Pandava

The Pandavas (Sanskrit: पाण्डव, IAST: Pāṇḍava) refers to the five brothers, Yudhishthira, Bhima, Arjuna, Nakula and Sahadeva, who are the five acknowledged sons of Pandu and central to the epic of Mahabharata. The Pandavas waged a civil war against their extended family consisting of their cousins Kauravas led by Duryodhana and his brothers, as well as their preceptor and gurus Bhishma and Drona respectively. This conflict was known as the Kurukshetra War. The Pandavas eventually won the war with the death of the Kauravas, albeit at great cost as well as breaking contracts.[1]

Draupadi and the Pandavas worshipping Shiva

The Pandavas were regarded as the sons of the Kuru King Pandu, Kunti and Madri, however were fathered by different deities due to Pandu's inability of naturally conceiving children. Pandu could not conceive children due to a curse placed by a rishi. Sage Kindama cursed Pandu that he would die if he approached and touched either of his wives with the intent of making love because Pandu shot the sage and his wife when they were in the act of making love, thus leading to their death. Therefore, the Pandavas were born using a mantra given to Kunti as a boon by Rishi Dhurvasa. Yudhishthira was sired by Yama, the God of dharma and death, Bhima by Vayu, the god of wind and strength, Arjuna by Indra, the god of lighting and king of deities, while Nakula and Sahadeva were fathered by the divine twins Ashvins. In the past, Kunti had given birth to Karna as her first born child fathered by Surya (Sun God). Kunti conceived Karna before her marriage while testing the validity of the boon, and abandoned Karna due to his being born out of wedlock. This created a further rift during the Kurukshetra War, as Karna would later lead the army of the Kauravas against his half-brothers.

Due to a decree issued by their uncle Dhritrashtra the Pandavas were driven to a barren land, which they transformed into the magnificent city of Indraprastha. A spiteful Duryodhana invited Yudhishthira to gamble their possessions in a game of dice, which was among the turning points of the epic. Yudhishthira gambled and lost his wealth, kingdom, and possessions due to his gambling, which was also attributed to Shakuni rigging the dice game. Therefore, the Pandavas were sent into exile for thirteen years. After spending twelve years of forest exile, they lived in disguise in the Matsya Kingdom for one year.[2] The Pandavas would amass an army as well as obtain the guidance of Krishna to confront and ultimately defeat the Kauravas. Yudhishthira would then reclaim his status as King of Hastinapura and the Kuru Kingdom. To redeem themselves for their actions during the Kurukshetra War, the Pandavas carried out their final penance by scaling and eventually succumbing in the Himalayas. Yudhishthira, as the sole survivor to reach the summit, witnessed the karmic faiths of all those that passed before him and eventually ascended to the afterlife.[3]

Etymology

The word Pandava (Sanskrit: पाण्डवा, IAST: Pāṇḍavā) is derived from their father's name, Pandu (Sanskrit: पाण्डु, IAST: Pāṇḍu) and means "descendants of Pandu". Other epithets given to the Pandavas are:[4]

  • Pāṇḍuputra (Sanskrit: पाण्डुपुत्र) - sons of Pandu
  • Pāṇḍavakumāra (Sanskrit: पाण्डवकुमार) - young Pandavas
  • Kaunteya (Sanskrit: कौन्तेय) - sons of Kunti (Yudhishthira, Bhima, Arjuna).
  • Mādreya (Sanskrit: माद्रेय) - sons of Madri (Nakula and Sahadeva)

The Pandava

Draupadi and Pandavas

Story

Indra blesses with a son

The story begins with the introduction of the brothers' parents. The primary antagonist of the saga was Duryodhana (the meaning of the name is "unconquerable"), cousin to the Pandavas. He was the eldest of 100 brothers known as the Kauravas, who were born to Dhritarashtra, the king of Hastinapura, and his queen Gandhari, princess of Gandhara.

