Who Really Cares (Janis Ian album)
Who Really Cares, released in 1969, is the fourth studio album by American singer-songwriter Janis Ian, and her last for Verve Forecast. Unlike her previous three albums, Who Really Cares was produced not by Shadow Morton but by Charles Calello, who had attracted attention for producing Laura Nyro's Eli and the Thirteenth Confession a year earlier. The title was taken from Ian's first book of poetry, published shortly after the album's release.[3]
| Who Really Cares | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | September 1969 | |||
| Studio | Olmstead Studios, New York City | |||
| Genre | folk-rock singer/songwriter | |||
| Length | 33:54 | |||
| Label | Verve Forecast | |||
| Producer | Charles Calello | |||
| Janis Ian chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [1] |
| Wilson and Allroy |  [2] |
At the time she made Who Really Cares, Janis Ian was in a crisis following her initial success with "Society's Child". She had attempted suicide, taken cocaine with Jimi Hendrix and Janis Joplin[4] and seen her parents split as she moved into her own apartment.[5] Her previous album The Secret Life of J. Eddy Fink failed to dent the Billboard albums chart due partly to an unsupportive Verve and partly to her audience moving away from the depressing tone of her albums. She also was originally asked to compose the music for the film Four Rode Out[6] but never did so.
Who Really Cares was almost entirely ignored by the music press upon its release in fall 1969 and failed to return Ian to the top 200, and her contract with Verve was consequently not renewed.
During her period of prominence in the 1970s, Janis Ian distanced herself from her Verve albums, calling them "a tax write-off for Verve",[7] and saying specifically that Who Really Cares "did not contain enough protest songs".[8] Apart from one encore performance of "Time on My Hands" at the Long Center in Scranton, Pennsylvania, on October 29 of 1974,[9] she is not known to have performed anything from Who Really Cares since 1972, nor has the album ever been represented on any of her career compilations.
Track listing
All tracks are written by Janis Ian
| No. | Title | Length |
|---|---|---|
| 1. | "Time on My Hands" | 2:53 |
| 2. | "Snowbird" | 4:20 |
| 3. | "Love You More Than Yesterday" | 3:05 |
| 4. | "Orphan of the Wind" | 5:06 |
| Total length: | 15:24 | |
| No. | Title | Length |
|---|---|---|
| 1. | "Sea and Sand" | 2:49 |
| 2. | "Galveston" | 3:39 |
| 3. | "Do You Remember?" | 3:10 |
| 4. | "Month of May" | 4:29 |
| 5. | "Calling Your Name" | 4:23 |
| Total length: | 18:30 | |
References
- Charles Donovan. "Who Really Cares – Janis Ian". All Music Group.
- Wilson, David Bertrand. "Who Really Cares – Janis Ian". Wilson and Allroy's Record Reviews. Retrieved October 7, 2021.
- Danielle, Rosemary (1970-01-18). "Simplicity Fails as Art of Poetry". Atlanta Constitution. p. 64.
- Anonymous author. "At 17, Janis Ian was snorting cocaine with Jimi Hendrix – "I don't regret a second of it"". The JC – Jewish News.
{{cite web}}:|author=has generic name (help) - Botwin, Carol (1969-06-22). "Society's Child Now". This Week (The Spokesman-Review). Spokane, Washington). p. 12.
- Gray, Brian (1968-12-06). "No New Elvis". Deseret News. p. 2D.
- Harris, Art (1975-06-16). "Society's Child Wasn't Taken Seriously". Asbury Park Press. Asbury Park, New Jersey. p. A9.
- Lake, Leonora (1975-06-21). "Janis Ian: The "Saturday's Child" Has Grown Up". Tampa Tribune. p. 6-D.
- "Janis Ian Setlist – October 29, 1974, Long Center, Scranton, Pennsylvania". setlist.fm.