Tony Foster (artist)

Tony Foster was born in New York, Lincolnshire, England, in 1946. He trained as an art teacher and taught for seven years before serving as a Regional Arts Officer for the South West Arts Council of Great Britain. He is a self-taught artist, initially working in mixed media and silkscreen as a pop artist.[1][2] Inspired by the methodology of J. M. W. Turner,[3] and Foster's interest and passion for wildernesses and painting en plein air, he chose to focus on his own narrative observations, making art a full-time occupation at age 35.[4]

Foster works with graphite and watercolour paints and utilises the ‘en plein air’ technique.[2] He blends 19th century British explorer traditions of making detailed notebook sketches of his travels while working in a large-scale contemporary format.[5] Foster sketches on-site to achieve authenticity and never works from photographs because he believes a direct response is more important than photographic accuracy.[6][7]

Trekking on foot, rafting, canoeing or scuba diving are some of the methods Foster employs to explore the natural landscape.[2][5][8] He documents the experience of his travels, travelling slowly to encounter flora, fauna, people, and objects, recording it through diary notes and collected souvenirs which are essential elements of his artworks.[9] To develop his paintings, some of which necessitate several weeks on-site, Foster frequently camps where he chooses to paint.[1][2][10][11] He often contends with harsh climate conditions to complete his artworks.[12][13]

Foster resolves about two-thirds of each painting on-site, leaving graphite notes on the paper for reference, then completes the work in his Cornish studio. These notes provide a revelation of his process and a record of decisions made in the field. The completed watercolour artworks include his diary entries, collected souvenirs, talismans, and maps, resulting in a visual and written record of Foster's encounters on his wilderness journeys.[5][14][15]

Since 1982, Tony Foster has travelled worldwide and painted wildernesses, creating a series of ‘watercolour diaries’.[9][16] He believes in the importance of wilderness and the need to protect it.[17]

His artworks of the American West draw comparisons to expedition artists of the early West, such as Thomas Moran and George Catlin by art historian Mindy Besaw.[18][16] Art historian Duncan Robinson states Foster's work demonstrates the mastery of the centuries-old tradition of English landscape, drawing comparison to John Linnell, John Constable, and Peter De Wint.[17]

Foster's works have resulted in several major exhibitions.[6][13][11][7][19][20]

• Autry Museum of the American West, Los Angeles, CA[21]
• Denver Art Museum, Denver, Colorado[22]
• Museum of Northern Arizona, Flagstaff, AZ
• Nevada Museum of Art, Reno, Nevada[23]
• Phoenix Art Museum, Phoenix, Arizona[24]
• The Foster Museum, Palo Alto, CA[1]
• Yale Center for British Art, New Haven, CT[25]

• 1988 Yosemite Renaissance Prize[4]
• 1994 Elected Fellow of the Royal Geographical Society[4]
• 2002 Royal Geographical Society Cherry Kearton Medal[5]
• 2015 The Phoenix Art Museum West Select, silver medal for Works on Paper
• 2017 The Centre for Contemporary Art and the Natural World Award for Arts and the Environment[26]

