Vox Records (Germany)
VOX Schallplatten- und Sprechmaschinen-Aktiengesellschaft, Berlin was a German record label founded in 1921. One source suggests that it issued the first electrical recordings in Germany in late 1924 or early 1925, presumably recorded by a method other than that of Western Electric, but notes that it did not generally adopt electric recording technology until some 18 months later.
Selected sessionography
Matrix | Music Title | Composer(s) lyricist(s) | Catalog No. |
---|---|---|---|
2357–A | "O Katharina" | L. Wolfe Gilbert (words) Richard Fall (music) |
Vox 01890 |
2358–A | "Shanghai Shuffle" | Larry Conley (w&m) Gene Rodemich (w&m) |
Vox 01890 audio |
2359–A | "Alabamy Bound" | Ray Henderson (music) Buddy DeSylva (words) Bud Green (words) |
Vox 01890 audio |
2359– | "Alabamy Bound" (alternate take) |
Ray Henderson (music) Buddy DeSylva (words) Bud Green (words) |
Jazz Panorama LP20 |
2360– | "By the Waters of Minnetonka" | Thurlow Lieurance (w&m) | Vox 01882 |
2755–B | "O Katharina" | L. Wolfe Gilbert (words) Richard Fall (music) |
Vox 01883 |
2756–B | "Shanghai Shuffle" | Larry Conley (w&m Gene Rodemich (w&m) |
Jazz Panorama LP20 |
2757–B | "Alabamy Bound" | Ray Henderson (music) Buddy DeSylva (words) Bud Green (words) |
Vox 1891 |
Gallery
- 1925 photo taken at the Vox Phonograph Studio — Sam Wooding and his Orchestra; Seated, left to right: Tommy Ladnier (trumpet), John Warren (tuba) (behind), Sam Wooding (piano/leader), Willie Lewis (reeds), George Howe (1892–1936) (drums). Standing, left to right: Herb Flemming (trombone), Eugene Sedric (reeds), Johnny Mitchell (banjo), Bobby Martin (trumpet), Garvin Bushell (reeds), Maceo Elmer Edwards (1900–1988) (trumpet).[1]
Not pictured: Arthur Lange (1889–1956), Arthur Johnston (1898–1954), arrangers
See also
External links
References
General
- "A Discographical Look at German Vox," by Björn Englund (sv) (born 1942) July 29, 2003
Inline
- "Chocolate Kiddies: The Show That Brought Jazz to Europe and Russia in 1925," by Björn Englund (sv) (born 1942), Storyville, December 1975–January 1976, pps. 44–50
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