The Loyal Rebel

The Loyal Rebel is a 1915 Australian silent film directed by Alfred Rolfe set against the background of the Eureka Rebellion.[3]

The Loyal Rebel
Poster for film
Directed byAlfred Rolfe
Written byArthur Wright
Production
company
Release date
27 September 1915[1]
Running time
5,000 feet[2]
CountryAustralia
LanguagesSilent film
English intertitles

It is considered a lost film.[4]

Plot

In 1854, a young farmer, Stanley Gifford, leaves his girlfriend Violet in England and goes to seek his fortune in the goldfields. Stanley's letters to Violet are intercepted by the villainous Pellew Owen. Violet's father, Major Howard, is blackmailed by Pellew Owen into giving him Violet's hand in marriage after Howard shoots a man in a quarrel over cards.

Pellew tires of Violet and abandons her, so she goes with her father to Ballarat to find Stanley. Her father dies of exhaustion and Violet is kidnapped by Pellew after interrupting a bank robbery. She is rescued by police and Pellew is arrested, but set free after he agrees to be a police spy.

The Eureka rebellion takes place in which a miner is killed, Bentley acquitted, and the hotel burnt down. Miners take refuge in the Eureka Stockade and Pellew is killed. Stanley is wounded, but he manages to escape with Violet and they are united.[5][6]

Cast
  • Reynolds Denniston as Stanley Gifford
  • Maisie Carte as Violet Howard[7]
  • Charles Villiers as Pellew Owen
  • Percy Walshe was Major Howard
  • Leslie Victor as Peter Lalor
  • Jena Williams as Mrs Gifford
  • Wynn Davies as soldier

Production

The screenplay, written by novelist Arthur Wright, won first prize of £30 in a competition held by Australasian Films.[8]

The movie was filmed on location near Sydney and in the Rushcutters Bay studio. The Bakery Hill scenes were shot at a railway deviation camp outside Sydney.[7]

The film used some of the original records stored in the Mitchell Library, including the proclamation concerning the imposition of a monthly tax on the miners, the licences which were issued, and the first Australian flag, consisting of a piece of blue hunting and five stars of the Southern Cross.[9][10]

Most of the cast came from the stage, including Reynolds Denniston, who was a well-known theatre star.[4][11]

Reception

Arthur Wright says that director Alfired Rolfe "made a fine job of it, judged on the standard of the day, but though it was a good effort it did not pull big business. The title was against it for one thing."[8]

It also screened under the title Eureka Stockade.[12]

Critical

A critic from The Sydney Morning Herald said that "while free use is made of a love romance to point a moral and adorn a tale, the most realistic of the scenes are those showing the rising of the miners on the Ballarat goldfield of 1854 and the fierce fight behind the stockade."[13] The Referee called the film:

The first historical photo play produced in Sydney, and the result is very creditable. Mr. Arthur Wright... has weaved in a story of love and adventure, and has done the work very well. The play is full of life, and, considering the large number of people who figure in the action simultaneously, the 'staging' is excellent and the acting very satisfactory... One of the most striking features of the film is the faithful presentation of dress, goldfields, and life generally as they were 60 years ago, in the era of the top hat, the crinoline, the Wellington boot, and the Crimean shirt.[14]

Short story

Arthur Wright later published a short story under the same title. However the contents of the story appear to be different from the plot of the book.[15]

References
  1. "Advertising". The Sydney Morning Herald. National Library of Australia. 28 September 1915. p. 2. Retrieved 30 March 2012.
  2. "Advertising". The Barrier Miner. Broken Hill, NSW: National Library of Australia. 4 December 1915. p. 1. Retrieved 30 March 2012.
  3. Vagg, S., & Reynaud, D. (2016). Alfred Rolfe: Forgotten pioneer Australian film director. Studies in Australasian Cinema, 10(2),184-198. doi:10.1080/17503175.2016.1170950
  4. Andrew Pike and Ross Cooper, Australian Film 1900–1977: A Guide to Feature Film Production, Melbourne: Oxford University Press, 1998, p. 55
  5. "Classified Advertising". The Argus. Melbourne: National Library of Australia. 16 October 1915. p. 24. Retrieved 30 March 2012.
  6. "IMPERIAL PICTURES". Newcastle Morning Herald and Miners' Advocate. National Library of Australia. 7 January 1916. p. 6. Retrieved 29 September 2014.
  7. "FILM FANCIES". The Sunday Times. Sydney: National Library of Australia. 12 September 1915. p. 16. Retrieved 29 September 2014.
  8. "To Pana's Page On Passing and Past Shows". The Referee. Sydney: National Library of Australia. 1 July 1931. p. 24. Retrieved 13 September 2014.
  9. "THE EUREKA STOCKADE". The Mail. Adelaide: National Library of Australia. 13 November 1915. p. 5. Retrieved 30 March 2012.
  10. "THE PICTURE KISS". The Sunday Times. Sydney: National Library of Australia. 19 September 1915. p. 16. Retrieved 29 September 2014.
  11. ""THE LOYAL REBEL"". The Sunday Times. Sydney: National Library of Australia. 26 September 1915. p. 6. Retrieved 29 September 2014.
  12. ""THE EUREKA-STOCKADE."". The Mail. Adelaide: National Library of Australia. 20 November 1915. p. 5. Retrieved 9 June 2015.
  13. "AUSTRALIAN PHOTOPLAY". The Sydney Morning Herald. National Library of Australia. 28 September 1915. p. 10. Retrieved 29 September 2014.
  14. "PICTURE GOSSIP". The Referee. Sydney: National Library of Australia. 6 October 1915. p. 15. Retrieved 29 September 2014.
  15. "THE LOYAL REBEL". The Sunday Times. Sydney: National Library of Australia. 19 September 1915. p. 20. Retrieved 1 October 2014.
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