Waking Up (OneRepublic album)

After the success of OneRepublic's debut album, Dreaming Out Loud, which spawned the hit singles "Apologize" and "Stop and Stare" after massive viral success on MySpace, earning the band a deal with Interscope Records and Timbaland's Mosley Music Group.[4] The latter acted as producer of the "Apologize" remix, giving OneRepublic a song with rhythm and blues sounding. After support the 2007 Maroon 5's tour as an opening act, the band began work on a second album in 2008. Despite the commercial success, reviews for the album were mixed, as the band utilized many common pop rock formulas, not taking full advantage of lead singer Ryan Tedder's musical knowledge, who during the period he worked on Dreaming Out Loud, wrote and produced hit songs for American singer Beyoncé and British singer Leona Lewis.[5][6][7]

Lead singer Ryan Tedder announced on July 21, 2009, that the band's second album would be completed five weeks from that date which was August 25, 2009. On September 6, 2009, the band posted a low-quality version of the first single from their second album, "All the Right Moves", while a higher quality version could be found on their MySpace page. On September 8, 2009, the band posted samples of 4 of their songs from the new album onto their MySpace page. Eleven songs were announced to make up the track list, which was officially confirmed by Amazon's German site on November 3, 2009.

OneRepublic started recording Waking Up in January 2008, soon after the band moved from Los Angeles and returned to their hometown, Denver.[8] Unlike Dreaming Out Loud, which was produced by producer Greg Wells, the band did all the work themselves, with lead singer Ryan Tedder serving as the primary songwriter and producer through all the album.[9] As an ambition to renew itself, Tedder distanced himself from the traditional pop structure of the band's debut album and experimented with stripped-down synthesizers and cello to create an upbeat alternative rock style "that is to be the first genre-less band".[10][11] He took inspiration from the music of Kanye West, Paul McCartney, and band's like Radiohead and Tears for Fears.[10][11][12]

To ensure a smooth transition, Tedder sought to create a concept for songs that fit a formula for OneRepublic and would not become the target of comparisons to his work for other artists.[13] He was fed up with the fact that the hit songs from his previous album had become bigger than the band itself, wanting to get away from "the cookie-cutter way of all the fake bands on the radio now — the disposable pop-rock stuff", and used organic instruments to carry out the conception of Waking Up.[12] The band shared ideas with composer Danny Elfman, using his orchestra of Batman (1989) and Edward Scissorhands (1990) as the center of the album's "more sweeping and cinematic" structure.[14][15]

Tedder produced all eleven tracks on the standard edition, of which three he self-produced. The first, "Missing Persons 1 & 2", was recorded at the Nine Zero Hotel in Boston and Park Hill Studios in Denver, and is characterized by the use of dubstep drum loops and Afro-pop marimba melody.[16][17] "Made for You" was recorded at Abbey Road Studios in London, and features a children's choir throughout the song followed by a melodramatic chamber piano, forming part of the album's cinematic concept.[17][18][19] "All This Time" and "Fear" were also recorded at Abbey Road Studios, with additional recording at Park Hill Studios. "All the Right Moves", "Secrets", "Everybody Loves Me", "Good Life" and "Waking Up" were recorded at Metropolis Studios in London.[17] Critics noted the theatrical production of "All the Right Moves", containing "electro-charged chamber music", with its pealing organ, trilling strings and vocals inspired by American singer-songwriter Justin Timberlake.[19][20][21]

"Secrets" stemmed from their experimental sampling of cello from "Cello Suite No. 1 in G major, BWV 1007" by Johann Sebastian Bach.[22] Several critics, including Cross Rhythms' Tony Cummings, noted the funk aesthetic behind "Everybody Loves Me", a track which was additionally recorded at MasterMax Studios in Johannesburg and regarded as a favorite from the album by Tedder.[11][1] The diversity of styles in the production has been credited to the addition of Brent Kutzle to the band, who was additional producer on the track and four others on the standard edition, and serves as lead bass and cello throughout the album.[14][15] "Good Life" is an uptempo dance-pop track that incorporates whistling.[23] Described as the "poppiest song on the album", it was one of the last tracks recorded for Waking Up, being composed and produced in thirty days, while the chorus was written by Tedder in sixty seconds after the band had completed the idea for the track.[24]

