This Is How the Wind Shifts

According to Told, This Is How the Wind Shifts is a concept album, similar to A Shipwreck in the Sand (2009). Told was in the same head space as when he wrote Shipwreck.[14] He wished to do more than hoping material would come out of the band jamming together.[14] This Is How the Wind Shifts does not have the typical beginning, middle and end story line that featured on Shipwreck.[14] The album consists of six different stories alongside parallel tracks: One of the songs begin the story and another end the story.[14] Told thought this approach was "interesting".[14] However, he isn't that interested in concept albums, declaring he simply tries "to write great songs."[14] Told said of the album:

The idea of this album is how a person's life can change forever with just one event. It is the "what if" that everyone thinks about from time to time. This album is different from a typical start to finish story concept album, or an album where all the songs have a common theme. Each track has a parallel track that tells the story in a different light, what would have happened if things were different due to a single event. The song titles of each parallel track go together, forming a sentence or in some cases two words that relate to each other and to the story. Overall, the point of this album is not to prove the existence of fate, or to disprove it. It's a discussion of life, of loss, of and, of success within failure, of failure within success, of the struggle between your actions and your feelings, and how those don't always go together. This Is How The Wind Shifts is a journey that jumps around but stays cohesive, with underlying meaning and stories that have a real human meaning and cater to the soul.[15]

The music for "Stand Amid the Roar" was written by Rousseau before he had joined the band.[16] Told mention that the group "weren't sure at first if it was going to be a great fit".[16] Rousseau showed a demo of "Stand Amid the Roar" to the band and that was "all it took for him to get in the band!", as Told revealed.[16] "On Brave Mountains We Conquer", and its counterpart "In Silent Seas We Drown", are the most autobiographical songs on the album.[16] "On Brave Mountains We Conquer" also talks about settling down and giving up one's dreams.[16] The lyrics of "Massachusetts" refer to an abusive relationship and the problems one faces with it.[16] The band nearly thought about not recording the song due to its similarity to another Silverstein song.[16] As a compromise, the group "changed it around slightly" according to Told.[16] The tracks "This Is How" and "The Wind Shifts" were written and recorded at the same time.[16] Told notes that they are a summary of the album and that they "symbolize how similar everyone is regardless of how different they seem externally."[16]

"A Better Place" talks about death and the concept of the afterlife.[16] It also talks about regret and people blaming themselves.[16] The group wanted a song in 6/8 time on the album and this resulted in "Hide Your Secrets".[16] The song was the last one written for the album and recalls the band's early output.[16] It also shows off the band's late 1990s post-hardcore and emo influences.[16] "Arrivals" came about from Rousseau jamming a guitar riff with his delay pedal.[16] Told overheard it and queried him what it was, Rousseau replied that he had written vocals for it.[16] Told liked it and thought it was "a really good fit on the album" and prompted Rousseau to use it on the album.[16] Rousseau revealed that the song refers relationship when someone he misses is away and that he is not accustomed the other side "of that emotional exchange".[17] The song was reprised at the end of the album from a different point of view.[16] "In a Place of Solace" is the heaviest song in the band's repertoire.[16] "In Silent Seas We Drown" matches the story featured in "On Brave Mountains We Conquer" but from a parallel universe point of view.[16] Told notes "There is a loneliness and desperation which continues on the second half of this record".[16]

"California" follows the abusive relationship featured in "Massachusetts".[16] "California" refers to getting out of the relationship and forgetting about it despite the difficulties in doing so.[16] The music for "To Live and to Lose" was the first piece of music written for the album and Told said "it was strange to start the writing process with such an experimental track".[16] Told was unsure at first about how to go about it, vocally and lyrically.[16] Told, with his girlfriend's help, placed himself as the character he was writing.[16] "With Second Chances" went through the most changes before the final version appeared on the album.[16] The band were fighting about what they should do with the song.[16] Told defended the song as he liked the chorus the fact it had "a lot of different ideas" in it.[16] With "Departures", the band knew what the intention was for the end of the song but where unsure about the beginning of the song.[16] Rousseau brought up the idea of using "backward effects, playing things forward and then reversing them", as Told mentions.[16]