When We Leave

Umay (Sibel Kekilli) lives with her husband Kemal (Ufuk Bayraktar) and son Cem (Nizam Schiller) in the suburbs of Istanbul. Kemal has regular violent outbursts against both his wife and son. Umay's longing for her home and parents in Berlin finally overwhelms her. She packs up her things and flees her life and marriage in Istanbul.

She returns to her family home in Berlin, where she hopes to start a new, independent life with her son. She hopes her family will be supportive of her new beginning, but when Umay's father Kader (Setter Tanröigen) learns what Umay has done, he orders her to return immediately. According to tradition she belongs forever to her husband Kemal. Umay refuses to go and burns her passport. "Stop dreaming!" her mother tells her, as her siblings suffer rejection in their community based on their sister's actions.

Mehmet, Umay's older brother (Tamer Yigit), and Kader devise a plan to kidnap young Cem and take him back to his father in Istanbul. Umay overhears them and flees to start a new life with her son, without her family. She moves to a women's shelter, where she builds a new life for herself. Through her work at a kitchen she meets Stipe (Florian Lukas), a colleague she feels drawn to.

Soon she even has her own apartment and a satisfying new life. Only one thing is missing; her family. Again and again she tries to contact her mother and younger brother Acar. Every time she fails. During all of this, her father and brothers come to a difficult decision. Acar (Serhad Can) has earned a terrible fate; he's been elected to kill his beloved sister to restore his family's lost honor.

Aladag worked with an extremely diverse group of both trained and non-trained actors for the film, some of which came from street-casting sessions. Nizam Schiller (Cem), Almila Bagriacik (Rana) and Serhad Can (Acar) all made their screen debut in the film. Her own acting experience helped Aladag to individualize her approach to each actor in the film. All non-actors participated in an acting workshop which lasted several months, during which Aladag helped them learn from her experience in front of the camera.[2]

When We Leave was produced by Independent Artists in co-production with WDR, RBB and ARTE. It was supported by the Medienboard Berlin-Brandenburg, the BKM, the NRW Film Board and the Kuratorium junger deutscher Film.[3]

The film had its debut at the Berlin Film Festival. Afterwards it was released on 11 March 2010 throughout Germany by its German Distributor Majestic. The director supported the theatrical release with a Germany-wide Q&A tour. On 27 August 2010 Majestic Home Entertainment released the film on Blu-ray and DVD.[4]

While directing PSAs for Amnesty International's "Violence Against Women" campaign, Aladag began researching themes related to domestic violence. Her research led her to a series of honor killings in Germany, mainly perpetrated against women who tried to free themselves from familial and social pressures.[5]

She quickly became engrossed in her quest to understand the complex family dynamics that contribute to honor killings. Out of this passion came the desire to create a cinematic story that dealt with the fate of a young German woman of Turkish origins. Aladag researched for over two years and consulted with various experts on the issues involved. She researched police case files from the previous fifteen years and discovered similar patterns in them that helped her begin writing the screenplay.

Aladag wanted to distill the conflicts she found in those documents in her screenplay. She wanted to create an emotional, authentic but also universal story, without moral judgments and with the goal of showing not only the conflict, but also to empathetically portray the tragedy of the situation.

Production began on 15 July 2008 for what was to be a 39-day shoot. When We Leave was shot on 35 mm in Cinemascope. Aladag worked closely with editor Andrea Mertens for four months at Cineimpuls, a post-production house in Berlin.[6]

When We Leave was shot in Berlin and Turkey. For Aladag it was especially important to tell the story as authentically as possible, and she did extensive location scouting. Among the Berlin locations were the well-known clubs "SO36," and the "Monarch" bar in Kreuzberg.

Interiors of the Aslan family home were shot on Wilhelmstrasse in Berlin-Mitte, and the wedding scene was shot in the Neukölln district of Berlin. One particularly unique location was the former residence of the Ethiopian Ambassador in Pankow, which was used for the scenes in the women's shelter.

Teufelsberg in West Berlin was the setting for Umay and Stipe's date. To maintain maximum authenticity, many important scenes were shot in Turkey, in the Kayseri Province as well as in Istanbul. Interiors for Kemal, the Turkish husband's family, were shot in the Istanbul suburb Dudullu, and the exteriors of Kader's journey to visit his father were shot in his home village of Kayseri.

Joseph Smiegelski wrote in the Huffington Post that he "consider[ed] When We Leave one of the best movies I have ever seen. It is Bicycle Thief good, and the kind of movie I like the most: a simple yet meaningful story told without bells and whistles and with a small number of major characters. [It] is a remarkable artistic achievement. You must see this film."[7]

Ray Bennett wrote in The Hollywood Reporter that When We Leave is "a universal story that will connect with audiences."[8]

The film won Best Narrative Feature at the 9th Tribeca Film Festival, Best Film at the 37th Ghent Film Festival in Belgium, the European Parliament's Lux Prize, and was selected as the German entry for the Best Foreign Language Film at the 83rd Academy Awards,[9][10][11][12] but it didn't make the final shortlist.[13]

• List of submissions to the 83rd Academy Awards for Best Foreign Language Film
• List of German submissions for the Academy Award for Best Foreign Language Film

• When We Leave at IMDb