Who's Gonna Fill Their Shoes (song)

Jones sings of the irreplacibility of country music legends including Waylon Jennings, Willie Nelson, Johnny Cash, Merle Haggard, Conway Twitty, Roy Acuff, Elvis Presley, Jerry Lee Lewis, Carl Perkins, Charlie Rich, Hank Williams, Marty Robbins, and Lefty Frizzell. After remarking about these singers' impacts on country music, he wonders who will replace them when they're gone - hence, the title line - and thus become legends in their own right. In the 1994 video retrospective Golden Hits Jones recalled:

"Troy Seals wrote that...He saved the day for us...Songwriters were bringin' things in and we were listening to songs and tapes, and Troy came in and told Billy [Sherrill, Jones' producer] and me that he had this idea, and he sung a little bit of the chorus...He came back about ten o'clock or eleven the next morning before we went in to do our session at two o'clock, he had it all finished and it just knocked us out."

A promotional video for the song was aired on The Nashville Network (TNN), Country Music Television (CMT) and Great American Country (GAC). Directed by Marc Ball, it also features Billy Sherrill in a cameo as the bus driver and CBS executive Rick Blackburn driving the Cadillac at the end of the video. It takes place at a roadside gas station, where the owner shares with Jones his extensive collection of albums and memorabilia from classic country music artists. At the end of the video, as Jones' tour bus pulls away, a convertible pulls into the station; its passenger is a young man with a guitar, looking in awe at the large tour bus. The video - the singer's first - won Music Video of the Year at the 1986 CMA Awards, beating out videos by the Judds, Reba McEntire, and Dwight Yoakam. However, with a new crop of country stars emerging, the song had an unfortunate connotation, with Andrew Mueller noting in Jones' Uncut obituary, "As it turned out, the song wasn't brilliantly timed. A few of its protagonists still had decades left in them, as did Jones himself..."

Eugene Chadbourne of Allmusic describes the song as "the kind of mystical, self-serving necrophilia that country music is all about".[2] Jones biographer Bob Allen states, "It struck a strong enough chord of empathy with old-time country music lovers to end up number three in Billboard."[3]