Tindersticks (1993 album)

The album was released on CD and as a double vinyl album which featured a bonus track, "Fruitless", that was not included on the CD (on the CD's track listing "Fruitless" is crossed out). The album included re-recorded versions of both sides of the band's debut single, "Patchwork" and "Milky Teeth", and their second single "Marbles", which had been released as a 10" single only – both singles were originally released on Tindersticks' own Tippy Toes label.

The band's new label This Way Up released "City Sickness" on 13 September 1993[2] as the third single ahead of the album, and the group made their first video to accompany the single with director Martin Wallace, marking the beginning of a long association between the band and Wallace. At the time Wallace was working with Pulp, and Jarvis Cocker co-directed the "City Sickness" video along with Wallace. The video features scenes of everyday life shot in and around London's Hyde Park, focussing on keyboard player Dave Boulter pushing a buggy with singer Stuart Staples' baby daughter Sydonie in it.[3][4]

By the time of the album's release Tindersticks had already picked up critical acclaim in the music press and from BBC Radio 1 DJs John Peel and Mark Radcliffe, who named Tindersticks as his favourite album of the year. The band recorded several sessions for the programmes of both DJs, including the first night of Radcliffe and Marc Riley's new late night Radio 1 show on 25 October 1993 (they also played on the show's final broadcast on 6 February 1997).

In June 2004 Island Records reissued the first four Tindersticks albums as remastered 2-CD sets featuring the original album and a bonus CD. For Tindersticks the bonus CD featured twelve demo versions of tracks recorded during sessions for the album.

As of March 1994 it had sold over 20,000 copies in United Kingdom.[5]

The first 1,000 copies of the album included a pack of four postcards, featuring the front cover of the album, the portrait of the band on the inner sleeve, and paintings of a boy and a girl (the painting of the girl had already appeared as the cover of "Marbles"). The cover is a reproduction of a painting, "The Red Dress", by popular mid 20th century Spanish artist Francisco Rodriguez Sanchez Clement.[6]

Professional ratings

Review scores
Source	Rating
AllMusic	[7]
Chicago Tribune	[8]
Encyclopedia of Popular Music	[9]
Entertainment Weekly	B[10]
NME	8/10[11]
Q	[12]
Sputnikmusic	5/5[13]
Vox	7/10[14]

Melody Maker said, "Some might consider releasing a double album as your debut a mite ambitious, but Tindersticks have that much more to offer. This album moves like a camera through a night in the heart of town. Behind the lens, a stranger, a lover and a fighter ... There's sweet romance at this album's core, even though it's tarnished by violence ... Their songs all invoke the uncomfortable claustrophobia of a big city ... So here it is, the main feature. Tindersticks is all I've said and more. And for Tindersticks, this epic movie is only the beginning."[15] NME felt that "Tindersticks may not be perfect, but there's much on these four sides that warrants its alleged indulgence. For while the singles supplied a detailed sketch of the band's musical worth, the album offers the full picture, freshly painted and beautifully framed. Tacky in places for sure, but, on the whole, massively moving and daring ... gut instinct dictates that Tindersticks will be recommended as required listening in the winter months to come. The full impact of this amazing, exasperating, but ultimately fascinating album will yet be felt."[11] AllMusic said of the album, "A thrilling, revelatory debut, Tindersticks is a chamber pop masterpiece of romantic elegance and gutter debauchery. Within the framework of a remarkably consistent and mesmerizingly dank atmosphere, the group covers a stunning amount of ground ... Fascinatingly constructed and strikingly ambitious, Tindersticks is insidiously labyrinthine: the music speaks softly but carries tremendous weight, and its hold grows more and more unbreakable with each listen."[7]

All songs written and composed by Tindersticks.

1. "Nectar" – 2:40
2. "Tyed" – 4:11
3. "Pt 1" – 0:41
4. "Whiskey & Water" – 5:51
5. "Blood" – 4:52
6. "City Sickness" – 4:00
7. "Patchwork" – 4:40
8. "Marbles" – 4:30
9. "The Walt Blues" – 1:08
10. "Milky Teeth" – 2:52
11. "Sweet Sweet Man Pt 2" – 1:05
12. "Jism" – 6:03
13. "Piano Song" – 2:40
14. "Tie-Dye" – 4:00
15. "Raindrops" – 6:15
16. "Pt 3" – 1:44
17. "Her" – 3:29
18. "Tea Stain" – 2:07
19. "Drunk Tank" – 4:44
20. "Paco de Renaldo's Dream" – 4:22
21. "The Not Knowing" – 4:58

• Note: "Fruitless" was included as a bonus track on the vinyl version of the album only, as the album's second track between "Nectar" and "Tyed". The title is shown as struck out on the CD track listing.

Tindersticks

• Stuart Staples – vocals, guitar
• David Boulter – keyboards
• Neil Fraser – guitar
• Dickon Hinchliffe – violin
• Mark Colwill – bass guitar
• Alistair Macaulay – drums, vibraphone

Additional personnel

• Terry Edwards – trumpet, soprano saxophone on "The Not Knowing"
• Martin Harman – oboe on "The Not Knowing"
• Rosie Lindsell – bassoon on "The Not Knowing"
• Ian Bishop – clarinet on "The Not Knowing"

Production

• Producers: Ian Caple, Tindersticks
• Engineer: Ian Caple
• Arranger: Tindersticks
• Sleeve design: Tindersticks

• "The First Tindersticks Album draws inspiration from the playful narrative style of producer Lee Hazlewood (Duane Eddy, Nancy Sinatra), the Cinemascope orchestrations of John Barry and the twilight-zone claustrophobia of Nick Cave and the Bad Seeds." – Rolling Stone
• "... Press superlatives, record company support, and the highly individual style of British indie rock sextet Tindersticks have ignited a fire of interest that looks likely to cross the Atlantic". – Billboard
• "... it's the feel of rain-wet cobblestones and French cigarettes that immediately define Tindersticks' debut." – Raygun
• "... the band's delicately paced songs are woven around piano or organ beds, or gracefully sculpted guitar lines. Sitting in the middle, like a rich chocolate center, are the sultry vocals of Stuart Staples ..." – CMJ
• "... Tindersticks is sprawling, ambitious, faltering, brilliant, romantic, spontaneous, spooky, flawed and delightful. About f**king time." – Melody Maker, Album of the year
• "... How truly refreshing it is to be utterly spellbound and gently disturbed, to see a band at the beginning of something that promises immeasurable greatness." – Melody Maker