Tom Roberts (pianist)

Jacques Gauthe Creole Rice Jazz Band, French Quarter Festival, New Orleans. Visible musicians: Tom Roberts, piano; Amy Sharpe, banjo; Jacques Gauthe, clarinet & saxes; Duke Heitger, cornet; Tom Ebert, trombone.

Following his first tour with Redbone, Roberts moved to New Orleans[3] in 1989 where he subsequently performed in all the major jazz clubs in the French Quarter including Preservation Hall, as well as on many New Orleans riverboats. Most notably, he performed with The Silver Leaf Jazz Band, Jacques Gauthes' Creole Rice Jazz Band, Eddie Bayard's Steamboat Stompers on the steamboat "Natchez", Barry Wratten's Pelican Jazz Band, The Original Camellia Jazz Band, The Crescent City Rhythm Kings, and Tim Laughlin's Jazz Band. He was unable to tour with Redbone during this time since he would have risked losing his position working at the local venues in New Orleans. Roberts commented that he would regularly play piano for more than ten hours each day.

In 1994, Roberts relocated to Annapolis, Maryland. He lived there for five years and once again toured with Leon Redbone.[3][5] During his stay there, Roberts released his first solo album, Night Cap, in 1999.

In late 1999, Roberts relocated to New York City. In 2003, he performed twice at New York's Carnegie Hall,[1] once with Skitch Henderson and again with The New York Pops. Also in 2003, he was featured both as a solo artist and also with Dick Hyman at the Jazz In July series at New York's 92nd St. Y. He lived in New York through 2006.

While there, he also arranged and performed at Lincoln Center under Phil Schapp in a concert showing the evolution of the big band.

Roberts became the pianist for Vince Giordano and The Nighthawks and was on several albums they released during that time period. He was the pianist for The Nighthawks until they took a temporary hiatus in 2006. While living in New York, Roberts also continued to serve as the pianist and musical director for Leon Redbone.

Upon returning to Pittsburgh in 2006, Roberts continued to tour worldwide with bands from New Orleans and New York such as Leon Redbone, the Original Dixieland Jazzband, and the Louisiana Repertory Jazz Ensemble.

In April 2006, Roberts premiered his extended composition "The Poetry of Jazz" in Pittsburgh. It was written in tandem with Joe Negri, setting the poems of Langston Hughes to original jazz compositions written in the styles from the twenties through modern day.[6]

Roberts formed the Allegheny City Ragtime Orchestra in order to share lost ragtime music, especially music written by local Pittsburgh composers, with a contemporary audience. Roberts is a music historian with a special focus on the early jazz era and Pittsburgh jazz musicians.[1] He has been a frequent guest on National Public Radio and has published a number of articles in the magazine Piano Today. In order to share some of his knowledge, he started the Hot Club of Pittsburgh where he shares his extensive knowledge of jazz. Pittsburgh's City of Asylum has featured Roberts's Hot Club presentations. Roberts continues to give these presentations to groups around the country.

Roberts collaborated with Rick Sebak to provide music for his Pittsburgh-based documentaries Nebby: Rick Sebak's Tales of Greater Pittsburgh.

Roberts and his band, the Red Beans and Rice Combo including Dave Klug[7] (artist, illustrator, and musician) and Wayne "Wayno" Honath (the current cartoonist of the Bizarro (comic strip)), was featured in Rick Seback's 2020 holiday special, Happy Holidays In Pittsburgh.

Martin Scorsese heard Roberts perform with The Nighthawks and asked him to arrange and perform music[1] for the soundtrack for his film The Aviator, starring Leonardo di Caprio. Most of the scenes with "live" music feature Roberts as the pianist, however, he doesn't appear on screen. Roberts later wrote several pieces for the period film De-Lovely.

In 2012, Roberts was contacted by the Andy Warhol Museum in Pittsburgh to perform live accompaniment for a series of silent films they planned to screen. Initially, Roberts turned down the offer explaining that when those films were first released, only very small venues used improvisational pianists to accompany films. All larger venues employed orchestras to accompany films. The orchestras did not improvise and instead played from score sheets the film company recommended for each movie scene. Roberts suggested that the museum have entirely new scores written to accompany the films. The museum agreed to his suggestion and asked Roberts to write scores for the events, the first of which took place in 2012.

Roberts went on to compose scores for various silent movie events worldwide. His score for One A.M. first debuted at the Leopold Mozart Conservatory in Augsburg, Germany in 2013. Roberts has written and performed multiple scores to accompany silent films by Charlie Chaplin, Buster Keaton, Alfred Hitchcock, and F. W. Murnau.

Roberts composed a score for the first annual National Silent Movie Day on September 29, 2021, for the silent film version of Hitchcock's Blackmail (1929 film). Chad Hunter, of Video Trust and the Pittsburgh Silent Film Society, initially conceived of the national event with film archivists Brandee B. Cox, of the Academy of Motion Picture Arts and Sciences Film Archive, and Steven K. Hill, of the UCLA Film and Television Archive. Martin Scorsese promoted the event and drew national attention to it.

In 2022, Roberts wrote an original score for the 100th anniversary of the film Nosferatu by F. W. Murnau which he debuted in February 2022 at the Harris Theater in Pittsburgh for two sold-out performances.