The Man from Cairo
The Man from Cairo (Italian: Dramma nella Kasbah/Avventura ad Algeri) is a 1953 British/Italian/American international coproduction film noir starring George Raft, who plays a man who, upon arriving in Algiers from Cairo (hence the film's title), is mistaken for a detective sent by the French government to find a stolen cache of World War II gold.[2]
The Man from Cairo | |
---|---|
Directed by | Ray Enright |
Written by | Eugene Ling Phillip Stevens Janice Stevens |
Based on | story by Ladislas Fodor |
Produced by | Bernard Luber |
Starring | George Raft Gianna Maria Canale Massimo Serato Irene Papas |
Music by | Renzo Rossellini |
Production company | Michael David Productions |
Distributed by | Eros Films (UK) Lippert Films |
Release date | 27 November 1953 |
Countries | United Kingdom Italy United States |
Language | English |
Budget | $235,000[1] |
The film was Raft's last with top billing and the last of three films that he made for Lippert Pictures.[3] It was also the final feature film of director Ray Enright and the American film debut of Irene Papas.[1]
Plot
The French government investigates the location of some bullion stolen during the war.
Tourist Mike Canelli, an ex-serviceman who served in Algeria during the war, is mistaken for a friend of his, an American agent assisting the French. The friend arrives in Algiers two weeks later, only to find Canelli about to depart, having already solved the case, caught the criminal, cleared the name of a French general suspected of the theft, and recovered the gold.
Cast
- George Raft as Mike Canelli
- Gianna Maria Canale as Lorraine Belogne
- Massimo Serato as Basil Constantine
- Guido Celano as Sgt. Emile Touchard
- Irene Papas as Yvonne Le Beaux
- Alfredo Varelli as General Dumont, also known as Professor Crespi
- Leon Lenoir as Capt. Akhim Bey
- Mino Doro as Major Le Blanc, assumed name of Emile Moreau
- Angelo Dessy as Pockmark
Production
The film was produced by Bernard Luber, who had just made Loan Shark with Raft. It was shot on location in Algeria and Italy and was made for $155,000, with $80,000 in deferrals.[1]
Reception
In a contemporary review for The New York Times, critic Howard Thompson found the film to be formulaic but with "a sleazy, authentic-looking backdrop." Thompson wrote: "Lethargically directed by Ray H. Enright, the action soon levels off to a dull, unsurprising trot. ... Mr. Raft is Mr. Raft, still the same competent, brisk and unimaginative performer. ... [T]he rest go through their assigned motions. It takes all of them a long time."[4]
References
- Mark Thomas McGee, Talk's Cheap, Action's Expensive: The Films of Robert L. Lippert, Bear Manor Media, 2014 p 155
- Vagg, Stephen (9 February 2020). "Why Stars Stop Being Stars: George Raft". Filmink.
- Everett Aaker, The Films of George Raft, McFarland & Company, 2013 p 156
- Thompson, Howard (17 December 1953). "George Raft in 'The Man From Cairo' and a New Stage Bill Seen at the Palace". The New York Times. p. 52.