View from the House

Prior to making the album, Carnes stated, "I can't do another album here (in Los Angeles). I've tried and finally stopped. The only way I get a thrill out of recording is to record live as opposed to running everything through a computer. I want to feel that interplay between musicians. And I feel real strongly that Nashville is the place to make an album with real instruments."[2]

Carnes had been interested in the Nashville music scene since 1981, after hearing Rosanne Cash's album Seven Year Ache. Carnes wanted to work with Jimmy Bowen, who produced her debut album, Rest on Me, in 1971.[3]

Carnes chose to record a cover of "If You Don't Want My Love" by John Prine. The head of A&R at MCA suggested to Carnes that she also record Prine's song "Speed of the Sound of Loneliness". "Who thinks of that?" Carnes said. "The speed of the sound of loneliness? Lyrically, that blew me away."[3]

Carnes wrote "Blood from the Bandit", with Donna Weiss, as a reflection on "pollution, greed, and other conditions afflicting the world". "The song is still pertinent today, more so, maybe," Carnes said in 2017. "What was being talked about then is on steroids now."[3]

Professional ratings

Review scores
Source	Rating
AllMusic	[4]
Encyclopedia of Popular Music	[5]

Ralph Novak of People magazine stated that Carnes sounds "Wonderfully relaxed and justifiably pleased with herself", noting the album's ten "generally splendid tunes" including the "convincingly romantic" cover of "Crazy in Love".[6] AllMusic retrospectively described the album as "[a return] to the folk and country music of her earlier years."[1] In the Honolulu Advertiser, Mike Cidoni described View from the House as a "grown-up departure from [her] techno-pop style of the early 80s".[7] Hugh Wyatt of the New York Daily News likened Carnes' vocal performance on "Just to Spend Tonight with You" to that of Bob Dylan. He described her voice as "intoxicating" and highlighted "Blood from the Bandit" as a "brilliant, insightful tune about greed".[8]

• Kim Carnes – lead and backing vocals, synthesizers (1)
• John Barlow Jarvis – acoustic piano (1-9), synthesizers (1-9)
• Bill Cuomo – synthesizers (10), drum programming (10)
• Bruce Hornsby – accordion (1)
• John Cascella – accordion (2, 3, 7)
• Craig Hull – electric guitar, slide guitar
• Josh Leo – electric guitar
• Billy Joe Walker, Jr. – electric guitar, acoustic guitar
• Mark O'Connor – mandolin, mandola, fiddle
• Leland Sklar – bass
• Craig Krampf – drums, percussion, washboard (3)
• Kirk "Jellyroll" Johnson – harmonica
• Vince Gill – harmony vocals (3)
• Steve Wariner – harmony vocals (5)
• Dave Ellingson – harmony vocals (6, 9)
• Lyle Lovett – harmony vocals (7)

Technical Credits

• Bob Bullock – recording engineer, overdub recording, mixing
• Bill Cuomo – recording engineer (10)
• Spence Chrislu – second engineer
• Mark J. Coddington – second engineer
• Russ Martin – second engineer, overdub recording
• Bob Vogt – second engineer
• Bill Dooley – additional engineer
• Richard Bosworth – additional overdub recording
• Chuck Ainlay – mixing
• Niko Bolas – mixing
• Jimmy Bowen – mixing
• George Marino – mastering
• A&M Studios, Hollywood, California – mixing location
• Masterfonics, Nashville, Tennessee –mixing location
• Sound Stage Studios, Nashville, Tennessee –mixing location
• Sterling Sound, New York City, New York – mastering location

Production Credits

• Sue McGonigle – production assistant
• Jessie Noble – project coordinator
• Simon Levy – art direction
• Jerry Joyner – design
• Peter Nash – photography