Bhishma

Bhishma (Sanskrit: भीष्म, IAST: Bhīṣma, lit.'Terrible'),[1] also known as Pitamaha, Gangaputra, and Devavrata, played an integral role in Mahabharata. He was the supreme commander of the Kaurava forces during the Kurukshetra War mentioned in the Hindu epic Mahabharata. He was the only character who witnessed the entirety of the Mahabharata, beginning from the reign of his father, King Shantanu of the Kuru kingdom. Bhishma was the elder brother of the grandfather of both the Pandavas and the Kauravas, and a prominent statesman of the Kuru Kingdom. He was born as the elder son of the illustrious King Shantanu and Ganga. He was related to both the Pandavas and the Kauravas through his half-brother, Vichitravirya.

Bhishma
Information
Aliases
  • Devavrata
  • Gauranga
  • Bhishma
  • Pitamah
  • Gangaputra
  • Mahamahim
GenderMale
TitlePitamah
PositionCommander of Kuru army
Weapon
Family
  • Shantanu (father)
  • Ganga (mother)
  • Satyavati (step-mother)
  • Vichitravirya (half-brother)
  • Chitrāngada (half-brother)
RelativesKuru dynasty-Chandravamsha
HomeHastinapura

Originally named Devavrata, he was made the heir-apparent of his kingdom. However, he ceded his throne for his father's happiness and took the vow of lifelong celibacy. Owing to this selfless decision, he came to be known as Bhishma and was blessed to live as long as he wanted, by his father, Shantanu. He played a major role in the political affairs of the Kuru kingdom and participated in the Kurukshetra War on the side of the Kauravas. On the tenth day of the war, the Pandava prince Arjuna, with the help of Shikhandi, pierced Bhishma with numerous arrows and paralysed him upon a bed of arrows. After spending fifty-one nights on the arrow bed, Bhishma left his body on the auspicious Uttarayana (winter solstice). Before his death, he passed down the Vishnu Sahasranama to Yudhishtira.

Bhishma is a revered figure in Hinduism. Each year his death anniversary is celebrated as Bhishma Ashtami, which falls on the eighth lunar day of the Shukla (light) half of Magha (January–February) month.

Etymology and epithets

According to Monier Monier-Williams, the word Bhishma (भीष्म) means "terrible", "horrible", "fearful" or "fierce". The word is also used to describe Rudra, the fierce Vedic god, as well as the Rakshasa.[2] In the epic, Devavrata received this as he undertook a fierce or terrible vow (Bhishma pratigya) and fulfilled it.[3][4] Bhishma was given the name Devavrata (देवव्रत) at his birth, meaning one who is devoted to Gods.[5]

As Bhishma was the only surviving son of Ganga, he was given many epithets which mean "son of Ganga" Gangaputra (गंगापुत्र), Gang (गंग), Gangasuta (गंगासूत) and Gangeya (गांगेय). The word Gangadatta (गंगादत्त) means given by Ganga.[6] Patronymics of Bhishma include Shantanava (शान्तनव), Shantanuputra, Shantanusuta and Shantanuja.[7] Bhishma was also referred as:

  • Gauranga (गौरांग) – the one with fair body
  • Shvetaveera (श्वेतवीर) – a white warrior or the one who is heroic white and has all weapons in white Colour
  • Bharatavanshi (भरतवंशी) - a descendant of Bharata
  • Mahamahima (महामहिम) - his excellency
  • Parshuramashishya (परशुरामशिष्य) - disciple of Parshurama
  • Pitamaha (पितामह)- Grandfather (also known as Bhishma Pitamaha; called by Pandavas and Kauravas)

[7]

Birth and early life

Shantanu stops Ganga from drowning their eighth child, who later was known as Bhishma. Painting by Raja Ravi Varma

Bhishma's birth and youth are mainly narrated in the Adi Parva book of the epic. He was the only surviving son of Shantanu, a king belonging to the lunar dynasty, and his first wife Ganga, a river goddess. It is believed that he was the avatar of a Vasu named Dyu, alias Prabhasa.[8]

