Wanxin Zhang
Wanxin Zhang (born 1961) is a Chinese-American sculptor based in San Francisco, known for his large-scale ceramic figures, formless ceramic structures, and bronze pieces. He is recognized as one of the leading artists in the new generation of the Bay Area clay movement. Zhang's work is characterized by a fusion of California Funk influence and references to Chinese history. His monumental clay figures convey themes of globalization, politics, and power by reshaping traditional symbols with contemporary pop culture elements. Zhang's work is in the Smithsonian American Art Museum Collections.[1]
Wanxin Zhang | |
---|---|
Born | 1961 (age 62) Changchun |
Occupation | Sculptor |
Website | https://www.wanxinzhang.com/ |
Early life and education
Wanxin Zhang was born in Changchun, China, in 1961.[1] He grew up during Mao Zedong's regime in the 1960s and, at the age of 16, began his art education at Jilin Art School (now Jilin University of Art). He later attended Lu Xun Academy of Fine Art in 1980, becoming part of the first generation to receive formal art education after the Cultural Revolution. In 1992, Zhang moved to California and obtained a Master's degree from the Academy of Art University in San Francisco. During his academic years, he worked at the Artworks Foundry in Berkeley,[2][3] where he encountered and was influenced by artists like Peter Voulkos, Stephen de Staebler, and Manuel Neri.
Career
Zhang's career in the art world began to take shape when he was represented by Triangle Gallery in San Francisco in 1995. This marked the beginning of a series of exhibitions and shows, including a solo show in 2002; his debut museum exhibition, "Pit #5," at The University of Wyoming Art Museum in 2006,[4] curated by Susan Moldenhauer; his first display at Art Beatus Gallery[5][6] in Hong Kong in 2008; and a ten-year survey traveling show from 2010 to 2012, starting with the Bellevue Arts Museum holding the first in-depth survey of Zhang's work with the exhibit titled "Wanxin Zhang: A Ten Year Survey."[7][8][3]
In 2014, Zhang participated in a panel discussion called "RISE UP! Art As Action"[9] with artists Chester Arnold and Michele Pred,[10] and was featured in the San Francisco Arts Education Project's exhibition of the same name. His works have been showcased in various international competitions and biennales, including The 22nd UBE Sculpture Competition in Japan (2007), Taiwan Ceramics Biennale (2008), and the Anren Biennale in China (2017). He received awards such as the Joan Mitchell Painter and Sculptor Grant (2004), the Virginia A. Groot Foundation First Place (2006), and a curatorial award from the Contemporary Jewish Museum in San Francisco (2017). In 2012, Zhang enjoyed an artist-in-residence supported by the Andy Warhol Foundation at the Holter Art Museum.
In recent years, Zhang's work has gained further recognition with exhibitions like "Wanxin Zhang: Totem" at the Catharine Clark Gallery in 2014, "40x40" at the Sonoma State University Art Gallery[11] in 2018, and "Wanxin Zhang: Fahrenheit"[12] at Catharine Clark Gallery in 2018. His 2019 exhibition, "Wanxin Zhang: The Long Journey," was held at the Museum of Craft and Design in San Francisco.[13][14] In 2020, he participated in "The Body, the Object, the Other" as part of the second clay biennial of Craft Contemporary in Los Angeles.[15] Zhang also had a joint exhibit with ceramicist Richard Shaw at Santa Clara University and the Sonoma Valley Museum of Art titled, “Richard Shaw and Wanxin Zhang.”[16]
In 2021, Zhang's piece "Warrior with Color Face" became part of the Smithsonian American Art Museum's collection for the exhibit "This Present Moment: Crafting a Better World,"[1][17][18] in honor of the 50th anniversary of the Renwick Gallery. In 2022, Zhang's artwork was on display at the Seattle Art Fair,[19] and his solo exhibit "Wanxin Zhang: Witness" was showcased at the Catharine Clark Gallery.[20][21][22]
This year, Zhang's ceramic sculpture "Color Face" was featured in an outdoor group sculpture exhibition called "Claiming Space: Refiguring the Body in Landscape" at Montalvo Art Center,[23][24]alongside other notable artists such as Alison Saar, Pilar Agüero-Esparza, and Hank Willis Thomas.[23]
Public Collections
Wanxin Zhang's works have been collected by various public institutions, including:
- Asian Art Museum
- American Museum of Ceramic Art
- Arizona State University Art Museum
- Berkeley Art Museum / Pacific Film Archive
- Cantor Art Center at Stanford University
- Crocker Art Museum
- de Young Fine Art Museum San Francisco
- Renwick Gallery of the Smithsonian American Art Museum
- New Mexico State Art Commission
- Lowe Art Museum
- Holter Museum of Art[25]
- Montalvo Art Center
- University of Wyoming Art Museum
- Annie Wong Art Foundation in Hong Kong
- National Art Museum of China in Beijing
- Tokiwa Museum in Japan
References
- "Contemporary Craft in Focus: Warrior with Color Face | Smithsonian American Art Museum". americanart.si.edu. Retrieved 2022-11-25.
