Miracles (TV series)

• Skeet Ulrich as Paul Callan, a former investigator of modern miracles for the Catholic Church. Paul was an orphan from a very young age; his mother died when he was only five years old of an unknown ailment, and he never met his biological father. When he was seven years old, he spent two weeks at St. Jerome's Hospital being treated for pneumonia, which he nearly died from.[6] Paul resigned from the church after the monsignor dismissed his report on the Tommy Ferguson case. He then teamed up with Alva Keel and Evelyn Santos and began working for "Sodalitas Quaerito".
• Angus Macfadyen as Alva Keel, a former Harvard professor. On November 16, 1985, while minoring in Linguistics at Cambridge University, he began his senior project, a study on bird calls and recorded several of them on tapes. While playing them back five days later, he began hearing his mother's voice repeating "Alva...Alva..." amongst the bird calls.[6] In 1998 he founded Sodalitas Quaerito, a small business that investigates and catalogues various phenomena, to fund his research.
• Marisa Ramirez as Evelyn Santos, a former police officer and single mother. The father of her child, John, is in prison. Little is known about how she came to work with Keel, but it was revealed in a deleted scene that she was shot in the head in the line of duty, and had a paranormal experience where she believes she saw that there was nothing on "the other side".[7]

• Héctor Elizondo as Father "Poppi" Calero, Paul's mentor throughout his entire life, who is a father at the church where Paul grew up and used to work. Appeared in the pilot episode, and then reappeared in later episodes of the series.
• Jacob Smith as Thomas "Tommy" Ferguson, a ten-year-old boy from Cottonwood, Arizona with healing powers. His power was discovered after he hugged his grandmother, who had lung cancer, and told her he hoped she felt better; his grandmother then left the hospital two days later, when her cancer completely disappeared.[5] Sacrificed his own life to save Paul Callan's after his car was hit by a train, leaving him in a state of near death. Tommy appeared in the pilot episode, and then appeared as a ghost in the episodes "Little Miss Lost" and "Paul is Dead".

Series creator Richard Hatem was sent a screenplay in early 2001 called "Miracles", written by Michael Petroni and owned by Spyglass Entertainment. Hatem assumed that he was being sent the script to re-write, and the script would then be made into a feature film. Hatem recalled in "The Making of Miracles" interview on the Miracles DVD set that he was puzzled when he was sent the script to re-write, because he thought it was "pretty wonderful as it [was]".[1] Hatem's agent later confirmed to him that Spyglass actually wanted him to use the screenplay as a jumping off point to create a one-hour television series, "a sort of 'spiritual X-Files".[1]

When Hatem met with executives at Spyglass, he brought with him a "good luck charm," the book The Physical Phenomena of Mysticism by Herbert Thurston, which Hatem said Miracles later "evolved into."[1] Thurston was an Anglican minister who investigated spiritual phenomena during the 1920s and 1930s, when, according to Hatem, "spiritualism (the contacting of the dead through séances and mediums) was still popular in America."[1] The book examined which phenomena were signs from God, and which were "something else." After discussing this with Megan Wolpert and Suzanne Patmore, executives at Spyglass, Hatem said "what [he] expected would be a 20-minute meeting turned into a three hour meeting, where ideas were flowing back and forth." Hatem claimed the show was born "that day, in that room" in March 2001.[1] Hatem, Wolpert, and Patmore liked the idea that a character (Paul Callan) who came from a strict religious background and was raised to believe that any strange occurrence was either a sign from God or a sign from the devil, was suddenly thrust into a world where various phenomena "crossed those boundaries" and could not be classified as "good or bad" because they had elements of both. Hatem believes this is the element that "creates the drama," and makes the show "fun and scary."[1]

Hatem, Wolpert, and Patmore researched various supernatural and religious folklore and found that most of those types of encounters could "find a nexis in [Miracles], and [they] could do all kinds of stories".[1] The three also agreed that "[Miracles] could not be a show about the Catholic Church [...] ABC was not interested in taking that on".[1] Hatem referenced in the Miracles DVD interview a short-lived series that aired on ABC during the 1997–98 season called Nothing Sacred, which centered on the Catholic Church in the 1970s.[1] While the show's main character was raised with a Catholic upbringing, Hatem did not want to make the series about a "Vatican conspiracy". Hatem did however acknowledge that the pilot episode transitioned from religious phenomena to paranormal phenomena, and that the transition between "'religion' and 'general paranormal' [was a huge challenge] all the way through, because the questions kept coming back: 'Is this guy a priest?'; 'How do we explain he's not a priest?'; 'How do we explain that his points of view are not the points of view of the Catholic Church?'".[1] Hatem also acknowledged that as they were preparing to "sell a show whose pilot has priests, and a monsignor", the Church was in the midst of a sex abuse scandal that was being reported in newspapers all over the country. Hatem recalled that "the joke was, '[the show wasn't] on the air long enough to generate controversy'; we would have loved controversy, but we flew so low under the radar that I don't think anyone had a chance to be offended or even construe a way to take offense".[1]

The production team had many ideas for casting, and Richard Hatem says that Skeet Ulrich was one of the first ideas for an actor to play Paul Callan.[1] However, the producers believed that Ulrich was "unavailable", and that he was taking a break from acting and living with his wife and kids in Virginia. Among the other actors who auditioned for Paul Callan were Matthew Fox, known for his starring role on the series Party of Five and who went on to star in Lost, and Jason Priestley, which Hatem says "would have been an excellent casting pun".[1] During auditions, a Miracles producer learned that Ulrich had been sent the script by his agents and managers, and that he had "really responded to it". Matt Reeves, the director of the pilot, was impressed that he was able to exude soulfulness, emotion, and intelligence without speaking.[1]