According to the legend, Shantanu, the youngest son of the king Pratipa and the king of Kuru kingdom, was on a hunting trip, when he saw a beautiful woman on the banks of the river Ganga. He fell in love with her and asked for her hand in marriage. The lady agreed to his proposal but with one condition that he will never question her actions; and if this condition was broken, she would abandon him. Shantanu accepted it and lived a happy marital life with her. However, when a child was born, the queen used to drown him in the river Ganga. One by one, seven sons were born and drowned, while Shantanu remained silent because of his commitment. When she was about to throw the eighth child into the river, Shantanu, unable to control himself, stopped her and confronted her about her actions. After hearing Shantanu's harsh words, the woman revealed herself to be the goddess Ganga and justified her actions and narrated the following story.[9][3]

Once the celestial Vasus and their wives were enjoying themselves in the forest when the wife of Dyu spotted an excellent cow and asked her husband to steal it. The cow was Nandini, daughter of the wish-fulfilling cow Surabhi, and was owned by the sage Vashishtha. With the help of his brothers, Dyu tried to steal it but Vashishtha caught them and cursed them to be born as mortals and suffer a miserable life. Upon their pleading, Vashishta showed mercy and told the other seven Vasus that they will be liberated soon after their birth. However, Dyu being the protagonist of the theft was cursed to endure a longer life on the earth. Before the birth of her sons, Ganga was requested to kill the seven children soon after their birth.[10][3] Hearing this, Shantanu was filled with grief and regrets and Ganga decided to abandon him as her condition was broken. Before disappearing, she promised Shantanu to return his heir.[9]

Ganga handling her son Devavrata to his father. Print by BP Banerjee.

Ganga named her son Devavrata and took him to different loka (realms), where he was brought up and trained by many eminent sages.[11][12][13]

  • Brihaspati and Shukracharya taught Devavrata the duties of kings (Dandaneeti), or political science and other Shastras.
  • The sages Vashishtha and Chyavana taught the Vedas and Vedangas to Devavrata.
  • Sanatkumara: The eldest son of the god Brahma taught Devavrata the mental and spiritual sciences.
  • Markandeya: The immortal son of Mrikandu of Bhrigu's race who acquired everlasting youth from the god Shiva taught Devavrata in the duties of the Yatis.
  • Parashurama: The son of Jamadagni trained Bhishma in warfare.
  • Indra: The king of the Devas. He bestowed celestial weapons on Bhishma.

Years later, Shantanu was roaming on the banks of the Ganga and observed that the water of the river had turned shallow. He saw a young man blocking the water currents with a dam made up of arrows. Shantanu recognised his son because of the similarities and begged Ganga to return him. Ganga appeared in a youthful form and handed her son to Shantanu as per her promise. The young Devavrata was known as Gangadatta as he was handed over by Ganga.[14]

The oath

Devavrata taking his oath, painting by Raja Ravi Varma

Devavrata was made the heir-apparent, and the citizens loved him because of his divine background and eligibility. Meanwhile, Shantanu went to the forest and met a fisherwoman named Satyavati, who operated the boats crossing the Yamuna. He fell in love with her and asked for her hand in marriage from her father. However, the fisherman-chief told that he would only agree if Shantanu promised to put the son born to Satyavati as the heir. Shantanu rejected the offer as he had already promised the throne to Devavrata and returned to the palace. He started to avoid any company and spend his time in bed in grief and solitude. Devavrata noticed his father's sorrow and discovered the reason behind it from a minister.[3]

Devavrata immediately rushed to the cottage of the fishermen-chief and begged him for Satyavati, but the fishermen-chief repeated his former condition. For his father's pleasure and happiness, Devavrata ceded his rights to the throne and promised to put the son of Satyavati on the throne of the kingdom. Satyavati's father was not assured as he claimed that disputes were likely to arise between Satyavati's son and Devavrata's children regarding the rights to the throne. To satisfy him, Devavrata took the vow of lifelong Brahmacharya (celibacy), thus denying himself the pleasures of marital life.[3]

The celestials showered flowers from heaven and he came to be known as "Bhishma" as he took a terrible vow. With the consent of the fisherman, Bhishma took Satyavati to his father on a chariot and informed him about his vows. A loving father Shantanu gave him a boon of Iccha Mrityu, the control over the time of his death.[11][15][16] Shantanu and Satyavati soon married and two children - Chitrangada and Vichitravirya were born.[3]

Affairs of Kuru Kingdom

After the death of his father, Bhishma played a major role in the affairs of the Kuru kingdom. He managed the kingdom when there were succession crises. He also arranged the marriage of his nephews and tried to bring peace between his grand-nephews, the Kauravas and the Pandavas.