The Pandavas were born to Pandu and his wives, Kunti and Madri by the boon given to Kunti by Durvasa, that she could have a son by any god whom she respects without having any marital affair. After Madri's marriage, Pandu voluntarily renounced royal life as penance for having accidentally killed the sage Rishi Kindama and his wife. At his death, Rishi Kindama cursed Pandu that he would surely die if he attempted to have sexual relationships with his wives. Because of this curse, Kunti had to use her boon to get sons. She bore him three sons: Yudhishthira by the god of Dharma, Bhima by Vayu, and Arjuna by Indra. At the request of Pandu, she shared this boon with Madri to get her sons, the twins Nakula and Sahadeva from the divine Ashvini twins.[5]

After the death of Pandu and Madri, Kunti brought the Pandavas back to Hastinapura. As children, the Pandavas and Kauravas often played together. However, Bhima (2nd of the Pandavas) was always at odds with the Kauravas, particularly with Duryodhana, who refused to accept the Pandavas as his cousins. This usually led to much tension between the cousins. Insecure and jealous, Duryodhana harboured an intense hatred for the five brothers throughout his childhood and youth and following the advice of his maternal uncle Shakuni, often plotted to get rid of them to clear his path to the lordship of the Kuru Dynasty.

Pandavas journeying with their mother

This plotting took a grave turn when Dhritarashtra had to relent to the will of the masses and rightfully appointed his nephew Yudhishthira as crown prince. This went against the personal ambitions of both father and son (Dhritarashtra and Duryodhana) and drove Duryodhana into such a rage that he enthusiastically agreed to an evil ploy by Shakuni to murder Yudhishthira. Shakuni commissioned the construction of a palace in Varnavart, secretly built by incorporating flammable materials like oil, ghee etc. into the structure, most notably the lacquer known as lac. This palace was known as Lakshagraha. Duryodhana then successfully lobbied Dhritarashtra to send Yudhishthira to represent the royal household in Varnavarta during the celebrations of Shiva Mahotsava. The plan was to set the palace on fire during the night while Yudhishthira would likely be asleep. Yudhishthira left for Varnavrata, accompanied by his four brothers and their mother Kunti. The plan was discovered by their paternal uncle Vidura, who was very loyal to them and an extraordinarily wise man. In addition, Yudhishthira had been forewarned about this plot by a hermit who came to him and spoke of an imminent disaster. Vidura arranged for a tunnel to be secretly built for the Pandavs to safely escape the palace as it was set afire.

After their flight from the palace, the five brothers lived in the forests for some time disguised as Brahmins. They heard from a group of travelling sages about a contest (Svayamvara) being held in the Kingdom of Panchala that offered the princess Draupadi's hand in marriage to the winner. The Svayamvara turned out to rely on the skills of archery, and Arjuna, who was a peerless archer, entered the competition and won. When the brothers took Draupadi to introduce her to their mother, they announced to Kunti that they had arrived with excellent alms. Kunti was busy with some work and replied without turning to look at Draupadi (who the alms referred to) ordering the brothers to share the alms equally amongst the five of them. Even when uttered erroneously, their mother's word was supreme for the Pandavas, and they agreed to share the princess, who was subsequently married to all five brothers.

When Dhritarashtra heard that the five brothers were alive, he invited them back to the kingdom. However, in their absence, Duryodhana had succeeded in being made the crown prince. Upon the return of the Pandavas, the issue of returning Yudhishthira's crown to him was raised. Dhritarashtra led the subsequent discussions into ambiguity and agreed to a partition of the kingdom "to do justice to both crown princes". He retained the developed Hastinapura for himself and Duryodhana and gave the barren, arid and hostile lands of Khandavaprastha to the Pandavas. The Pandavas successfully developed their land and built a great and lavish city, which was considered comparable to the heavens, and thus came to be known as Indraprastha.

Draupadi is presented in a pachisi game where Yudhishthira has gambled away all his material wealth.