- Desmarais, Charles (24 July 2019). "Bay Area ceramics scene fired up in new ways". Datebook | San Francisco Arts & Entertainment Guide. Retrieved 2022-11-25.
- "Bellevue Arts Museum to present a collision of cultures". Bellevue Reporter. 2011-02-11. Retrieved 2022-11-25.
- "Wanxin Zhang | Art Museum | University of Wyoming". UWYO. Retrieved 2023-10-04.
- "[专稿] 来自五号坑——张万新雕塑展_热点关注_艺术中国". art.china.cn. Retrieved 2022-11-26.
- Erickson, Britta (11 June 2008). "Tyranny Meets Irreverence in Pit #5,, Art Beatus Gallery, Hong Kong, 2008" (PDF). cclarkgallery.com. Retrieved 26 November 2022.
- "March 25: Bellevue Arts Museum displays work of Wanxin Zhang and John Cederquist at Finally Friday". Northwest Asian Weekly. 2011-04-07. Retrieved 2022-11-25.
- Upchurch, Michael (2011-03-30). "Review: Terra-cotta warrior meets American pop art in 'Wanxin Zhang: A Ten Year Survey'". The Seattle Times. Retrieved 2022-11-26.
- "RISE UP! ART AS ACTION (2017)". SFArtsED. 2017. Retrieved 2022-11-25.
- "RISE UP! Art As Action: A Panel Discussion". Minnesota Street Project. 2017-04-05. Retrieved 2022-11-25.
- "FACULTY + STAFF News". sfai.edu. November 2018. Retrieved 25 November 2022.
- Curiel, Jonathan (2017-12-13). "Sidewalk Cracks: Contemporary Chinese Art Has a Laugh". SF Weekly. Retrieved 2022-11-25.
- Desmarais, Charles (29 March 2019). "Wanxin Zhang shares 'Long Journey' at Museum of Craft and Design". Datebook | San Francisco Arts & Entertainment Guide. Retrieved 2022-11-25.
- "FACULTY + STAFF News". July 2019.
- "The Body, The Object, The Other – Craft Contemporary". www.craftcontemporary.org. Retrieved 2023-10-04.
- Desmarais, Charles (21 February 2019). "Master ceramists of two generations at Sonoma Valley Museum of Art". Datebook | San Francisco Arts & Entertainment Guide. Retrieved 2022-11-25.
- "Warrior with Color Face | Smithsonian American Art Museum". americanart.si.edu. Retrieved 2022-11-25.
- Capps, Kriston (6 August 2022). "At the Renwick Gallery, craft that captures our polarized times". The Washington Post. Retrieved 25 November 2022.
- "Seattle Art Fair Opens to 4000 Visitors". Seattle Art Fair | July 27 - 30, 2022. Retrieved 2022-11-25.
- "Going Out, Homing's In, March 11-18, 2022". Bay Area Reporter. Retrieved 2022-11-25.
- "Wanxin Zhang: Witness: 2022: Solo CCG | Catharine Clark Gallery". cclarkgallery.com. Retrieved 2022-11-25.
- Porges, Maria (2022-04-01). "Wanxin Zhang". Sculpture Magazine. Retrieved 2022-11-25.
- "Claiming Space • Montalvo Arts Center". Montalvo Arts Center. Retrieved 2022-11-25.
- Pizarro, Sal (2022-08-20). "Montalvo Arts Center breaks barriers with new outdoor exhibit". The Mercury News. Retrieved 2022-11-25.
- "Wanxin Zhang". The Holter. Retrieved 2022-11-25.