"Marchin On" was self-written and produced by Tedder over the course of three weeks, and was not originally intended to be featured on the album. It is a danceable Britpop and synth-pop track, and was recorded at The Warehouse in Vancouver and was finished with additional recording at Mastermix Studios in Minneapolis.[25][26] "All This Time" is a sweet piano ballad inspired by Paul McCartney that features a grand string and violin production performed by The London Studio Orchestra.[16][17] "Fear" and "Waking Up" also feature strings from the London Studio Orchestra. While the first is a ballad-heavy song, the title track has two parts; the first is a ringing guitar with hard rock influence, while the second features the orchestra with slow range.[1] "Lullaby", the closing track of the standard version, is a heart-bruised alternative rock ballad, echoing similarities to Keane's Tom Chaplin.[27]

Critics mostly categorize Waking Up as a pop rock album[1][2] with its tracks containing elements of arena rock,[20] drum and bass,[23] dubstep,[16] Afro pop,[23] funk,[1] and Britpop.[26]

During the time the band was in Seattle, Washington on Maroon 5's It Won't Be Soon Before Long Tour as the opening act, Jerrod Bettis, who played drummer for OneRepublic at the time, took pictures of cans that referred to the characteristic style of the works of the American painter Jackson Pollock. The band later painted the photos in distinct colors, as a way to symbolize the "hazy feeling of awakening", contrasting the title Waking Up with the title of the band's debut album, Dreaming Out Loud.[29] OneRepublic's drummer Eddie Fisher also add that "Waking Up as a metaphor for like we were Dreaming Out Loud. You know when you're in school and you're like, “I want to be so and so?” That album was dreaming of being on the radio, having videos, touring around the world and playing music. It happened". He also adds that the title contrasts the songs to the overall concept of the album, "like waking up after spending a long time having bad dreams".[9]

Waking Up was released through Interscope Records on November 17, 2009, in North America, November 20, in Australia, while being released on November 13 in Germany and not until January 18, 2010, in the United Kingdom. A deluxe version of the album was released exclusively in North America at the same time as the standard version. The album was completed on August 25, 2009. The lead single from the album, "All the Right Moves", was released on September 29, 2009, for airplay and officially released on October 6, 2009. The lead single in Germany, "Secrets" was released on October 30, 2009, and it was released as a single in the US on June 1, 2010.

The first single from Waking Up, "All the Right Moves", was released for radio airplay on September 29, 2009, and then received an official release digitally on October 6, 2009. The music video for the single was released on October 8, 2009. It has peaked at number 18 on the Billboard Hot 100. OneRepublic then digitally released "Everybody Loves Me" on October 20, 2009, after having already posted a snippet of the song along with three others on their MySpace page. "Good Life" was then released digitally on November 10, peaking at number 8 on the Billboard Hot 100.[30]

"Secrets" was released as the lead single from the album in Germany for airplay on September 21, 2009 and was released digitally on October 30, 2009, in Germany. It was also released on November 3, 2009 as the album's second digital single in the US.[31] "Secrets" was released as a single in Germany due to the fact that it is being used as the title song in the film Zweiohrküken,[32] the sequel to Keinohrhasen, which used the band's song "Apologize" as the title song. The song was also featured in the 2010 film The Sorcerer's Apprentice.

The song "Marchin On" was selected to support the German TV channel ZDF and serves as the channel's official FIFA 2010 World Cup song. It was released for digital download in Germany on June 18, 2010.[33]

Professional ratings

Aggregate scores
Source	Rating
Metacritic	61/100[34]
Review scores
Source	Rating
About.com	[35]
AllMusic	[36]
Billboard	[37]
Cross Rhythms	10/10[1]
Entertainment Weekly	B−[38]
Evening Standard	[27]
The Guardian	[39]
Los Angeles Times	[16]
Sputnikmusic	[2]

Waking Up received generally positive reviews from contemporary music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 61, based on 9 reviews.[34] Los Angeles Times writer August Brown opined that Waking Up "internalized a lot of the things that made Timbaland such a compelling producer; that good sounds are paramount, songs should move in odd directions and many different ideas can constitute a hook", and complimented the tracks "Missing Persons 1 & 2" (for having a "real playfulness"), "Marchin' On" (which "earn[s] the bigness of its flags-and-fighting imagery") and "All This Time" (for its "solo-McCartney goofy sweetness").[16]

