Layne Staley

Staley (front) and Jerry Cantrell performing at The Channel in Boston in 1992

Staley met guitarist Jerry Cantrell at a party in Seattle while working at Music Bank rehearsal studios in 1987.[31][32] A few months before that, Cantrell had watched Staley performing with his then-band, Alice N' Chains, in his hometown at the Tacoma Little Theatre, and was impressed by his voice.[33] Cantrell was homeless after being kicked out of his family's house,[21] so Staley invited Cantrell to live with him at the Music Bank.[11] The two fast friends lived as roommates for over a year in the dilapidated rehearsal space they shared.[11][34]

Alice N' Chains soon disbanded and Staley joined a funk band,[35] which at the time also required a guitarist.[35] He asked Cantrell to join as a sideman.[35][36] Cantrell agreed on condition that Staley join his band,[36] which at the time did not have a name and included drummer Sean Kinney and bassist Mike Starr.[35] They started auditioning terrible lead singers in front of Staley to send a hint, which made him angry.[34][36] The final straw for Staley was when they auditioned a male stripper in front of him – he decided to join the band after that.[34] Cantrell said this about Staley's voice: "I knew that voice was the guy I wanted to be playing with. It sounded like it came out of a 350-pound biker rather than skinny little Layne. I considered his voice to be my voice."[11] Eventually the funk project broke up, and in 1987, Staley joined Cantrell's band on a full-time basis.[34] The band had names like "Fuck"[35][34] and "Diamond Lie",[34][37] the latter being the name of Cantrell's previous band.[34]

Two weeks after the band's formation, they were playing a gig at the University of Washington, trying to fill out a 40-minute set with a couple of original songs along with Hanoi Rocks and David Bowie covers.[38] Diamond Lie gained attention in the Seattle area and eventually took the name of Staley's previous band, Alice N' Chains, then renamed Alice in Chains.[34][28][39] Staley got permission from his former bandmates to use the name.[40]

Local promoter Randy Hauser became aware of Alice in Chains at a concert and offered to pay for demo recordings. However, one day before the band was due to record at the Music Bank studio in Washington, police shut down the studio during the biggest cannabis raid in the history of the state.[28] The final demo, completed in 1988, was named The Treehouse Tapes and found its way to the music managers Kelly Curtis and Susan Silver, who also managed the Seattle-based band Soundgarden. Curtis and Silver passed the demo on to Columbia Records' A&R representative Nick Terzo, who set up an appointment with label president Don Ienner.[41] Based on The Treehouse Tapes, Terzo signed Alice in Chains to Columbia in 1989.[42][28] The band also recorded another untitled demo over a three-month period in 1989. This recording can be found on the bootleg release Sweet Alice.[43]

Staley performing with Alice in Chains in 1992

Alice in Chains released their debut album Facelift on August 21, 1990, shaping the band's signature style. The second single, "Man in the Box", with lyrics written by Staley, became a huge hit. "Man in the Box" is widely recognized for its distinctive "wordless opening melody, where Staley's peculiar, tensed-throat vocals are matched in unison with an effects-laden guitar" followed by "portentous lines like: 'Jesus Christ/Deny your maker' and 'He who tries/Will be wasted' with Cantrell's drier, and less-urgent voice."[9]

Facelift has since been certified double platinum by the RIAA for sales of two million copies in the United States.[44] The band toured in support of the album for two years before releasing the acoustic EP Sap in early 1992.[45] Alice in Chains made a cameo in Cameron Crowe's 1992 film Singles, performing the songs "It Ain't Like That" and "Would?".[46]

In September 1992, Alice in Chains released Dirt.[45] The critically acclaimed album, also the band's most successful, debuted at number six on the Billboard 200, and was certified quadruple platinum.[47][10] Staley designed the sun logo on the album's inlay.[48] During the Dirt tour in Brazil in 1993, Staley saved Starr's life after he had overdosed.[49][50] Because of Staley's drug addiction, the band did not tour in support of Dirt for very long.[51]

