Vinayaki

Vinayaki at Cheriyanad Temple.

The earliest known elephant-headed goddess figure is found in Rairh, Rajasthan. It is a mutilated terracotta plaque dated from the first century BCE to the first century CE.[3] The goddess is elephant-faced with the trunk turning to the right and has two hands. As the emblems in her hands and other features are eroded, a clear identification of the goddess is not possible.[6]

Other elephant-headed sculptures of the goddess are found from the tenth century onwards.[3][6] One of the most famous sculptures of Vinayaki is as the forty-first yogini in the Chausath Yogini Temple, Bhedaghat, Madhya Pradesh. The goddess is called Sri-Aingini here. Here, the goddess's bent left leg is supported by an elephant-headed male, presumably Ganesha who is seated at her feet.[3]

A rare metal sculpture of Vinayaki is found in Chitrapur Math, Shirali. She is full-breasted, but slender, unlike Ganesha. She wears the Yajnopavita ("sacred thread") across her chest and two neck ornaments. Her two front hands are held in abhaya ("fear-not") and varada (boon-giving) mudras (gestures). Her two back arms carry a sword and a noose. Her trunk is turned to the left. The image is probably 10th century from north-western India (Gujarat/Rajasthan) and belonging to the Tantric Ganapatya sect (who regarded Ganesha as the Supreme God) or to the vamachara (left-handed) Goddess-worshipping Shakta sect.[7]

A Pala Vinayaki from Giryek, Bihar, is also not pot-bellied. The four-armed goddess carries a gada (mace), ghata (pot), parashu (axe) and possibly a radish. A Pratihara image shows a pot-bellied Vinayaki, with four arms holding a gada-parashu combination, a lotus, an unidentifiable object and a plate of modak sweets, which the trunk grabs. In both images, the trunk is turned to the right.[8] Damaged four-armed or two-armed Vinayaki images are also found in Ranipur Jharial (Orissa), Gujarat and Rajasthan.[8]

In another image from Satna, Vinayaki is one among five theriocephalic goddesses. The central figure, the cow-headed yogini, Vrishabha, holds the baby Ganesha in her arms.[3] Vinayaki, a minor figure, is pot-bellied and carries an ankusha (elephant goad) like Ganesha.[8] In this configuration, Vrishabha may be considered as a mother of Ganesha and other goddesses, thus signifying a sibling relationship between Vinayaki and Ganesha. Another interpretation suggests that all the female deities, including Vinayaki, are mothers of the infant god.[3]

A similar image of Ganeshyani is also seen at the Bhuleshwar Temple of Shiva, near Pune, Maharashtra.[9]

In Cheriyanad Sreebalasubramaniya Swamy Temple, considered the Desadeva (God of Locality) of Cheriyanad village, has a wooden statue of Vinayaki which is situated in "Balikal Pura" of Temple.

Vinayaki, one of the 64 yoginis in Chausathi Jogini Temple.

Elephant-headed females appearing in the Puranas are demonesses or cursed goddesses. In a tale about Ganesha's birth, the elephant-headed demoness Malini gives birth to Ganesha after drinking the bath-water of Parvati, Ganesha's mother. In Skanda Purana, Lakshmi, the goddess of wealth, is cursed to have an elephant head, which she gets rid of by pleasing the god Brahma by penance. These are not called Vinayaki and are remotely linked to Ganesha as a mother (Malini) or a consort (Lakshmi in some icons).[3] The Harivamsa, Vayu Purana and Skanda Purana also describe elephant-faced Matrikas ("Mothers"), grahas (seizers) and ganas, who bear names like Gajananā ("elephant-faced"), Gajamukhi ("elephant-faced") and Gajasya ("elephantine").[4] However, Krishan relates these Matrikas to Jyeshtha, the goddess of misfortune who is described as elephant-faced.[4]

Vainayaki, not explicitly related to Ganesha, also appears in the Puranas. In the Matsya Purana (compiled c. 550 CE), she is one of the Matrikas, created by the god Shiva - Ganesha's father - to defeat the demon Andhaka.[3] In this context, she may be considered as a shakti of Shiva, rather than Ganesha. Only the name "Vainayaki" meaning "belonging to Vinayaka/Ganesha" may suggest an association.[10] She also figures in a list of shaktis in the Linga Purana.[3] The Agni Purana (compiled in the 10th century) is the first Purana that lists the shaktis of Ganesha; however, Vainayaki is not one of them, nor are any of them elephant-faced. Vainayaki figures in a list of sixty-four yoginis in the same Purana.[11]

However, the upapurana (lesser Purana) Devi Purana explicitly identifies Gananayika or Vinayaki as the shakti of Ganesha, characterized by her elephant head and ability to remove obstacles like Ganesha, and includes her as the ninth Matrika.[12] Though generally the number of Matrikas is seven in sculpture and literature, nine Matrikas became popular in eastern India. Apart from the classical seven, Mahalakshmi or Yogeshvari and Ganeshani or Ganeshā were added as eighth and ninth Matrika respectively.[13]

The Medieval text Gorakshasamhita describes Vinayaki as elephant-faced, pot-bellied, having three eyes and four arms, holding a parashu and a plate of modaks.[14]

Srikumara's sixteenth century iconographical treatise Shilparatna describes a female form of Ganesha (Ganapati) called Shakti-Ganapati, who resides in the Vindhyas. The deity has an elephant head and two trunks. Her body is of a young woman, vermilion red in colour and with ten arms. She is pot-bellied and with full breasts and beautiful hips. This icon probably belongs to Shaktism, the Hindu Goddess-worshipping sect. However, this form is also interpreted as a composite of Ganesha and his shakti, due to the presence of the twin trunks.[3][5]

In a Buddhist text called Aryamanjusrimulakalpa, the goddess is called the siddhi of Vinayaka. She inherits many of Ganesha's characteristics. Like Ganesha, she is the remover of obstacles and has an elephant's head with only one tusk. She is also called the daughter of the god Ishana, an aspect of Shiva.[3]

• Malini (deity)
• Matrikas
• Ganesha
• Vinayakas

• Agrawala, Prithvi Kumar (1978). Goddess Vināyakī: The Female Gaṇeśa. Indian Civilization Series. Varanasi: Prithivi Prakashan.
• Cohen, Lawrence (1991), "The Wives of Gaṇeśa", in Brown, Robert (ed.), Ganesh: Studies of an Asian God, Albany: State University of New York, ISBN 0-7914-0657-1
• Krishan, Yuvraj (1999), Gaņeśa: Unravelling An Enigma, Delhi: Motilal Banarsidass Publishers, ISBN 81-208-1413-4
• Mundkur, Balaji (1975). "The Enigma of Vaināyakī". Artibus Asiae. Artibus Asiae Publishers. 37 (4): 291–302. doi:10.2307/3250234. JSTOR 3250234.

• Ganesh and Vinâyakî