Violence (Editors album)

Over the course of late 2016 to late 2017 the band posted pictures of the recording process on Instagram with a concluding post, stating: "Album 6 ... done! #e6 #editors" on 26 October 2017.

In an interview with Jo Whiley prior to the first play of the single "Magazine", singer Tom Smith said: "We had a lot of help from a guy called Blanck Mass, who makes very brutal electronic music. So when it's electronic, it's very electronic. But then when it's guitar-y, it's very band driven. I think we've managed to find the balance of those two things better than we have done before. Over the years, we've gone from backwards between more band-orientated sounding records and more electronic records. I think there's a balance here between melody and brutality that I don't think we've managed to get before."

When asked about the content of the album Smith said: "There's a thread on a lot of these songs – the need for human connection or coming together as people; an intimacy, with a loved one or a friend, as an escape from the outside world."[4]

Professional ratings

Aggregate scores
Source	Rating
Metacritic	72/100[5]
Review scores
Source	Rating
AllMusic	[6]
Drowned in Sound	7/10[7]
musicOMH	7/10[8]
NME	8/10[9]
PopMatters	7/10[5]
Q	8/10[5]

Violence received positive reviews from music critics. The album has received a score of 72 on review aggregator website Metacritic, which indicates "generally favorable reviews", based on 13 reviews.[5] Andrew Trendell of NME awarded the album with 4 out of 5 stars, using the track "No Sound but the Wind" as a symbol for the band's improvement over the last records with Violence: "It's an aching but hopeful lament to marching on against the odds. It seems only too fitting then that in this incarnation, it's part of the record that could well bring Editors back home."[9]

Matt Collar, writing for AllMusic, gave the album 4 out of 5 stars: "With Violence, the Editors have crafted a big pop album on their own terms, rife with grand, operatic gestures and heat-seeking hooks that cut deep, just as they put salve on your wounds."[6]

In a review for the album published in paper by Q, the album was awarded 4 out of 5 stars with the statement: "The results okays to their strengths. ... There's a lightness of touch here lost since An End Has a Start a decade ago."[10]

Writing for Drowned in Sound, Cady Siregar gave the album a rating of 7 out of 10, the same score Violence's predecessor In Dream received. Overall praising the new direction of the album, the review reads: "It's clear with Violence that Editors are working to build upon their new sound instead of re-inventing and re-producing, and though their efforts of combining dark indie disco pop with more morose lyrics and guitar undertones, it is a refreshing new direction."[7]

Andy Baber of musicOMH, awarding the album with a 7 out of 10 rating, follows similar lines of thought, describing the album as both exertive yet ultimately worthwhile: "It may not be an easy listening experience at times, but Violence is ultimately an album that deserves your patience."[8] Similarly, Richard Driver of PopMatters, while awarding the album with 7 out of 10 stars and drawing a positive conclusion, writes: "Violence sounds too much like Editors sought to remake themselves as part of a worthy collaboration with artist Blanck Mass under leadership by producer Leo Abrahams, with success intermittent and weak spots highlighted inadvertently. The album altogether is enjoyable but risks too much as a method of visualizing its distinction from the band's preceding albums."[11]

Editors performed three album launch shows in the UK prior to the album's release, and the band toured the United States in May 2018,[12] the United Kingdom and Ireland in October 2018,[13] and Europe in November and December 2018.[14] The album's first single, "Magazine", premiered on Jo Whiley’s BBC Radio 2 show on 15 January 2018. The second single, "Hallelujah (So Low)", was premiered on Annie Mac's BBC Radio 1 show on 21 February 2018.[15]

• Produced by Editors and Leo Abrahams
• Additional production by Benjamin John Power (tracks 1 to 6, 8)
• Additional synthesizers and programming by Leo Abrahams
• Additional keyboards on "Cold" by Edith Philips
• Violin on "Counting Spooks" by Emma Smith
• Justin Lockey – engineer (tracks 1 to 8)
• Max Heyes – engineer (tracks 1 to 8)
• Assistant engineers at Livingston Studios – Billy Halliday and Tom Archer
• Assistant engineers at Monnow Valley Studios – Edith Philips, Ewan Vickery, and Matt Glasbey
• Mixed by Cenzo Townshend (tracks 1, 3 to 9)
• "Hallelujah (So Low)" mixed by Alan Moulder, assisted by Caesar Edmunds
• Mastered by Matt Colton
• Concept photography, artwork and design by Rahi Rezvani