Fay Wray

Wray was born on a ranch near Cardston, Alberta, to parents who were members of The Church of Jesus Christ of Latter-day Saints, Elvina Marguerite Jones, who was from Salt Lake City, Utah, and Joseph Heber Wray, who was from Kingston upon Hull, England.[1] She was one of six children[2] and was a granddaughter of LDS pioneer Daniel Webster Jones. Her ancestors came from England, Scotland, Ireland and Wales. Wray was never baptized a member of The Church of Jesus Christ of Latter-day Saints.

Her family returned to the United States a few years after she was born; they moved to Salt Lake City in 1912[3] and moved to Lark, Utah, in 1914. In 1919, the Wray family returned to Salt Lake City, and then relocated to Hollywood, where Fay attended Hollywood High School.

Phillips Holmes, William Powell and Fay Wray in Pointed Heels (1929)

In 1923, Wray appeared in her first film at the age of 16, when she landed a role in a short historical film sponsored by a local newspaper.[4] In the 1920s, Wray landed a major role in the silent film The Coast Patrol (1925), as well as uncredited bit parts at the Hal Roach Studios.

In 1926, the Western Association of Motion Picture Advertisers selected Wray as one of the "WAMPAS Baby Stars", a group of women whom they believed to be on the threshold of movie stardom. She was at the time under contract to Universal Studios, mostly co-starring in low-budget Westerns opposite Buck Jones.

The following year, Wray was signed to a contract with Paramount Pictures. In 1926, director Erich von Stroheim cast her as the main female lead in his film The Wedding March, released by Paramount two years later. While the film was noted for its high budget and production values, it was a financial failure. It also gave Wray her first lead role. Wray stayed with Paramount to make more than a dozen films and made the transition from silent films to "talkies".[5]

Fay Wray in the 1933 feature film King Kong

After leaving Paramount, Wray signed with other film studios. Under these deals, Wray was cast in several horror films, including Doctor X (1932) and Mystery of the Wax Museum (1933). However, her best known films were produced under her deal with RKO Radio Pictures. Her first film with RKO was The Most Dangerous Game (1932), co-starring Joel McCrea. The production was filmed at night on the same jungle sets that were being used for King Kong during the day, and with Wray and Robert Armstrong starring in both movies.

The Most Dangerous Game was followed by the release of Wray's best remembered film, King Kong. According to Wray, Jean Harlow had been RKO's original choice, but because MGM put Harlow under exclusive contract during the pre-production phase of the film, she became unavailable.[6] Wray was approached by director Merian C. Cooper to play the blonde captive of King Kong; the role of Ann Darrow for which she was paid $10,000 ($200,000 in 2021 dollars) to play her.[7] The film was a commercial success and Wray was reportedly proud that the film saved RKO from bankruptcy.[8]

1930 publicity photograph

Wray continued to star in films, including The Richest Girl in the World, but by the early 1940s, her appearances became less frequent. She retired from acting in 1942 after her second marriage but due to financial exigencies she soon resumed her acting career,[7] and over the next three decades, Wray appeared in several films and frequently appeared on television. Wray portrayed Catherine Morrison in the 1953–54 sitcom The Pride of the Family.[9] Wray appeared in Queen Bee, released in 1955.

Wray appeared in three episodes of Perry Mason: "The Case of the Prodigal Parent" (1958); "The Case of the Watery Witness" (1959), as murder victim Lorna Thomas; and "The Case of the Fatal Fetish" (1965), as voodoo practitioner Mignon Germaine. In 1959, Wray was cast as Tula Marsh in the episode "The Second Happiest Day" of Playhouse 90. Other roles around this time were in the episodes "Dip in the Pool" (1958) and "The Morning After" of CBS's Alfred Hitchcock Presents. In 1960, she appeared as Clara in an episode of 77 Sunset Strip, "Who Killed Cock Robin?" Another 1960 role was that of Mrs. Staunton, with Gigi Perreau as her daughter, in the episode "Flight from Terror" of The Islanders.

Wray appeared in a 1961 episode of The Real McCoys titled "Theatre in the Barn". In 1963, she played Mrs. Brubaker in The Eleventh Hour episode "You're So Smart, Why Can't You Be Good?". She ended her acting career with the 1980 made-for-television film Gideon's Trumpet.

Wray holding her autobiography

In 1988, she published her autobiography On the Other Hand.[10] In her later years, Wray continued to make public appearances. In 1991, she was crowned Queen of the Beaux Arts Ball, presiding with King Herbert Huncke.[11]

She was approached by James Cameron to play the part of Rose Dawson Calvert for his blockbuster Titanic (1997) with Kate Winslet to play her younger self, but she turned down the role, which ended up being played by Gloria Stuart. She was a special guest at the 70th Academy Awards, where the show's host Billy Crystal introduced her as the "Beauty who charmed the Beast." She was the only 1920s Hollywood actress in attendance that evening. On October 3, 1998, she appeared at the Pine Bluff Film Festival, which showed The Wedding March with live orchestral accompaniment.

In January 2003, the 95-year-old Wray appeared at the 2003 Palm Beach International Film Festival to celebrate the Rick McKay documentary film Broadway: The Golden Age, by the Legends Who Were There, where she was honored with a "Legend in Film" award. In her later years, she visited the Empire State Building frequently; in 1991, she was a guest of honor at the building's 60th anniversary, and in May 2004,[12] she made one of her last public appearances at the ESB. Her final public appearance was at the premiere of the documentary film Broadway: The Golden Age, by the Legends Who Were There in June 2004. [13]

Star on Hollywood Walk of Fame at 6349 Hollywood Blvd.

Wray died in her sleep of natural causes in the night of August 8, 2004, in her apartment on Fifth Avenue Manhattan.[18][19] She is interred at the Hollywood Forever Cemetery in Hollywood, California.[20]

Two days after her death, the lights of the Empire State Building were lowered for 15 minutes in her memory.[21]