Western Culture (album)

Western Culture is an instrumental album which came about as a result of disagreements in the band as to what the composition of their next album should be. Recording had already begun at Sunrise Studios in January 1978 and some members were not happy about the predominance of song-oriented material. As a compromise it was agreed that two albums would be made: one of "songs" (released soon after as Hopes and Fears under the name of a new group Art Bears) and one of purely instrumental compositions. The group returned to Sunrise Studios in July that year to record the instrumental pieces for Western Culture, except "½ the Sky", which had been recorded during the January sessions.

Henry Cow split up shortly after recording this album.

The Lindsay Cooper composition "½ the Sky" was named for Chairman Mao's dictum "Women hold up half the sky".[5][6] "Viva Pa Ubu" (an outtake from the January recording sessions) was written by Tim Hodgkinson as the start of a musical production of Alfred Jarry's play Ubu Roi (Pa Ubu being a character in the play).[7] "Viva Pa Ubu" includes singing by the whole group, making the CD reissue no longer an instrumental. "Viva Pa Ubu" and "Slice" (an outtake from the July–August recording sessions) had been previously released on the Recommended Records Sampler (1982).

During the recording sessions in July and August 1978, Henry Cow also recorded "Waking Against Sleep", a Fred Frith composition. This 2-minute piece had previously been performed live by the band under the title "The Herring People", and appeared in Volume 9: Late of The 40th Anniversary Henry Cow Box Set (2009). It was later recorded by Curlew under the title "Time and a Half", and appeared on their album, North America (1985), which was produced by Frith. "Waking Against Sleep" was never released by Henry Cow, but appeared on the 1990 CD re-issue of Frith's solo album, Gravity.[6]

The album cover art work was done by Chris Cutler. Henry Cow had originally asked cartoonist Don Martin to produce a cover, but he declined.[8] Martin, best known for his work for MAD magazine, had designed several album covers, including The Art Farmer Septet and Sonny Stitt/Bud Powell/J. J. Johnson. Ray Smith, whose painted socks featured on three of Henry Cow's albums, also designed a cover for Western Culture illustrating an industrial city viewed from above with the text "Henry Cow" appearing in its streets. Smith's cover was not used.[8]

Western Culture was reissued on CD by Broadcast in 1988 and East Side Digital Records in 1995. It was reissued again on Recommended Records in 2001 and East Side Digital in 2002 with three bonus tracks, "Viva Pa Ubu", "Slice" and "Look Back (alt)", new liner notes and photographs. The bonus tracks are listed in the wrong order in the booklet. "Viva Pa Ubu", "Slice" and "Look Back (alt)" were later reissued on the 2019 Henry Cow Box Redux: The Complete Henry Cow bonus CD, Ex Box – Collected Fragments 1971–1978.

Recorded at Sunrise Studio, Kirchberg, Switzerland on the dates indicated.

Henry Cow

• Tim Hodgkinson – Farfisa organ, clarinet, alto saxophone, Hawaiian guitar, piano, vocals ("Viva Pa Ubu")
• Lindsay Cooper – bassoon, oboe, soprano saxophone, sopranino recorders, vocals ("Viva Pa Ubu")
• Fred Frith – electric & acoustic guitars, bass guitar, soprano saxophone (background "On the Raft"), vocals ("Viva Pa Ubu")
• Chris Cutler – drums, electric drums, noise, piano, trumpet (background "On the Raft"), vocals ("Viva Pa Ubu")

Additional musicians

• Annemarie Roelofs (July–August 1978 sessions only) – trombone, violin
• Irène Schweizer – piano ("Gretels Tale")
• Georgie Born – bass guitar ("½ the Sky", "Viva Pa Ubu"), vocals ("Viva Pa Ubu")
• Dagmar Krause – vocals ("Viva Pa Ubu")

Production

• Henry Cow – producers
• Etienne Conod – producer
• Chris Cutler – cover art

• Henry Cow Box (2006)

• Cutler, Chris, ed. (2009). "The Road: Volumes 6–10". The 40th Anniversary Henry Cow Box Set (box set booklet). Henry Cow. London: Recommended Records.
• Piekut, Benjamin (2019). Henry Cow: The World Is a Problem. Duke University Press. ISBN 978-1-47800-405-9.