Wu-Massacre

On November 25, 2009, Allah Mathematics premiered the song "Mef vs. Chef 2" live on his radio show Math Files. The song features verses from Method Man and Raekwon, and was said to be from Wu-Massacre. On January 25, 2010, Def Jam released the first single, "Our Dreams" on their website, which will be appearing on the Wu-Massacre album.[16] On February 22, 2010, Def Jam released a free mixtape called, Avenging Eagles by Allah Mathematics featuring various older Raekwon, Ghostface and Method Man material as a warm-up to Wu-Massacre. Aside from "Mef vs. Chef 2," the mixtape also premiered the song "Miranda". On March 2, 2010 the next release from the album was "Criminology 2.5", an original Only Built 4 Cuban Linx… Pt. II track but was cut before the final pressing, but revised as it no longer contains Raekwon's verse, contains a re-used Ghostface Killah verse from the song "The Badlands" instead of the original verse planned for Only Built 4 Cuban Linx… Pt. II, and a verse from Method Man. "Mef vs. Chef 2" and "Miranda" have now been released as the album's second and third singles. On the release of the video for "Our Dreams" a fourth single was also released called "Dangerous". Another single ("Gunshowers") was released; it was produced by Digem Tracks Productions.

All three cover portraits were created by Marvel Comics artist Chris Bachalo and inked by Tim Townsend.[17] The third and final cover was released on March 15, with the illustration by Bachalo with art direction by Alex Haldi.[18]

The album debuted at number 12 on the US Billboard 200 chart with first-week sales of 37,900 copies.[19] In its second week, it fell 25 spots to number 37, selling an additional 11,000 for a total of 49,000 copies.[20] The next week it sold 6,600 more copies going over the 50,000 mark selling 56,000.[21] It also entered at number six on Billboard's Top R&B/Hip-Hop Albums and at number two on its Rap Albums chart.[22][23] The album has sold 100,000 copies in the US as of August 2015.[24]

In Canada, the album debuted at number 29 on the Top 100 and number four on the R&B Top 50 chart.[25][26] In France, it entered at number 128 on Syndicat National de l'Édition Phonographique's albums chart.[27]

Wu-Massacre received generally positive reviews from music critics; it holds an aggregate score of 73/100 at Metacritic.[7] Allmusic editor Andy Kellman called it "consistent, duly rugged, and satisfying".[2] Entertainment Weekly's Simon Vozick-Levinson praised the rappers' lyricism and stated, "Method Man's acid sarcasm grounds Ghostface Killah's tightly wound exclamations, which in turn nicely balance Raekwon's flinty realism, and the trio's rhymes are well served throughout by big, soulful beats".[4] Zach Cole of URB commended its energetic production and the rappers' lyrical deliveries, calling the album "a delight with not a wasted minute".[10] USA Today's Steve Jones praised its production as a "rich, sonic tapestry", while writing that the rappers are "fierce and focused, firing steel-jacketed barbs with abandon on this wallop-packing collection".[11] The Harvard Crimson's Colm Dubhrosa complimented its dynamic format, writing that "Wu-Massacre manages to condense all that is most vitally raw and dynamic about this hip-hop trio into a snappy 30-minute album that blazes by in a flash of intensity and verve".[5]

In contrast, Exclaim!'s Del F. Cowie viewed its weaker tracks as those that do not feature all rappers and called the album "a patchy project that given some time and attentive conceptual execution could have been more than the sum of its parts".[28] RapReviews writer Guido Stern called its production "uneven" and shared a similar sentiment, writing "Mostly it's just frustrating because the whole tape probably only has like six or seven verses from each of the headliners".[29] Luke John Winkie of No Ripcord gave Wu-Massacre a 6/10 rating and called it "a fun, but mostly forgettable affair", but wrote "Rae, Ghost and Meth’s undeniable flow can make even the slightest record worth a spin".[30] Pitchfork Media's Ian Cohen commented that "at the record's core are three MCs willing to spend a little critical capital and just have fun over pitchshifted soul beats".[6] Evie Nagy of Billboard wrote favorably of the rappers' performances and commended the album's production and cohesion among its tracks.[31] Giving it an 8.0/10 rating, IGN critic Phil Owen viewed the album as a case of "quality over quantity" and wrote that it "all flows brilliantly".[32]

The A.V. Club's Nathan Rabin wrote that the album "thrives on the chemistry between Ghostface Killah’s excitable ranting, Raekwon’s smoothness, and Method Man’s combination of raspy humor and middle-aged grumpiness".[3] Huw Jones of Slant Magazine perceived its sound as reminiscent of early Wu-Tang Clan albums, writing that it "celebrates the same stylistic elements that put Staten Island on the musical map in the '90s".[9] HipHopDX writer Slava Kuperstein gave it four out of five stars and wrote "Wu-Massacre stands on its own merit as an assembly of three legendary emcees putting on display what earned them the legendary status in the first place".[33] Rolling Stone's Jon Dolan viewed it as a return to the rappers' "classic-Wu roots" and commended the album for its "imperious soul samples, waves of purple haze and pointillist pimp fantasies".[8] Tiny Mix Tapes writer Chris Norton gave it a three-and-a-half out of five rating and wrote that it "functions more as a reminder that these soldiers are still deep in the trenches, leaning on the time-tested skills and sounds that put them at the top of the 90s and spurred their revival in this past decade".[34]