Daily Star's Sarah-Louise James praised the construction of the album's melancholic and danceable songs, saying that "Tedder and his band mates are clearly masters at delivering an emotive, anthemic chorus that, whether you like it or not, will bury itself under your skin like ringworm".[40] Bob Roose of Plugged In appreciated the album's concept, writing "Waking Up is a wholesale—and wholesome—encouragement to stick to the high ground and the positive things of life".[41] Tony Cummings of Cross Rhythms complements the commentary on Waking Up, "the album have stay-in-the-mind song hooks and production", and praised Tedder's vocals, calling them "haunting".[1] Mikael Wood from the Entertainment Weekly gave a positive review, writing "Waking Up reflects that studio experience with loads of sleek synth licks and juicy percussion tricks; it's much more flavorful than the band's Fray-like debut", praising most of the tracks, but also citing the lack of something that "turns a good song into a great one".[38]

Caroline Sullivan from The Guardian lauded Tedder's melodies and overall production, writing that "every last song is incredibly catchy. [...] A rare instance of Tedder distancing himself from his celebrity buddies to send up their pretensions", appreciating the band's versatility in create "near-genius great choruses".[39] Kelsey Paine from Billboard complemented the album's catchiness, also adding that "OneRepublic still maintains its own graceful and introspective sound".[37] Bill Lamb of About.com praised the album's production values, writing that Waking Up, "is that its a work of expert pop music craft", concluding that "band shows off their versatility in rhythm, instrumentation and mood".[35] Sputnikmusic gave it a positive review, praising the band's ambition to create their own sonic formula and melodic experimentalism, but felt that there is still room for a richer sonic diversity in instrumentals.[2]

In a mixed review, BBC's Mike Diver criticized the lyrics for being (among other things) "saccharine and suffocating of faux-emoting", but admitted that "despite its obvious shortcomings, it's hard to criticize [the album] too heavily", ultimately concluding that it's "oddly admirable".[42] Thomas Erlewine of AllMusic compared the title track to the Killers "only with their goofy pomp replaced with po-faced circumstance", and criticized the album for having "no joy, only dogged diligence, an alienating insistence that texture means more than warmth or melody".[36] Evening Standard's Rick Pearson praised the album's production, but criticized the lack of distinction between tracks and lyricism, which makes the album's overall melody clichéd.[27] In a negative review, Matthew Cole of Slant Magazine gave the album 1.5 of 5 stars and stated that "OneRepublic's music just isn't that interesting".[20]

All songs written and produced by Ryan Tedder, except for where noted.

Notes

• ^{^[a]} signifies an additional producer
• ^{^[b]} signifies a co-producer
• "Secrets" incorporates "Cello Suite No. 1 in G major, BWV 1007" by Johann Sebastian Bach.[43]

Credits adapted from AllMusic and album's liner notes.[17][44]

OneRepublic

• Ryan Tedder – lead vocals, piano, rhodes, rhythm guitar, programming
• Zach Filkins – lead guitar, viola, acoustic guitar, backing vocals
• Brent Kutzle – bass guitar, cello, acoustic guitar, keyboard, backing vocals
• Drew Brown – rhythm guitar, acoustic guitar, glockenspiel
• Eddie Fisher – drums, cajón, percussion

Additional musicians

• Noel Zancanella – backing vocals, programming (track 6)
• The London Studio Orchestra – strings (tracks 7, 8, 9)

Technical

• Bernie Grundman – engineering (track 13), mastering (track 13)
• Ryan Tedder – engineering (tracks 1–5, 7, 8, 10, 11)
• Brian "Big Bass" Gardner – mastering (tracks 1–11, 14–17)
• Eric Olsen – engineering (tracks 10, 11)
• Jeff Dawson – engineering (track 10)
• Johan van der Colff – engineering (track 4)
• Andy Prickett – engineering (tracks 2–4, 7, 11)
• Joe Zook – engineering (tracks 1–5, 7–9), mixing (tracks 1–11)
• Charles Pollard – mixing (track 15)
• Craig Durrance – mixing (tracks 14, 16, 17)