The text Harivamsa mentions that during the mourning period after Shantanu's death, Bhishma killed Ugrayudha Paurava, a statesman of Panchala kingdom who lusted for Satyavati and tried to buy her with wealth.[17] According to the Mahabharata, Chitrangada was crowned as the king, however, he was soon killed by a Gandharva (celestial musician). Bhishma performed Chitrangada's funeral rites.[3][18] Vichitravirya, who was too young to rule, was crowned as the king by Bhishma but the actual control of the kingdom was under Satyavati until he reached adulthood. Bhishma aided Satyavati during that time.[19]

Abduction of the Kashi princesses and battle with Parashurama

Bhishma abducting the princesses of Kashi from the assemblage of suitors at their Swayamvara

When Vichitravirya grew up, Bhishma decided to bring Amba, Ambika and Ambalikathe princesses of Kashi kingdomand get them married to him. Bhishma reached the kingdom and forcefully abducted the princesses, who were choosing their spouse in a Swayamvara (self-choice ceremony where a woman chooses her husband from a group of suitors). Shalva, the ruler of Shalwa or Saubala Kingdom and the lover of Amba, attempted to stop Bhishma but failed. Upon reaching Hastinapura, Ambika and Ambalika consented to marry Vichitravirya, while Amba told Bhishma about her love for Shalva. Learning about her feelings, Bhishma sent Amba to Saubala Kingdom.

The sage Narada and the gods stop Bhishma's battle with Parashurama

The Udyoga Parva further narrates about Amba as well as the battle between Bhishma and Parashurama. When Amba requested Shalva to marry her, he rejected her, claiming that he was already humiliated during the Svayamvara. He also told her that he could not accept a woman, who was won by another man. A variant suggests that after Amba returned to Hastinapur, Bhishma then asked Vichitravirya to marry her, but he also refused to marry her as she loved another man. With no one to accept her, Amba blamed Bhishma for her misery and wanted revenge from him. She went to the kings of several kingdom and tried to convince them to slay Bhishma; but none of them agreed. After she was advised by some sages, she met Parasurama, Bhishma's teacher and successfully convinced him in giving vow to help her.[20]

Parasurama went to Kurukshetra and sent a message to Bhishma to meet him. Bhishma arrived at the place and offered his service to his teacher. Wanting to solve the situation, Parasurama ordered him to marry Amba, telling him that it was his duty. However, Bhishma denied it, reminding him about his vow. This enraged Parashurama and he threatened Bhishma with death. Bhishma tried to calm him but it failed. An intense battle began with both protecting their words. They fought for twenty-three days, each using celestial weapons. Ganga tried to stop them but was unsuccessful.[20] On the twenty-fourth day of battle, Bhishma attempted to use the Prashwapastra against Parashurama, but the divine sage Narada and the gods intervened and showed their concern over the use of powerful weapons which could destroy the world. Parashurama ended the conflict and the battle was declared a stalemate. After hearing about the event, Amba decided to take her revenge on her own and did severe austerities to please the god Shiva. Shiva appeared in front of her and assured that she would be reborn and become instrumental in Bhishma's death. Satisfied, she then made a funeral pyre of woods and killed herself. Years later, she was reborn as Shikhandini, daughter of King Drupada of Panchala kingdom.[21]

Political influences

Yudhishthira with Bhishma, from the Razm-Namah, by Fattu, 1598

Vichitravirya was crowned as the king of Hastinapura and he ruled for a few years, before he died because of Tuberculosis. He had no offspring and the lineage was at the risk of extinction. Satyavati persuaded Bhishma to marry the widows of Vichitravirya and rule as the king or at least impregnate them to produce an heir.[22] However Bhishma refused the proposal and told her about his vow. He then suggested that a sage could be hired to perform Niyoga (a practice in which another person is hired to impregnate a woman, whose husband is deceased or impotent).[23] Satyavati called her premarital born son, Vyasa, to impregnate her daughters-in-law.[24][25][26] Three children were born Dhritarashtra from Ambika, Pandu from Ambalika and Vidura from a maid. Bhishma trained them and also got them married. He arranged the wedding of Dhritarashtra with Gandhari, the princess of Gandhara Kingdom.[27][28] He also brought Madri for Pandu from Madra Kingdom and also got Vidura married to the daughter of Devaka.[29][30]

