Wiped Out!

Prior to the release of Wiped Out!, the band released their debut mixtape, #000000 & #FFFFFF, for free.[8]

Conceptualization and writing for the album started in January 2015.[9] The majority of the record was written and recorded in a studio in Malibu and Santa Monica. In an interview with Digital Trends, bandmate Zach Abels recalls, “We did the second half of the album at my mom’s house, where we originally wrote "Sweater Weather""[10] "Baby Came Home 2/Valentines" was written on their tour bus during their North American tour.[9] "Prey" was written and recorded near the end of the album's creation process.[11] On the album's title, Rutherford comments, "Wiped Out! was just an internal strife. The album is called Wiped Out! because at the end of it we were all really exhausted," and adds, "It was called Wiped Out! before we even started it because we were exhausted from the beginning!"[12]

Professional ratings

Aggregate scores
Source	Rating
AnyDecentMusic?	5.5/10[13]
Metacritic	53/100[14]
Review scores
Source	Rating
AllMusic	[2]
Billboard	[15]
DIY	[16]
Exclaim!	7/10[17]
Mojo	[18]
Rolling Stone	[19]
Uncut	3/10[20]

The album received generally mixed reviews. Writing for Exclaim!, Ryan B. Patrick called the record "a "see what sticks" effort; it's slick and polished, but hits varying levels of satisfaction throughout."[17]

Natasha West, from DIY, said that "Wiped Out! delivers a message of heartbreak, hope and heartfelt honesty" and "having successfully mixed pop, rock and hip-hop together, it seems like they have finally defined their sound as a band".[16] A review published by Mojo Magazine, stated, "The LA quintet still sound like 16-year-old boys... Musically, though, their slick soulful pop-R&B is far more refined".[18] For Matt Collar, from AllMusic, it "doesn't hurt that cuts like "Cry Baby," "Daddy Issues," and "Greetings from Califournia" counteract the band's somewhat downtempo vibe with catchy melodies and light, dance-oriented beats. As the black & white album cover illustration of a palm tree on a beach implies, this is surf music for street goths and beach bums with bad attitudes".[2]

Kenneth Partridge, from Billboard, wrote, "The subtler, less stylized Wiped Out! keeps the palm-trees-at-twilight feel, but the sound is more hazy R&B than rock".[15] David Turner, from Rolling Stone, thinks that "the warmth of "Sweater Weather" and the rest of the Neighbourhood's debut album is gone on Wiped Out!, replaced by a ponderous kind of cool".[19] Uncut's published review was that the album is "a stylistic and conceptual vacuum."[20]

All tracks produced by Justyn Pilbrow and 4e, except where noted.

Credits adapted from the liner notes of Wiped Out![21]

Performance credits

• The Neighbourhood – vocals

Production

Creative

• Matt Baus – creative director
• Cameron McCool – photography
• Adri Law – photography