Reeling under the loss of half the lands of his future kingdom, Duryodhana's jealousy and rage were further fuelled by the Pandavas' success and prosperity. Eventually Shakuni sired yet another plot and got Duryodhana to invite the Pandavas over to his court for a game of dice (gambling). Shakuni was a master at gambling and owned a pair of dice which magically did his bidding. Owing to this, bet after bet, Yudhishthira lost all of his wealth, and eventually his kingdom, in the game. He was then enticed by Duryodhana and Shakuni to place his brothers as bets. Yudhishthira fell for it and put his brothers at stake, losing them too. He then placed himself as a bet and lost again. Duryodhana now played another trick and told Yudhishthira that he still had his wife Draupadi to place as a bet and if Yudhishthira won, he would return everything to the Pandavas. Yudhishthira fell for the ruse and bet Draupadi, losing her too. At this point, Duryodhana ordered that Draupadi, who was now a slave to him, be brought to the court. None of the Pandavas fought for their wife's honour. Duryodhana's younger brother Dushasana dragged Draupadi to the royal court, pulling her by her hair, insulting her dignity and asserting that she, like the Pandava brothers, was now their servant. This caused immense anguish to all the great warriors seated in the court, but each of them, namely, Bhishma (grandsire of the clan), Dronacharya (teacher/guru of Kauravas and Pandavas) and Kripacharya except Vidura remained silent. Duryodhana then ordered Dushasana to disrobe Draupadi before everyone, as a slave girl has no rights. The elders and warriors in the audience were shocked but did not intervene. As Dushasana began to disrobe her, she prayed to Krishna to protect her honour. Krishna, using his divine powers, protected her by providing her garments with an unending length. Dushasana, shocked and tired, gave up on disrobing Draupadi. Finally, as the blind king Dhritarashtra realized that this humiliation could prompt Draupadi to curse his sons, he intervened, apologizing to Draupadi for the behaviour of his sons, and turned the winnings of the dice game back over to the Pandava brothers, releasing them from the bondage of slavery.

Pandava Caves: According to the historical sources Pandavas stayed here during their exile.[6]

Incensed at the loss of all that he had won, Duryodhana threatened suicide and coerced his father into inviting the Pandavas for one last round of gambling, the terms of which were that the loser would be condemned to 12 years of exile into forests and a 13th year to be spent incognito, and if the cover is blown during the 13th year, another cycle of 13 years would ensue. Obeying their uncle's orders, the Pandavas played the round and again lost to Shakuni's cheating. However, this time, their patience had been nearly pushed to its edge. During the 12 years of exile in the forest, they prepared for war. Arjuna performed penance and won the entire gamut of celestial weapons (Divyastras) as boons from the Gods. They spent the 13th year masquerading as peasants in the service of the royal family of Virata, the king of Matsya. Upon completion of the terms of the last bet, the Pandavas returned and demanded that their kingdom be rightfully returned to them. Duryodhana refused to yield Indraprastha. For the sake of peace and to avert a disastrous war, Krishna proposed that if Hastinapura agrees to give the Pandavas only five villages named Indraprastha (Delhi), Swarnprastha (Sonipat), Panprastha (Panipat), Vyaghrprastha (Baghpat) and Tilprastha (Tilpat)[7][8] if these five villages given they would be satisfied and would make no more demands.[9] Duryodhana vehemently refused, commenting that he would not part even with land as much as the point of a needle. Thus the stage was set for the great war, for which the epic of Mahabharata is known most of all.

The war was intense and lasted 18 days, over the course of which both parties worked around, bent and even broke rules of warfare. In the end, all 100 Kaurava brothers and their entire army was slain, with only three surviving on their side. The Pandavas too lost several allies but the five brothers survived. After having won the war, Yudhishthira was crowned the king. At the end of the war, only 10 survived the war on both sides, namely Ashwatthama, Kripacharya and Kritverma on the Kaurava side and the five Pandavas, Krishna and Saatyakee on the Pandava side.

Yudhishthira and Yama (in form of a dog) ascending to Heaven

The Pandavas ruled Hastinapura for 36 years and established a righteous kingdom. Shortly after Krishna left the Earth, they all decided that the time had come for them to renounce the world, as the age of Kali Yuga had started.

So the five Pandavas and Draupadi left to the path of liberation. For this purpose, they all climbed Mount Kailash, which leads to the Swarga Loka. On their way, all except Yudhisthira slipped and died one by one. Yudhisthira was accompanied by a dog who was none other than God Yama himself.