Despite Dhritrashtra being the eldest among the brothers, he was denied the throne because of his blindness. Pandu was appointed as the king, but later, he renounced his position and went to the forest with his wives. Dhritarashtra was made the de facto king and Gandhari gave birth to the Kauravas siblings. Meanwhile, Pandu's two wives gave birth to the five Pandava brothers. After the premature death of Pandu, his first wife Kunti returned to Hastinapur with her sons. Satyavati, along with Ambika and Ambalika, decided to retire to the forest for penance, leaving Bhishma with the responsibility of the kingdom. A Brahmin warrior Drona, was hired by Bhishma to train the princes in warfare.[31]

From their childhood, the Kauravas hated their cousins and tried to kill them multiple times. One such was the event of Lakshagriha, in which Duryodhana—the eldest Kaurava—decided to burn the Pandavas. Bhishma was despondent but Vidura consoled him and told them that the Pandavas were alive. The event led to the succession dispute between Duryodhana and Yudhishthira. To resolve this, Bhishma advised Dhritarashtra to divide the kingdom among the princes. The Pandavas made their capital in Indraprastha and performed the Rajasuya to achieve sovereignty and the status of the emperor. Bhishma supported them and attended the ceremony. He suggested Yudhishthira give Krishna the highest place in the ceremony, but this enraged Shishupalaan enemy of Krishna. He initially protested to give the position to Bhishma, but after Bhishma showed no objection in honouring Krishna, Shishupala started insulting him.[29]

Bhishma was present during the gambling game in Hastinapur, where Draupadi—the wife of the Pandavas—was humiliated in the court. When she questioned the dharma of Yudhishthira losing her in the game, Bhishma tried but failed to answer her and described dharma to be subtle.[32]

The Kurukshetra War

Pandavas meet Pitamaha Bhishma before the war to seek his blessings
Duryodhana accuses Bhishma for showing partiality towards the Pandavas

In the great battle at Kurukshetra, Bhishma was the supreme commander of the Kaurava forces for ten days. He fought reluctantly on the side of the Kauravas. Bhishma was one of the most powerful warriors of his time and in history. He acquired his prowess and invincibility from being the son of the sacred Ganga and by being a student of Lord Parashurama. Despite being about five generations old, Bhishma was too powerful to be defeated by any warrior alive at that time. Every day, he slew at least 10,000 soldiers and about a 1,000 rathas. At the beginning of the war, Bhishma vowed not to kill any of the Pandavas, as he loved them, being their grand-uncle. Duryodhana often confronted Bhishma alleging that he was not actually fighting for the Kaurava camp as he wouldn't kill any of the Pandavas. He also did not allow any of the Kauravas to be killed in the war, as he loved all his grand-nephews and wanted a peace negotiation.

Bhishma telling the secret of his death to the Pandavas

Duryodhana approached Bhishma one night and accused him of not fighting the battle to his full strength because of his affection for the Pandavas. On the next day there was an intense battle between Bhishma and Arjuna. Although Arjuna was very very skilled and Powerful, he was not fighting seriously as his heart was not in it to hurt his beloved grandsire Bhishma. Bhishma fired arrows such that Arjuna and Krishna were both injured. That angered Krishna who had already vowed to not raise a weapon in the war, lifted a chariot wheel and threatened Bhishma. Arjuna stopped Lord Krishna by convincing him to return to the chariot and put down the wheel, promising to fight with all his might and stop Bhishma. Thus Bhishma fulfilled his vow of forcing Krishna to raise a weapon. Then Arjuna used stronger weapons, injuring Bhishma. Bhishma and Arjuna's duel was praised by the gods themselves as they watched over it from the sky.

An enraged Krishna attacks Bhishma, while Arjuna tries to calm him down

The war was thus locked in a stalemate. As the Pandavas mulled over this situation, Krishna advised them to visit Bhishma himself and request him to suggest a way out of this stalemate. Bhishma loved the Pandavas and knew that he stood as an obstacle in their path to victory and so when they visited Bhishma, he gave them a hint as to how they could defeat him. He told them that if faced by one who had once been of the opposite gender, he would lay down his arms and fight no longer.

