 23 best performances of 2015.[43]

The Washington Post's Ann Hornaday gave the film four out of four stars and called it, "A five-day conversation you won't want to end... Part love story, part road trip, part elegy to a bygone, pre-9/11 age, 'The End of the Tour' brims with compassion and sharply honed insight" about "what it means to be human."[44] In his review for Vanity Fair, Richard Lawson called it a "wise, humbly sublime film... a profound, and profoundly affecting, movie, one that had me blubbering with happy-sad tears[.] What a pleasure to spend two hours in its company."[14] Lawson especially praised Segel's performance as "a stunning, career-defining performance."[14]

In his review for the New York Daily News, Joe Neumaier awarded the film five out of five stars, calling it "one of the best movies of the year ... Director James Ponsoldt's smart, incisive and extraordinary drama is the kind of film that burrows into your head and leaves you illuminated about life and how to live it."[45] Neumaier called Segel's work "an award-worthy performance".[45] In her review for the Los Angeles Times, Sheri Linden wrote "James Ponsoldt's magnificent The End of the Tour gives us two guys talking, and the effect is breathtaking ... They're played with a wrought and wary chemistry, synapses blazing, by Jason Segel and Jesse Eisenberg."[46]

In his review for Rolling Stone, Peter Travers called the film "riveting" and "mesmerizing", writing "As the details accumulate, so does the power of the film, an illuminating meditation on art and life ... That's what makes the movie, elevated by two extraordinary actors, an exhilarating gift."[47] In her review for Slate, Dana Stevens called the film, "A movie of ideas that contains actual ideas," writing "I greatly enjoyed it."[48] In his review for Cut Print Film, Josh Oakley awarded the film a perfect "10/10", calling it "one of the best films of the year", and stating "The End of the Tour presents, with ample evidence, Wallace as a figure who could never fill the holes of loneliness with the spackle of acclaim."[49] In his review for the Chicago Sun-Times, Richard Roeper awarded the film four out of four stars, calling it "brilliant ... this is one of the best movies of the year."[20]

In his review for the Minnesota Star Tribune, Colin Covert gave the film four out of four stars, writing, "Simply put, it is a masterwork."[50]

Wallace's literary estate was not approached to participate in the film: it did not give permission — and ultimately opposed — the film.[51][52]

The film appeared on many critics' lists of the best films of 2015.