• 1982 Travels without a Donkey in the Cévennes. With photographer James Ravilious, Foster retraces the steps of Robert Louis Stevenson's 120-mile journey through the Cévennes mountains in south-central France as recounted in Stevenson's book Travels with a Donkey in the Cévennes (1879).[27][28]
• 1984 Thoreau’s Country: Walks and Canoe Journeys in New England. Foster pays homage to Henry David Thoreau's following Thoreau's wanderings in Massachusetts, New Hampshire, and Maine.[27][6][29][30]
• 1986–87 John Muir's High Sierra: A Watercolour Diary. Foster hikes the entire 211-mile trek of the John Muir Trail. This exhibition's appreciation of America's National Parks helps renew interest in John Muir and the formation of the John Muir Trust in Scotland.[27][15]
• 1988–89 Exploring the Grand Canyon. Foster hikes 400 miles of trails in the Grand Canyon painting its views and geology. One artwork pays homage to watercolorist Gunnar Widforss.[2]
• 1990–94 Arid Lands: Watercolour Diaries of Journeys across Deserts. Foster highlights the beauty of deserts in California, Nevada, Arizona, New Mexico, and Mexico.[2][31]
• 1991–93 Rainforest Diaries: Watercolours from Costa Rica. Foster spends many months travelling and painting in the lush wilderness of untouched cloud forests in Costa Rica.[2][13]
• 1993–94 Wilderness Journeys: Watercolour Diaries of the Idaho Rockies. Foster treks and paints in Idaho, revealing characteristics of each of the parallel ranges that make up the Rocky Mountains in Idaho.[2]
• 1996–97 Ice and Fire: Watercolour Diaries of Volcano Journeys. Foster studies and paints erupting, active, dormant, and extinct volcanoes in his travels to Montserrat, Hawaii, the Andes, the Cascades, and California.[2][32]
• 1998–99 After Lewis and Clark: Explorer Artists and the American West. Foster retraces the footsteps of Lewis and Clark in Montana, Idaho, and Washington, painting remaining wild places and examining the changing landscape.[33]
• 1998–2002 WaterMarks: Watercolour Diaries from Swamps to Icebergs. Foster paints water in all its forms, including paintings of Arctic icebergs, Yellowstone National Park geysers, the swamps of Georgia and Florida, and the waterfalls of Guyana.[20]
• 2002 The Whole Salmon. Foster rafts the entire 415-mile Salmon River and paints a watercolour each day to document his month-long journey.[33]
• 2004–2007 Searching for a Bigger Subject: Watercolour Diaries from Everest and the Grand Canyon. Foster documents two of the world's natural wonders, Mount Everest and the Grand Canyon. He is the first person to paint all three sides of Mount Everest.[4][5][34]
• 2006 Rocky Days. Foster documents a series of short hiking trips in Idaho's Rockies, including the Boulders, Pioneers, Alice Lake, and Shangri-la in the Sawtooths.[35]
• 2009 Secret Sites. Foster paints the favourite remote sites of his Idaho supporters that sustain him on his journeys. Maps marking the locations remain sealed inside the framed artworks.[35]
• 2007–15 Sacred Places: Watercolour Diaries from the American Southwest. Foster travels to the Four Corners region of the American Southwest to sacred sites of different cultures, including Native Americans, Catholics, New Age practitioners, and Mormons.[1]
• 2007–15 Exploring Beauty: Watercolour Diaries from the Wild. Foster captures the beauty and wonder of inaccessible and endangered places across the globe. These locations were nominated by ‘luminaries’ and include world leading scientists, explorers, writers, environmentalists, and mountaineers: naturalist Sir David Attenborough, explorer Robin Hanbury-Tenison, Director Emeritus of Kew Botanical Garden Sir Ghillean Prance.[36]
• 2018 Watercolour Diaries: Great Basin and Copper Basin. Foster studies and records his explorations in the Great Basin and Idaho's Copper Basin. This wilderness area is part of the Salmon-Challis National Forest with views of the Pioneer Mountains.[37]
• 2018-23 Watercolour Diaries from the Green River. Foster explores and paints various locations on the Green River from its headwaters in Wyoming to its confluence with the Colorado River in Utah.[38][39]

• Artbox is one of England's smallest art galleries, housed in a repurposed British Telecom red phone box and located streetside in Tywardreath, Cornwall. Foster, who leases the phone box from his local council for £1 per year, is Artbox's patron and founder. He regularly collaborates with Roshni Tamang Mitchell and Dana Roberts to organise and rotate community-based exhibitions. Artbox can feature the work of contemporary artists or historical figures. The first exhibition, which opened in 2019, was a tribute to 19th century John Lobb, a Tywardreath farm labourer who became a royal bootmaker.[40]
• Lockdown Diary–56 Days is a visual diary of experiences that Tony Foster recorded on his daily walks from home during a British lockdown in 2020 due to the COVID-19 pandemic. Foster took a new walk and painted a new subject every day while sheltering-in-place in Tywardreath, England. Foster relates that "Like John Muir, I have come to realise that anything studied intently enough will offer insights into the extraordinary variety and beauty of our world."[41]

• Foster, Tony (2008). Painting at the Edge of the World: The Watercolours of Tony Foster. Venture Press. p. 324. ISBN 978-0295988177.

He resides in Cornwall, United Kingdom, with his wife, Ann.[9][18]

• 
  Twenty-Three Days Painting the Canyon—From West of Navajo Point, 2013

• The Foster Museum, Palo Alto, California, United States
• List of single-artist museums

• Driscoll, John; Skolnick, Arnold (1998). The Artist and the American Landscape. Cobb, CA: First Glance Books. p. 160. ISBN 978-1885440372.
• Kinsey, Joni Louise (1998). The Majesty of the Grand Canyon: 150 Years in Art. San Francisco, CA: Pomegranate. pp. 148–149. ISBN 978-0764929564.
• Scott, Amy (2006). Yosemite: Art of an American Icon. Berkeley, CA: University of California Press. pp. 176, 178, 180, 191, 199. ISBN 978-0520249226.
• Caruso, Laura (2007). Heart of the West: New Painting and Sculpture of the American West. Denver, CO: Denver Art Museum. pp. 52–5, 61. ISBN 978-0806199719.
• Peck, Robert McCracken (2016). The Natural History of Edward Lear. Boston, MA: David R. Godine. pp. 164–166. ISBN 978-1567925838.
• Lewis-Jones, Huw; Herbert, Kari (2017). Explorers' Sketchbooks: The Art of Discovery & Adventure. San Francisco, CA: Chronicle Books. pp. 200–203. ISBN 978-1567925838.
• Peck, Robert McCracken (2021). The Natural History of Edward Lear, New Edition. Princeton, NJ: Princeton University Press. ISBN 978-0691217239.

• Official website
• Artist Biography, Tony Foster
• List of Tony Foster Journeys
• The Foster Museum - official site