Thurston Dart

Robert Thurston ("Bob") Dart (3 September 1921 – 6 March 1971), was an English musicologist, conductor and keyboard player. Along with Nigel Fortune, Oliver Neighbour and Stanley Sadie he was one of Britain's leading musicologists of the post-World War II generation.[1] From 1964 until his death he was King Edward Professor of Music at the University of London, based at King's College London.

Robert Thurston Dart
Dart (1961)
Born(1921-09-03)3 September 1921
Died6 March 1971(1971-03-06) (aged 49)
Occupation(s)Musicologist, Professor

Early life

Dart was born on 3 September 1921 in Surbiton, then part of Surrey. His father, Henry Thurston Dart, married his mother, Elisabeth Martha (née Orf) in 1915. Dart attended Hampton Grammar School and he sang in the choir at Hampton Court.

Dart studied keyboard instruments at the Royal College of Music in London from 1938 to 1939, and then studied mathematics at University College, Exeter, being awarded his degree in 1942. He served as a Junior Scientific Officer and then as a statistician and researcher for the RAF Strategic Bombing Planning Unit under Air Vice Marshall Basil Embry from 1942 to 1945. Dart was injured in a plane crash in Calais in November 1944, and while convalescing from his injuries at a nursing home in Swanley, he first met Neville Marriner. After leaving the services, he studied for a year with Belgian musicologist Charles Van den Borren, returning to England in 1946 as research assistant to Henry Moule, a music lecturer at Cambridge University.

Musical career

In 1947 he was appointed assistant lecturer in music in the University of Cambridge, subsequently lecturer (1952) and professor (1962). During this time, Dart was the most effective British supporter of the modern early music revival, in part through his influence on those who ultimately formed such groups as the Early Music Consort of London. In 1964 he was appointed King Edward Professor of Music at the University of London, based at King's College London.

As a continuo player, Dart made numerous appearances on the harpsichord and made many harpsichord, clavichord and organ recordings, especially for the L'Oiseau-Lyre label; he was also a conductor. He served as editor of the Galpin Society Journal from 1947 to 1954 and secretary of Musica Britannica from 1950 to 1965.

Thurston Dart (far right) in 1961. From left: Robert Casadesus, Elisabeth Schwarzkopf, Bernard Haitink, ms. Schil, Jack Boyce and Thurston Dart

During the 1950s he participated in annual concerts featuring four harpsichordists, the three others being George Malcolm, Denis Vaughan and Eileen Joyce. In 1957 this group also recorded Bach's Concerto for Four Harpsichords, an arrangement after Vivaldi, with the Pro Arte Orchestra under Boris Ord. They also recorded Malcolm's Variations on a Theme of Mozart.[2]

Dart's distinguished students included the composer Michael Nyman, harpsichordist Davitt Moroney, conductor Sir John Eliot Gardiner and conductor/musicologist Christopher Hogwood. He made one of the first historically informed recordings of the Brandenburg Concertos with the Philomusica of London. He later worked with Neville Marriner on a recording of the Brandenburg Concertos and the four Orchestral Suites, although Dart died from stomach cancer on 6 March 1971 before recording was complete.

Works

Dart's book, The Interpretation of Music (London, 1954), was highly influential and is still widely read. He also wrote numerous seminal articles on aspects of musical sources, performance and interpretation.

Legacy

Source Materials and the Interpretation of Music: A Memorial Volume to Thurston Dart was published in 1981, edited by Ian Bent.[3]

In 1996 or 1997 the Thurston Dart Professorship of Music was established at King's College London.

Notes

Further reading

  • Bent, Ian, ed. (1981). Source materials and the interpretation of music: a memorial volume to Thurston Dart. London: Stainer & Bell. ISBN 0-85249-511-0.
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