The Lifted Veil (novella)

The Lifted Veil is a novella by George Eliot, first published anonymously in Blackwood's Magazine in 1859. [1][2] It was republished in 1879.[2] Quite unlike the realistic fiction for which Eliot is best known, The Lifted Veil explores themes of extrasensory perception, possible life after death, and the power of fate. [3][4][5] The story is a significant part of the Victorian tradition of horror fiction, which includes such other examples as Robert Louis Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde (1886), and Bram Stoker's Dracula (1897).[6][7]

The Lifted Veil
AuthorGeorge Eliot
CountryUnited Kingdom
LanguageEnglish
Genre(s)Horror fiction
PublisherBlackwood's Magazine
Media typePrint (hardback & paperback)
Publication dateJuly 1859
TextThe Lifted Veil at Wikisource

Plot summary

The unreliable narrator, Latimer, believes that he is cursed with an otherworldly ability to see into the future and the thoughts of other people. His unwanted "gift" seems to stem from a severe childhood illness he suffered while attending school in Geneva. Latimer is convinced of the existence of this power, and his two initial predictions do come true the way he has envisioned them: a peculiar "patch of rainbow light on the pavement" and a few words of dialogue appear to him exactly as expected. Latimer is revolted by much of what he discerns about others' motivations.

Latimer becomes fascinated with Bertha, his brother's cold and coquettish fiancée, because her mind and motives remain atypically closed to him. After his brother's death, Latimer marries Bertha, but the marriage disintegrates as he recognizes Bertha's manipulative and untrustworthy nature. Latimer's friend, scientist Charles Meunier, performs a blood transfusion from himself to Bertha's recently deceased maid. For a few moments the maid comes back to life and accuses Bertha of a plot to poison Latimer. Bertha flees and Latimer soon dies as he had himself foretold at the start of the narrative.

Criticism and reception

Blackwood's hesitated to publish The Lifted Veil due to its uncomfortable and sometimes horrifying scenes, like the blood transfusion at the end of the story.[5] Blackwood liked the story but knew it might not be successful in his magazine, while his brother thought it was disturbed and urged him not to publish it.[6]

Literary significance

This tale departs from Eliot's usual technique. Latimer's first-person narrative works with causality and chronology, with the narrative ending where it begins.[1]

It is Eliot's only venture into what would later be called science fiction.[8] The story was influenced by the fields of physiology, phrenology, and mesmerism, as well as scientists such as William Gregory, who studied animal magnetism, and Charles-Édouard Brown-Séquard, who performed transfusion experiments.[1] Some academics believe the focus on clairvoyance was reflective of George Eliot's anxiety that her pseudonym had or would be found out.[9][2]

Adaptations in other media

In 1948 the story was adapted for an episode of the syndicated radio program The Weird Circle.[10] In 2002 the story was adapted for the stage for solo actor by Tim Heath. The adaptation was commissioned by Joseph Millson and was performed by him between 2002 and 2006.[11][12]

Wikisource has original text related to this article:

References
  1. Kennedy, Meegan (24 March 2002). "The Lifted Veil". NYU Langone Health. Retrieved 23 April 2022.
  2. Bull, Malcolm (1998). "Mastery and slavery in 'The Lifted Veil.' (George Eliot)". Essays in Criticism. 48 (3): 244. doi:10.1093/eic/48.3.244. Retrieved 23 April 2022.
  3. Johnson, Joy (2007). "Print, Image, and the Cycle of Materiality in George Eliot's The Lifted Veil". Nineteenth-Century Gender Studies. 3 (2). Retrieved 23 April 2022.
  4. Marcinkowski, Emilie (26 October 2016). "What is the "Lifted Veil"?". Georgetown University Blog. Retrieved 23 April 2022.
  5. McGlynn, David (2007). "Transfusing the Secret in George Eliot's "The Lifted Veil"". George Eliot - George Henry Lewes Studies (52/53): 60–75. JSTOR 42827831. Retrieved 23 April 2022.
  6. Helms, Whitney (2007). "Print, Image, and the Cycle of Materiality in George Eliot's The Lifted Veil". George Eliot - George Henry Lewes Studies (1): 49–65. doi:10.2307/georelioghlstud.62-63-1.0049. S2CID 246615096. Retrieved 23 April 2022.
  7. Ewing, Murray (13 April 2019). "The Lifted Veil by George Eliot". mewsings. Retrieved 23 April 2022.
  8. Jasmine, Taylor (6 January 2018). "The Lifted Veil by George Eliot (1859)". Literary Ladies Guide. Retrieved 23 April 2022.
  9. Fulmer, Constance M. (2019). "George Eliot's "The Lifted Veil" and "Brother Jacob" as Expressions of Her Personal Anxieties". Victorians: A Journal of Culture and Literature. 136 (136): 194–205. doi:10.1353/vct.2019.0013. S2CID 214473671. Retrieved 23 April 2022.
  10. Truesdale, Dave (17 December 2016). "Weird Circle — "The Lifted Veil"". Tangent. Retrieved 23 April 2022.
  11. Heath, Tim (31 January 2003). "Review of The Lifted Veil". Retrieved 4 May 2022.
  12. Millson, Joseph (31 December 2019). "The Lifted Veil". Retrieved 4 May 2022.
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