The first to die was Draupadi; she was imperfect because she loved Arjuna more than her other husbands. Then it was Sahadeva, imperfect because he was overconfident about his knowledge in science. He was followed by Nakula, imperfect because he was over-enthusiastic about his good looks. Then fell Arjuna, imperfect because he was proud of his skills- he challenged Hanuman and Shiva. Next was Bhima, imperfect because he killed his enemies brutally- thus enjoyed their sufferings. Only the eldest Pandava, Yudhisthira, reached the door of Svarga Loka (heaven), carried on Indra's chariot. On reaching Heaven, he did not find either his virtuous brothers or his wife Draupadi. Instead, he finds Duryodhana sitting on a divine throne.[10]

He wanted an explanation from Yama, the lord of death. Yama explained that the Kauravas had been allowed into heaven because they died as warriors on the battlefield. This earned them so much merit and credit that it wiped out all their debts. Yudhisthira demanded to know where his brothers and his wife were. He was then taken to hell. Yama explained that they were experiencing the reactions of their actions but it was temporary. Once the debt had been repaid, they would join them in Swarga. Yudhisthira loyally met his brothers, but the sight and sound of gore and blood horrified him. Though initially he was tempted to flee, he mastered himself and remained after hearing the voices of his beloved brothers and Draupadi calling out to him, asking him to stay with them in their misery. Yudhisthira decided to remain, ordering the divine charioteer to return. He preferred to live in hell with good people than in the heaven of his enemies. Eventually, this turned out to be another illusion to test him. Yama explained to Yudhishtira that it was all illusion created by Yama himself. It was a punishment to Yudhishtira to feel sad and soak tears on seeing his beloved ones being punished. It was because Drona felt sad on hearing fake news that his son was dead. Yudhishtira told the message incompletely due to which Drona felt sad and cried in grief. Because of this, Yudhishtira had to feel sad in a similar manner. Hence Yama created this illusion. In reality, Pandavas and Draupadi reached heaven just after their deaths. Yama explained everything and Yudhishtira reached heaven with his mortal body.Pandavas were the incarnation of previous Indra's.[11] After the Duration, the lifespan of Indra, is completed Krishna assures Pandavas of offering them Moksha for their Devotion and purity.

Krishna's help to Pandavas

Five Pandavas in Wayang form. From left to right: Bhima, Arjuna, Yudhishthira, Nakula and Sahadeva. Indonesia Museum, Jakarta.

Krishna, being a well-wisher of the Pandavas, helped them in various ways during the time of their ordeals. When the Kurukshetra war was going to be held, both Arjuna on behalf of the Pandavas, and Duryodhana on behalf of the Kauravas, went to Krishna to seek help. Duryodhana reached first and Arjuna was just behind him. They entered Krishna's room and found him sleeping. Duryodhana sat on a raised chair near Krishna's head and Arjuna sat near Krishna's feet closing his hands. When Krishna woke up, he saw Arjuna first and asked him about the purpose of his visit. Then he found Duryodhana sitting next to him, and asked him the same question. Krishna was then told that war was going to be held and Arjuna and Duryodhana had come to him seeking his military help. To this Krishna replied that he had seen Arjuna first and so he would give him priority, and asked what he needed. He gave Arjuna two options - either his one lakh fit and healthy army or Krishna himself who shall not fight in the war. To this Arjuna immediately opted for Krishna for his help and thus Duryodhana was given Krishna's one lakh army. Duryodhana was very satisfied to have received a huge army.

Parents of Pandavas

The first three of the Pandavas were the sons of Kunti (a Yadu descend) and Pandu's first wife. The younger two were the sons of Madri, Pandu's second wife. Since Pandu had been cursed to die if ever he had intercourse with a woman, the actual fatherhood of the children is traditionally attributed to various gods, in virtue of a boon that Kunti had received from the sage Durvasa and had transferred to Madri.[12] Thus-

  • Yudhishthira - son of Yama, the god of death
  • Bhima - son of Vayu, the god of wind
  • Arjuna - son of Indra, the god of rain and war
  • Nakula - son of Ashwini Kumara Nasatya (god of health)
  • Sahadeva - son of Ashwini Kumara Darsa (god of medicines)
Pandu shoots Kindama, who is disguised as a deer

Description by Draupadi of Pandavas

Portrait of Draupadi and the Pandavas in the Mayasabha Palace

The Pandava brothers were collectively married to Draupadi. On one occasion, Draupadi was kidnapped and abducted from a hermitage in the forest by the wicked king Jayadratha. When her husbands learned of the crime, they came in hot pursuit. Seeing them approach, Jayadratha asked Draupadi to describe them. Angrily, Draupadi told the king his time was up and that the knowledge would do him no good. She then proceeded to give the description. (Mahabharat, Book III: Varna Parva, Section 268.)[13]

