The Hazards of Love

While riding through the taiga, Margaret finds an injured fawn. When she stops to help it, the fawn changes into a young man named William, and the two make love ("The Hazards of Love 1 (The Prettiest Whistles Won't Wrestle the Thistles Undone)"). Margaret soon learns she is pregnant ("A Bower Scene") and flees to the forest to find William ("Won't Want for Love (Margaret in the Taiga)"). William comes to Margaret and proclaims his love for her ("The Hazards of Love 2 (Wager All)"), but a short, mysterious instrumental announces the threat of William's mother, the Forest Queen ("The Queen's Approach").

William and Margaret reminisce about their first meeting and anticipate the birth of their child ("Isn't It a Lovely Night?") when they are discovered by the Forest Queen. William begs the Queen to allow him to be with Margaret, but the Queen accuses him of being ungrateful, pointing out that she rescued him from the human world when he was a baby and bestowed on him immortality. Their exchange continues until the Queen resolves to allow William one night as a mortal man with Margaret, but afterwards reclaim him forever ("The Wanting Comes in Waves/Repaid"), ending the first act. Another short instrumental ("An Interlude") represents the "intermission" between the two acts.

Elsewhere, we meet the Rake, a widower and philanderer who feels no remorse at having murdered his three children in order to be rid of the responsibility of raising them ("The Rake's Song"). He kidnaps Margaret ("The Abduction of Margaret"), and then the Forest Queen ruthlessly breaks her promise by inviting the Rake to violate Margaret and assists his escape from William by parting a raging river ("The Queen's Rebuke/The Crossing"). William arrives at the river but is unable to cross until he offers his own life in exchange for safe passage ("Annan Water").

The Rake gloats over Margaret, while she calls for William to rescue her ("Margaret in Captivity"). But before the Rake can strike, the ghosts of his three murdered children appear and thwart him ("The Hazards of Love 3 (Revenge!)"). William arrives and escapes with Margaret ("The Wanting Comes in Waves (Reprise)"), but, as they approach the river, the lovers vow to marry each other by drowning themselves in the river while William is still a mortal man. As they sink into the water, William and Margaret proclaim their love a final time, reflecting that, in death, "the hazards of love" can no longer trouble them ("The Hazards of Love 4 (The Drowned)").

On January 15, 2009, "The Rake's Song" became available as a free download on the band's MySpace page. This was followed on February 16, 2009, by "The Hazards of Love 1", again on MySpace. The Hazards of Love was released on iTunes Australia on March 14, 2009. On March 20, 2009, Entertainment Weekly began streaming the full album on imeem.[7] The album entered the US charts at #14, selling 19,000 copies in its first week.[8]

After the album's release, four filmmakers (Peter Sluszka, Julia Pott, Guilherme Marcondes, and Santa Maria) made an animated visual accompaniment to the music, Here Come the Waves: The Hazards of Love Visualized. It does not include narrative elements, but is related through the shape of the music. It has been shown publicly in a few locations.[9]

In February 2012, Player's Theatre in Montreal, Canada staged the album under the name "The Hazards of Love: A Folk Opera" with dialogue written to accompany the Decemberists' original music.[10] The script was written and directed by James Hugh Keenan Campbell and Charles Harries, and starred Montreal actors Emily Skahan, John Pleasants, and Katie Scharf among others. Robin Warner, a Montreal jazz bassist, directed the six person pit band.[11][12]

Professional ratings

Aggregate scores
Source	Rating
AnyDecentMusic?	7.2/10[13]
Metacritic	73/100[14]
Review scores
Source	Rating
AllMusic	[15]
The A.V. Club	B+[16]
The Guardian	[17]
Mojo	[18]
MSN Music (Consumer Guide)	C[19]
NME	[20]
Pitchfork	5.7/10[21]
Q	[22]
Rolling Stone	[23]
Spin	5/10[24]

The Hazards of Love drew mixed to favorable reviews from music critics, with most reviewers commending the album's ambition and musical craft, but criticizing its story and characters as vague and underdeveloped. Will Hermes of Rolling Stone wrote that "The Hazards of Love brings the glorious excess... The Decemberists approach this kind of pretentiousness somewhat ironically, but they also clearly love their models, Led Zeppelin and Fairport Convention among them",[23] while James Christopher Monger of AllMusic summarized the album as "ambitious, pretentious, obtuse, often impenetrable, and altogether pretty great".[15] Robert Christgau was a detractor, writing that "The Hazards of Love looked to be where Colin Meloy's obvious bad points permanently swallowed his subtle good points...He has the conceit to elevate melodies that are the musical equivalent of doggerel into mini-motives".[19] Marc Hogan of Pitchfork criticized the album's plot and lamented the absence of the band's "catchy choruses" and "verisimilar emotions", but praised its heavier songs and Shara Nova's contribution to them.[21]

All songs written by Colin Meloy, except where noted.

According to the liner notes of The Hazards of Love.

• Official lyrics