Cyd Charisse

She appeared uncredited in some films like Escort Girl (1941) and was in a short for Warner Bros, The Gay Parisian (1942).

The outbreak of World War II led to the breakup of the ballet company, and when Charisse returned to Los Angeles, David Lichine offered her a dancing role in Gregory Ratoff's Something to Shout About (1943) at Columbia. This brought her to the attention of choreographer Robert Alton—who had also discovered Gene Kelly—and soon she joined the Freed Unit at Metro-Goldwyn-Mayer, where she became the resident MGM ballet dancer.[7]

Charisse made some uncredited appearances in Mission to Moscow (1943) (as a ballet dancer) and Thousands Cheer (1943). She was borrowed by Warners for In Our Time (1944), playing a ballerina.

Charisse was a ballerina in Ziegfeld Follies (produced in 1944 and released in 1946), dancing with Fred Astaire. Feedback was positive and Charisse was given her first speaking part supporting Judy Garland in the 1946 film The Harvey Girls.[10]

She followed it with Three Wise Fools (1946) and she danced with Gower Champion to "Smoke Gets in Your Eyes" in Till the Clouds Roll By (1946). She also had a supporting role in the Esther Williams musical Fiesta (1947).

Charisse in Singin' in the Rain (1952)

Charisse was second billed in The Unfinished Dance (1947) with Margaret O'Brien but the film was a box office flop.[11] She had a good supporting part in On an Island with You (1948) with Williams and danced in The Kissing Bandit (1948). She had a supporting part in Words and Music (1948).

Charisse was given another opportunity in a "B" movie, Tension (1950), where she was third billed, but it was a box office disappointment. She was billed fifth in the prestigious East Side, West Side (1949) and was borrowed by Universal to play the female lead in The Mark of the Renegade (1951).

Back at MGM Charisse was the leading lady in The Wild North (1951) with Stewart Granger, which was a huge hit. Because Debbie Reynolds was not a trained dancer, Kelly chose Charisse to partner with him in the celebrated "Broadway Melody" ballet finale from Singin' in the Rain (1952), which was acknowledged soon after release as one of the greatest musicals of all time.

Charisse had a significant role in Sombrero (1953) as well as the lead female role in The Band Wagon (1953), where she danced with Astaire in the acclaimed "Dancing in the Dark" and "Girl Hunt Ballet" routines. Vincente Minnelli directed. Critic Pauline Kael said that "when the bespangled Charisse wraps her phenomenal legs around Astaire, she can be forgiven everything, even her three minutes of 'classical' ballet and the fact that she reads her lines as if she learned them phonetically."[12] The film was another classic but lost money for MGM.[11]

Charisse had a cameo in Easy to Love (1953) then co-starred with Kelly in the Scottish-themed musical film Brigadoon (1954), directed by Minnelli. It was a box office disappointment. She again took the lead female role (alongside Kelly) in his MGM musical It's Always Fair Weather (1955), which lost money.[13] In between she made an appearance in Deep in My Heart (1954).

Charisse co-starred with Dan Dailey in Meet Me in Las Vegas (1956), which also lost money. She rejoined Astaire in the film version of Silk Stockings (1957), a musical remake of 1939's Ninotchka, with Charisse taking over Greta Garbo's role. Astaire paid tribute to Charisse in his autobiography, calling her "beautiful dynamite" and writing: "That Cyd! When you've danced with her you stay danced with."[14][15] The film was well received but lost money for MGM.[16]

In her autobiography, Charisse reflected on her experience with Astaire and Kelly:

As one of the handful of girls who worked with both of those dance geniuses, I think I can give an honest comparison. In my opinion, Kelly is the more inventive choreographer of the two. Astaire, with Hermes Pan's help, creates fabulous numbers—for himself and his partner. But Kelly can create an entire number for somebody else ... I think, however, that Astaire's coordination is better than Kelly's ... his sense of rhythm is uncanny. Kelly, on the other hand, is the stronger of the two. When he lifts you, he lifts you! ... To sum it up, I'd say they were the two greatest dancing personalities who were ever on screen. But it's like comparing apples and oranges. They're both delicious.[17]

Charisse had a slightly unusual serious acting role in Party Girl (1958), where she played a showgirl who became involved with gangsters and a crooked lawyer, although it did include two dance routines. It was far more profitable for MGM than her musicals.[11]

She went to Universal to co-star with Rock Hudson in Twilight for the Gods (1958).

After the decline of the Hollywood musical in the late 1950s, Charisse retired from dancing but continued to appear in film and TV productions from the 1960s through the 1990s. She went to Europe to make Five Golden Hours (1961) and Minnelli's Two Weeks in Another Town.

She had a supporting role in Something's Got to Give (1962), the last, unfinished film of Marilyn Monroe. She did Assassination in Rome (1965) in Italy.

A striptease number by Charisse set to the movie's theme song opened the 1966 Dean Martin spy spoof, The Silencers, and she played a fashion magazine editor in the 1967 caper film Maroc 7.

She frequently performed dance numbers on TV variety series such as The Ed Sullivan Show and The Dean Martin Show, with seven appearances on The Hollywood Palace, a show she also hosted three times. She did Fol-de-Rol in 1968, which was filmed and broadcast in 1972.

In the 1970s and 1980s Charisse guest-starred on shows such as Medical Center, Hawaii Five-O, The Love Boat, Fantasy Island, The Fall Guy, Glitter, Murder, She Wrote, and Crazy Like a Fox.

She had a cameo in Won Ton Ton, the Dog Who Saved Hollywood (1976) and played Atsil, an Atlantean high priestess, in the 1978 fantasy film Warlords of Atlantis.

Charisse was in the TV movies Portrait of an Escort (1980) and Swimsuit (1989).

She also made cameo appearances in Blue Mercedes's "I Want to Be Your Property" (1987) and Janet Jackson's "Alright" (1990) music videos.

Charisse appeared on Broadway from late 1991 as a replacement for Liliane Montevecchi in Grand Hotel.[3] Her last film appearance was in 1994 in That's Entertainment! III as one of the onscreen narrators of a tribute to the great MGM musical films. She also appeared in episodes of Burke's Law and Frasier in 1995 before retiring from acting. Subsequently, she made a brief and posthumous comeback in the TV movie Empire State Building Murders, which aired some two months after her death in 2008.