  • According to Draupadi, Yudhishthira possessed a "complexion like that of pure gold, possessed of a prominent nose and large eyes and endued with a slender make." Master of the spear. He was just, had a correct sense of morality and was merciful to surrendering foes. Draupadi counselled Jayadratha to run to Yudhishthira and to beg for forgiveness.
  • Draupadi described Bhima as tall and long-armed. In a display of ferocity, he was "biting his lips and contracting his forehead so as to bring the two eyebrows together." The master of the mace, his superhuman feats had earned him great renown. "They that offend him are never suffered to live. He never forgets a foe. On some pretext or other, he wreaks his vengeance."
  • Arjuna she praised as the greatest of archers, intelligent, second to none "with senses under complete control." Neither lust nor fear nor anger could make him forsake virtue. Though capable of withstanding any foe, he would never commit an act of cruelty.
  • Nakula, said Draupadi, was "the most handsome person in the whole world." An accomplished master swordsman, he was also "versed in every question of morality and profit" and "endued with high wisdom." He was unflinchingly devoted to his brothers, who in turn regarded him as more valuable than their own lives. The name Nakula generally means full of love and the male characteristics implied by the name are Intelligence, Focus, Hard-Work, Handsomeness, Health, Attractiveness, Success, Popularity, Respect and unconditional Love.
  • Finally, Sahadeva was the youngest of the brothers and like the others formidable in war and observant of morality. Master of the swords "Heroic, intelligent, wise and ever wrathful, there is not another man equal unto him in intelligence or in eloquence amid assemblies of the wise.[13]

In art

Harivamsa Purana (8th century CE) narrates the Jain version of their story.[14] In the Garhwal region of Uttarakhand, there has been a long tradition of villagers performing the Pandav Lila, a ritual re-enactment of episodes from the Mahabharata through singing, dancing and recitation. In the performance, the actors spontaneously break into a dance when, it is believed, they become "possessed" by the spirits of their characters.[15]

See also

Notes

  1. F4mr98Rl20wC.
  2. Devaleena Das; Colette Morrow (2018). Unveiling Desire: Fallen Women in Literature, Culture, and Films of the East. Rutgers University Press. p. 155. ISBN 978-0-8135-8786-8.
  3. "The Mahabharata, Book 1: Adi Parva: Sambhava Parva: Section CXXII".
  4. Bonnefoy, Yves. Asian Mythologies. translated under the direction of Wendy Doniger. Chicago and London: The University of Chicago Press. 1993. pp. 180-183. ISBN 0-226-06456-5
  5. "The five Pandavas and the story of their birth". aumamen.com. Retrieved 31 August 2020.
  6. "These places in India have distinct Mahabharata, Ramayana connections". cnbctv18.com. 22 January 2020. Retrieved 1 July 2020.
  7. "Geeta Jayanti 2019 Pandavas had asked these five villages from Kauravas Know about these". Nai Dunia. 5 December 2019. Retrieved 13 January 2020.
  8. Jain, Ashok Kumar (1994). The cities of Delhi. Management Pub. Co. ISBN 978-81-86034-00-2.
  9. Journal of Indian History. Department of Modern Indian History. 1964.
  10. Kalra Kirti (8 August 2016). "पांडव जब जा रहे थे स्वर्ग की ओर – तब पांडवों के साथ क्या क्या हुआ? जानें 10 रहस्यमयी बातें". newstrend.news (in Hindi). Newstrend. Retrieved 24 May 2020.
  11. "according to Mahabharata all five Pandavas were previous Indras". The Hindu. Retrieved 12 May 2019.
  12. Vyas, Ved. Mahabharat. c.4000-826 BCE .
  13. "The Sampradaya Sun - Independent Vaisnava News - Editorials - The Mahabharata - Book 3, Vana Parva - Draupadi-harana Parva". www.harekrsna.com. Retrieved 22 August 2020.
  14. Upinder Singh 2016, p. 26.
  15. Sax, William Sturman (2002). Dancing the Self: Personhood and Performance in the Pāṇḍava Līlā of Garhwal. Oxford University Press. ISBN 9780195139150.

References

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