Hatem said that when casting the part of Alva Keel, a mysterious person was necessary for the role, "someone who would draw Paul away from the Church and bring him into this strange world of paranormal investigation".[1] Donald Sutherland was an original casting idea, because the producers originally wanted someone who was around the same age as Hector Elizondo, to persuade Paul to leave behind one father figure and follow another. However, after many people auditioned, the producers took note of Angus Macfadyen's ability to without speaking, like Ulrich, portray intensity and mystery. The casting of Macfadyen gave the producers the idea of instead of following a new father figure, Paul Callan would join a group based on "brotherhood", "someone who was more of an age contemporary with Paul".[1]

Hatem recalls casting the part of Evelyn Santos as "difficult, because technically, she doesn't exist in the pilot; she has one shot in the first episode, and in the original pilot, she was played by a different actress".[1] Because Evelyn has no real lines in the pilot episode, extensive casting was not held. After the pilot was picked up, the producers faced the challenge of casting a character "for whom [they] had never written anything".[1] Producers cast Marisa Ramirez very late in the audition process, after the episode "The Ghost" had already been filmed. Ramirez was cast because the producers wanted someone "watchable" and at the same time "normal, and real" as a contrast to Paul and Keel, who had each lived unusual lives. Hatem described the three leads as a "weird, paranormal Brady Bunch" because of each of the characters' non-nuclear families.[1]

Richard Hatem says that the backdrop of the stories of Miracles were intentionally made to be those of everyday life, to better connect with the audience.[1] Hatem acknowledged Stephen King as a powerful influence in the development of Miracles, as well as his own career; in the DVD interview he commented that "if you tell people you want to do something like Stephen King, people will listen to you".[1] He references a book in his personal collection about a haunted apartment complex in Santa Ana, California, which Hatem claims to "love more than anything"; "I would love to visit the haunted apartment complex in Santa Ana". Hatem recalls enjoying the "haunted gas station mini mart" from the episode The Battle at Shadow Ridge, which he claimed to possibly be the "goofiest" episode of the series; Hatem said, "If a gas station mini mart can be haunted, then I can go to sleep a happy man; then I know this world is truly a special place".[1]

Richard Hatem joked that he and David Greenwalt adopted mundane as the "buzzword" of the series, although they never told anyone because "that's not what a network likes to hear".[1] Hatem and Greenwalt used the idea of "mundane" throughout the series as a way of showing the audience that strange occurrences can happen in everyday places. Hatem recalled that despite hoping and expecting that the series would be on the air for as many as ten seasons, he and Greenwalt had not fully mapped out a "ten-season-long mythology" of the show where the question "Darkness or light?" would ultimately be answered.[1] Hatem references the "two kinds of episodes of The X-Files: 'stand-alones', and 'mythology episodes'", and holding a preference for stand-alone episodes because when the mythology starts to be unraveled, "that's when it becomes no fun anymore".[1]

Richard Hatem addressed in DVD commentary and interviews some of the show's more frequent themes.[8]

This theme was used to some degree in the following episodes:

• "The Ferguson Syndrome", wherein the Fergusons lose their son Tommy after he saved Paul's life[5]
• "The Patient", wherein Dr. Bauer loses his daughter Raina to Sakovsky's syndrome[9]
• "Little Miss Lost", wherein Rosanna Wye has to confront her missing, deceased child after 60 years[10]
• "The Bone Scatterer", wherein Travis Prescott's miscarried brother Jimmy acts as his guardian angel[11]
• "Mother's Daughter", wherein the Cotrells are forced to give up their daughter Hannah and stop Lucinda Morgan Bryant from committing suicide[12]
• "The Ghost", wherein Larry Kittredge is haunted by the poltergeist of his deceased son[13]
• "The Letter", wherein Georgia Wilson receives letters from her dead father, ghostwritten through a death row inmate[14]
• "Paul is Dead", wherein Paul loses Evelyn's son Matty at a playground[15]

Richard Hatem addressed the theme of the episodes "The Ghost" and "The Letter", which were both "conceived" around the same time.[1] Both episodes explored the idea of living people making contact with the spirit of someone who used to be a part of their lives, but who was now deceased. In "The Ghost", Larry Kittredge believes his dead son Kevin is haunting the realty office where he works; in "The Letter", Georgia Wilson begins receiving letters from her dead father, written through his murderer, death row inmate Edward Dubek. In both episodes, the conclusion both characters reached was it was best to save a "terrestrial relationship" (Larry Kittredge's relationship with his wife and Georgia Wilson's relationships with Paul and Poppi) rather than continue to explore a "possibly unreal spiritual relationship".[1]

Richard Hatem lists "Saint Debbie" amongst his favorite episodes, partly because of its theme, and claims to be one of the few people who like the episode.[1] Hatem says that "Saint Debbie" is the only episode to include "no real psychic phenomena", but is rather the story of an "everyday miracle".[1]

Had the show been an "enormous success", Richard Hatem says a "modest plan was in place of where the show would have gone".[1] The series would have continued the mythology of Paul's destiny: whether or not Paul was destined for good or evil, and the amount of control he had over his own destiny.[1] Ideas included more close-ended stories and further exploring the backstories of Alva Keel and Evelyn Santos, as well as some ideas for unproduced episodes which were "very much in vein of the thirteen [produced episodes]"; however, the producers never saw much further than that.[1]

In 2022, TVLine include Miracles on their list of the best one-season shows.[16]