Later Krishna told Arjuna how he could bring down Bhishma, through the help of Shikhandi. The Pandavas were not agreeable to such a ploy, as by using such tactics they would not be following the path of Dharma, but Krishna suggested a clever alternative. And thus, on the next day, the tenth day of battle Shikhandi was accompanied by Arjuna as Arjuna was his chariot protector and they faced Bhishma who avoided Shikhandi. He was then felled in battle by Arjuna, pierced by innumerable arrows. Arjuna shot arrows at Bhishma, piercing his entire body. Thus, as was preordained (Mahadeva's boon to Amba that she would be the cause of Bhishma's fall) Shikhandi, that is, Amba reincarnated was the cause of Bhishma's fall. As Bhishma fell, his whole body was held above the ground by the shafts of Arjuna's arrows which protruded from his back, and through his arms and legs. Seeing Bhishma lying on such a bed of arrows humbled even the gods who watched from the heavens in reverence. They silently blessed the mighty warrior. When the young princes of both armies gathered around him, inquiring if there was anything they could do, he told them that while his body lay on the bed of arrows above the ground, his head hung unsupported. Hearing this, many of the princes, both Kaurava and the Pandava alike brought him pillows of silk and velvet, but he refused them. He asked Arjuna to give him a pillow fit for a warrior. Arjuna then removed three arrows from his quiver and placed them underneath Bhishma's head, the pointed arrow tips facing upwards. To quench the war veteran's thirst, Arjuna shot an arrow into the earth, and a jet stream of water rose up and into Bhishma's mouth.[33] It is said that Ganga herself rose to quench her son's thirst.[20]

Death

Bhishma on the bed of arrows

After the war, while on his deathbed (arrow bed), he gave deep and meaningful instructions to Yudhishthira on statesmanship and the duties of a king. Bhishma always gave priority to Dharma. He always walked in the path of Dharma, despite his state because of the vow, he was supposed to forcefully follow the orders of his king Dhritharashtra, which were mostly Adharma, he was totally upset. He was sure he must let dharma win and Pandavas win, but the way he led the war and stayed silent were his sins in a way and he paid for it with the bed of arrows. Finally, Bhishma gave up the fight, focusing his life force and breath, sealing the wounds, and waiting for the auspicious moment to give up his body on the arrow bed. He did wait for about 58 nights for the winter solstice or first day of Uttarayana to give up his body on the arrow bed. Mahabharata states that he attained salvation after his death. He was granted the Maatru Lok (which is considered even above Swarga, the heaven). Magha (month) Shukla Ashtami marks the death anniversary of Bhishma Pitamah(Father), the day being known as Bhishma Ashtami. Hindus observe Ekodishta Śrāddha for him on this day, since many generations, and can only be performed by those whose fathers are not alive. Bhishma Panchaka vrata(fast) is observed in all Vishnu temples, starting from Bhishma Ashtami, for five days until Bhishma Dwadasi. People believe that they will be blessed with a son, having the steadfast qualities of Bhishma if they observe these holy rituals on the river banks.[34] It is also said that those who will perform this fast will live a happy life and attain salvation after their death.

Bhishma on bed of arrows depicted in Angkor Wat

Films and television

His life has been made into many films in different Indian languages. The first silent film was made in 1922. During the talkie period, the first film was made in Hindi (1937). It was followed by a Bengali film in 1942 directed by Jyotish Bannerjee. Jahar Ganguli played the title role.

  • Telugu cinema, two films were made. The first film on Bhishma was made in 1944 directed by Chitrapu Narayana Rao. Jandhyala Gourinatha Sastry played the role of Bhishma. B. A. Subba Rao made a film in 1962 titled Bhishma. The title role was played by N. T. Rama Rao.
  • Bhishma's character was played by Mukesh Khanna in the B.R. Chopra's classic television series Mahabharat (1988).
  • In Ramanand Sagar's television series Shri Krishna (1993) Sunil Nagar portrayed the character.
  • Surendra Pal portrayed the character in Chandraprakash Dwivedi's Ek Aur Mahabharat.
  • In the television series Draupadi (2001) Pankaj Dheer played the character.
  • In Balaji Telefilms' Kahaani Hamaaray Mahaabhaarat Ki (2008) Ronit Roy played the role.
  • In Star Plus' television series Mahabharat (2013) Aarav Chowdhary played the role of Bhishma.
  • Amitabh Bachchan has also voiced the character in the animated Mahabharat (2013).
  • Naved Aslam in Sony TV's Suryaputra Karn.
  • Ambareesh played the role of Bhishma in the 2019 mythological Kannada movie Kurukshetra, which was his last film as well.
  • In the 2022 Malayalam movie Bheeshma Parvam , the lead character (played by Mammootty ) was based on Bheeshma. The story and characters were inspired from both Mahabharat and The Godfather.

