To Be Kind

To Be Kind was produced by frontman Michael Gira and recorded by John Congleton at Sonic Ranch and at Congleton's studio in Dallas. Rehearsing commenced at Sonic Ranch in October 2013 and recording began soon after. Mixing was completed with Congleton in December in Dallas. Most of the music was developed while touring in 2012 and 2013. The album features special guests St. Vincent, Cold Specks, Little Annie and Bill Rieflin.[10][11] On March 21, the song "A Little God in My Hands" as well as the album artwork were revealed. Six images of babies' heads, created by Bob Biggs c. 1976, were used for the album art.[12]

Professional ratings

Aggregate scores
Source	Rating
AnyDecentMusic?	8.6/10[13]
Metacritic	88/100[14]
Review scores
Source	Rating
AllMusic	[15]
The A.V. Club	A−[2]
The Guardian	[16]
Los Angeles Times	[17]
Mojo	[18]
NME	9/10[19]
Pitchfork	9.2/10[20]
Q	[21]
Rolling Stone	[22]
Spin	9/10[23]

To Be Kind was met with widespread critical acclaim. At Metacritic, which assigns a normalized rating out of 100 to reviews from critics, the album received an average score of 88, based on 35 reviews, indicating "universal acclaim".[14] Mark Deming of AllMusic gave the album a positive review, stating:,"Michael Gira is a man unafraid to follow his muse wherever it may take him and To Be Kind is another example of his singular vision writ large without compromise."[15] Anna Wilson of Clash praised the album, describing it as "Karlheinz Stockhausen’s jarring classicism, Captain Beefheart's twisted blues, and the industrialism of Einstürzende Neubauten coalescing into a swirling musical miasma." She also stated that the album is "near perfection."[24] Benjamin Bland of Drowned in Sound gave the album a 10/10 score and stated, "This is an album that emphasises rather than establishes Swans' reconfirmed position at the top of the experimental rock tree, but that doesn’t make it any less of a thrill." He further commented, "Now that this mission has been completed there is space for To Be Kind, and future Swans records to affirm, rather than prove, that Swans are, and perhaps always have been, the greatest rock group on the face of the planet."[1] Writing for Rolling Stone, Kory Grow compared the album to The Seer, as well as the 1996 effort Soundtracks for the Blind, noting how "Swans' sound has evolved so that they "don't just crush—they hypnotize".[22]

Ross Horton of musicOMH gave the album a 5-star score, commenting, "Gira shows that the Swans resurgence isn’t a fluke."[25] Stuart Berman of Pitchfork praised Gira's efforts on the album, stating, "He's responded in the best way possible: by producing a record that, in structure and scale, is every bit The Seer's equal, yet possessed by a peculiar energy and spirit that proves all the more alluring in its dark majesty."[20] Rory Gibb of The Quietus wrote, "By this point they've further coalesced into an inseparable entity. On To Be Kind we experience Swans as totality, all seething ebb and flow crafting music that seems to breathe of its own volition." He also stated that the album's songs "feel more fluid and open-ended than before, expressive and rich in possibility."[26] Colm McAuliffe of The Skinny also gave the album a positive review, stating, "Despite the two-hour plus running time, Swans appear to be – gasp! – enjoying themselves; they’re still staring into the abyss but the abyss is no longer staring back." He also noted that the album: "displays much more diversity than its immediate predecessors."[27] Louis Pattison of Uncut wrote, "Yet as the name suggests To Be Kind does feature a quality hitherto rare in Swans: that of tenderness." He also further stated, "Michael Gira is not only still moving forward but making some of the finest albums of his career."[28]

To Be Kind received a "perfect 10" from Anthony Fantano of The Needle Drop, one of only seven contemporary albums to have ever received such a score to date.[29][30][lower-alpha 1]

While the album's reception was overwhelmingly positive, some reviews were more mixed. Jon Dennis of The Guardian described the album as "uncompromising to the point of overindulgence" and felt that the lengthy track "Bring the Sun / Toussaint L'Ouverture" was "like The Doors playing "The End" for ever only without the easygoing bonhomie."[16]

• The European vinyl version was pressed incorrectly, leading "Oxygen" to be placed on side 5 before "Kirsten Supine" on the record, despite the packaging listing them in the correct order.

Adapted from the official Young God Records website:[11]

• Young God Records official website