The Furnaces of Palingenesia

The band recorded the album live in a studio using analogue gear, and it was mastered more quietly than most of the band's preceding material, also reflecting a shift in production approach.[1]

A month after the album's release, Deathspell Omega conducted its first formal interview in 15 years with Niklas Göransson, the editor of metal publication Bardo Methodology. During the interview, the band stated that album is presented as a manifesto from a dictator speaking for a political faction referred to as "the Order". It was influenced by French philosopher Georges Bataille, who opposed both the authoritarianism of the left from the Soviet Union and the authoritarianism of the right from Fascist Italy and Nazi Germany.[1]

The band discussed a major impetus for the interview and the album being the Doomsday Clock being at two minutes to midnight, citing concerns over the degradation of the natural environment and the growing presence of authoritarian politics. They referenced Maximillien Aue, the villainous narrator of Jonathan Littell's novel The Kindly Ones, in discussing the narration style of the album, contrasting his perspective with Winston Smith's from George Orwell's Nineteen Eighty-Four.[1]

The band noted that a major purpose of The Furnaces of Palingenesia was to "shatter a myth that's so central to stability both on an individual and civilisational level: the impervious necessity to believe that what we do is just, that we are just, that good and evil in intent and deed are as distinct as night and day."[1] They also argued:

Twice, man committed the highest of crimes: by waging an absolutist war against nature and, therefore, against life itself. And, secondly, by severing the bond to nature and forging an anthropocentric worldview that places man above everything else and, therefore, can be used to justify just about anything – no matter how short-sighted or ill-advised – so long as it appears to serve mankind's interests. Extracting man from the natural order, by intent if not in effect, was a sign of hubris which remains literally without equivalent and whose resulting devastations will know no equivalent either. Listen carefully enough and you'll hear demonic snigger.

Exclaim! gave the album a positive review, noting that it is "equally constructed on slower-paced dread... another notch of excellence on an arguably flawless discography, Deathspell Omega sound as supernaturally violent as ever, while simultaneously revelling in a more subdued realm that sacrifices nothing in the way of quality."[2]