Modern references

The tank T-90 Main Battle Tank, one of the world's most advanced MBTs acquired from Russia for the Indian Army is named after Bhishma.[35][36]

Notes

    Citations

    1. www.wisdomlib.org (28 September 2011). "Bhishma, Bhisma, Bhīṣma, Bhismā, Bhiṣmā: 22 definitions". www.wisdomlib.org. Retrieved 26 September 2022.
    2. Monier-Williams 1872, p. 712.
    3. Mani 1975, p. 135.
    4. Long 2020, p. 91.
    5. Monier-Williams 1872, p. 432.
    6. Gandhi 2004, p. 115.
    7. Mani 1975, p. 137.
    8. Mani 1975, p. 134.
    9. Ganguly, Adi Parva: Section 98
    10. Ganguly, Adi Parva: section 99
    11. Ganguly, Adi Parva: section 100
    12. Ganguly, Shanti Parva: section 38
    13. "Why Devavrata came to be known as Bhishma?". Zee News. 12 April 2017. Retrieved 29 August 2020.
    14. Narasimhan, Chakravarthi V. (1999). The Mahābhārata: An English Version Based on Selected Verses. Motilal Banarsidass Publ. ISBN 978-81-208-1673-2.
    15. Ireland, Royal Asiatic Society of Great Britain and (1879). Journal of the Royal Asiatic Society of Great Britain and Ireland. Cambridge University Press for the Royal Asiatic Society.
    16. "Devavrata's oath". The Hindu. 7 July 2016. ISSN 0971-751X. Retrieved 29 August 2020.
    17. Bhattacharya 2004, p. 21–25.
    18. Ganguly, Adi Parva: Section 101
    19. Ganguly, Adi Parva: Section 102
    20. Bhanu, Sharada (1997). Myths and Legends from India – Great Women. Chennai: Macmillan India Limited. pp. 30–8. ISBN 0-333-93076-2.
    21. "Mahabharata Story By Rajaji - Page 5 | Mahabharata Stories, Summary and Characters from Mahabharata". www.mahabharataonline.com. Retrieved 29 August 2020.
    22. Meyer pp. 165-6
    23. Ganguli, Kisari Mohan (1883–1896). "SECTION CIV". The Mahabharata: Book 1: Adi Parva. Sacred texts archive.
    24. Choppra, Kusum (17 June 2017). "Satyavati, the feminist who stood up to patriarchy". DNA India. Retrieved 26 October 2020.
    25. Ganguli, Kisari Mohan (1883–1896). "SECTION CIII". The Mahabharata: Book 1: Adi Parva. Sacred texts archive.
    26. Meyer p. 165
    27. Srivastava, Diwaker Ikshit (11 December 2017). Decoding the Metaphor Mahabharata. One Point Six Technology Pvt Ltd. ISBN 978-93-5201-000-4.
    28. "The Mahabharata, Book 1: Adi Parva: Sambhava Parva: Section CX". www.sacred-texts.com. Retrieved 1 September 2020.
    29. Mani 1975, p. 136.
    30. Debalina (20 December 2019). Into the Myths: A Realistic Approach Towards Mythology and Epic. Partridge Publishing. ISBN 978-1-5437-0576-8.
    31. Dalal, Roshen (18 April 2014). Hinduism: An Alphabetical Guide. Penguin UK. ISBN 978-81-8475-277-9.
    32. Hudson, Emily T. (2013). Disorienting Dharma: Ethics and the Aesthetics of Suffering in the Mahabharata. OUP USA. ISBN 978-0-19-986078-4.
    33. Vyāsa Deva, Kṛṣṇa Dvaipāyana (2018). Mahābhārata : Sanskrit text and English translation ; translation according to M.N. Dutt. Manmatha Nath Dutt, Ishvar Chandra, O. N. Bimali (4th ed.). Delhi: Parimal Publications. pp. 427–428. ISBN 978-81-7110-196-2. OCLC 855398616.
    34. "Bhishma Ashtami". Drik Panchang. Retrieved 24 January 2019.
    35. Robert Jackson (1 March 2007). Tanks and Armored Fighting Vehicles. Parragon Incorporated. pp. 295–. ISBN 978-1-4054-8664-4. Retrieved 24 June 2012.
    36. S. Muthiah (2008). Madras, Chennai: A 400-year Record of the First City of Modern India. Palaniappa Brothers. pp. 288–. ISBN 978-81-8379-468-8. Retrieved 24 June 2012.

    References

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