Tian Han

Tian Han (right) and Nie Er (left), respectively the lyricist and the composer of "March of the Volunteers", photographed in Shanghai in 1933

During the May Fourth Movement in 1919, Tian became famous for the vigorous anti-imperialist and anti-feudalist activities in the circle of artists and intellectuals he gathered.

Tian was educated at Tokyo Higher Normal School (present-day University of Tsukuba) in Japan. Returning from Japan in 1921, Tian established the Creation Society together with Guo Moruo and Yu Dafu, and other Chinese intellectuals. The Southern China Society, also headed by Tian, played a leading role in promoting dramatic performances in southern China. In 1927, Tian taught at the Department of Literature of Shanghai Art University. Later, he joined The League of Chinese Left-Wing Dramatists. In 1934, he collaborated with the activist Liu Liangmo on the patriotic anthem, March of the Volunteers.

Tian used various aliases and pen names including his courtesy name Tián Shòuchāng (田壽昌), Bóhóng (伯鴻), Chén Yú (陳瑜), Shùrén (漱人), and Hànxiān (漢仙).

Tian, then Chairman of the Union of Chinese Drama Workers and Vice-Chairman of the All China's Federation of Literary and Art Circles, was targeted by the Gang of Four and attacked during the Cultural Revolution in 1966 for his historical play Xie Yaohuan (1961), which was regarded as an attack on Chairman Mao's policies and the CCP leadership. Criticism of this play, along with two other historical plays (Hai Rui Dismissed from Office by Wu Han and Li Huiniang by Meng Chao), were the opening salvos of the Cultural Revolution.[3] Tian was denounced in a 1 February 1966 People's Daily article entitled "Xie Yaohuan is a Big Poisonous Weed" (田汉的《谢瑶环》是一棵大毒草 Tián Hàn de Xiè Yáohuán Shì yī kē Dà Dúcǎo).[4] The Jiefang Daily called Xie Yaohuan a "political manifesto". The play was condemned for, among other things, of "being a wholesale inheritance of China's theatrical legacy and promoting traditional plays", "disparaging revolutionary modern plays" and "promoting bourgeois class liberalism and obfuscating the direction for the workers, peasants and soldiers". Tian was subsequently persecuted by the Gang of Four and incarcerated as a "counterrevolutionary" in a prison which was run personally by Kang Sheng, and died there in 1968.[2][5] After the end of the Cultural Revolution, he and Xie Yaohuan were “rehabilitated posthumously” (considered to be rehabilitated after death) in 1979.[5]

Although a proponent of western style theater (話劇 huàjù) in China, Tian also produced a number of works with historical themes.[6]

Tian Han was the prototype for the figure of "Kuang Wentao" (played by Bo Gao) in the 1959 biopic Nie Er,[10] which retold the story of the composition of the Chinese National Anthem on the 10th anniversary of the founding of the People's Republic. For the 50th anniversary in 1999, he was represented directly in the film The National Anthem, played by He Zhengjun. His story was also told in The National Anthem, a 27-episode television series, and in the play Torrent (狂流, Kuángliú), produced in Beijing in the year 2000.

In the 2009 film The Founding of a Republic, he was portrayed by Donnie Yen.

• Chen, Xiaomei (2014). The Columbia Anthology of Modern Chinese Drama. New York: Columbia University Press. ISBN 9780231165020. Includes translations of plays, background on Tian and modern drama.
• Huang, Xuelei (2014). Shanghai Filmmaking: Crossing Borders, Connecting to the Globe, 1922-1938. Leiden: Brill. ISBN 9789004279339., esp. pp. 91-92, 115-127.
• Luo, Liang (2014). The Avant-Garde and the Popular in Modern China: Tian Han and the Intersection of Performance and Politics. ISBN 9780472072170.
• Wagner, Rudolf G. (1990). The Contemporary Chinese Historical Drama: Four Studies. University of California Press. p. 137. ISBN 978-0-520-05954-2.

• Media related to Tian Han at Wikimedia Commons
• Liang Luo, "From Lovers to Volunteers: Tian Han and the National Anthem," China Beat (July 16, 2008).