Cantrell wrote almost all of the music and lyrics for Alice in Chains, but as time went on, Staley contributed more lyrics. Eventually, Staley would receive credit for about half the lyrics from the entire Alice in Chains catalog prior to the release of Black Gives Way to Blue in 2009.[52] He also wrote the music and the lyrics to "Hate to Feel", "Angry Chair" and "Head Creeps", and melodies to other songs. Staley's lyrics are largely viewed as having dealt with his personal troubles, such as drug use and depression.[11] Staley also played guitar on "Angry Chair"[53][54] and "Hate to Feel".[55] Cantrell said of "Angry Chair" on the liner notes of the 1999 Music Bank box set:

Such a brilliant song. I'm very proud of Layne for writing it. When I've stepped up vocally in the past he's been so supportive, and here was a fine example of him stepping up with the guitar and writing a masterpiece.[56]

In 1994, Alice in Chains released their third EP, Jar of Flies. It debuted at number one, making it the first Alice in Chains release—and the first-ever EP—to do so.[10] The other members of Alice in Chains, seeing Staley's deteriorating condition, opted not to tour in support of Jar of Flies.[11] Following the album's release, Staley entered a rehabilitation clinic and began to work on a side project with several Seattle musicians, Mike McCready of Pearl Jam, Barrett Martin of Screaming Trees and John Baker Saunders of The Walkabouts.[12] The band worked on material for several months and played their first show at the Crocodile Cafe in Seattle under the name "The Gacy Bunch" on October 12, 1994.[57][58] Within a few weeks, the band changed its name to Mad Season.[59] In January 1995, Mad Season performed two songs on Pearl Jam's Self-Pollution satellite radio broadcast, "Lifeless Dead" and "I Don't Know Anything".[60] The band completed an album, titled Above, which was released in March 1995. The first single, "River of Deceit", became a modest success on alternative radio. A live performance filmed at the Moore Theatre in Seattle was released in August 1995 as a home video, Live at the Moore.[61]

During Alice in Chains' hiatus, reports of Staley's addiction began to gain widespread circulation in fan and media communities, in part due to changes in his physical condition brought on by prolonged heroin abuse.[13]

Staley with Mad Season in 1995

Alice in Chains regrouped to record Alice in Chains, sometimes referred to as "Tripod", which was released in November 1995. The album debuted at the top of the U.S. charts,[62] and has since been awarded—along with Facelift and Jar of Flies—double platinum status.[47] With the exceptions of "Grind", "Heaven Beside You", and "Over Now", the lyrics were all written by Staley,[63] making this album his greatest lyrical contribution to the band's catalogue. To accompany the album, the band released a home video, The Nona Tapes,[64] but the band lapsed again, failing to complete tours planned in support of the album. When asked about the frustration of not touring to support the record, Cantrell provided some insight into how Staley's addictions led to tensions within the band: "Very frustrating, but we stuck it out. We rode the good times together, and we stuck together through the hard times. We never stabbed each other in the back and spilled our guts and [did] that kind of bullshit that you see happen a lot."[65] "Drugs worked for me for years", Staley told Rolling Stone in February 1996, "and now they're turning against me, now I'm walking through hell and this sucks. I didn't want my fans to think that heroin was cool. But then I've had fans come up to me and give me the thumbs up, telling me they're high. That's exactly what I didn't want to happen."[21]

One of Staley's last shows with Alice in Chains was the MTV Unplugged performance in New York on April 10, 1996.[66] The recording of Unplugged came after a long period of inactivity for the band; it was their first concert in two-and-a-half years.[14] Staley made his last performance on July 3, 1996, in Kansas City, Missouri, while Alice in Chains were touring with Kiss.[11]

On February 26, 1997, Staley and the other members of Alice in Chains attended the Grammy Awards after the song "Again" was nominated for Best Hard Rock Performance.[84] In April of that same year, Staley purchased a 1,500 sq ft (140 m²), three-bedroom condominium in Seattle's University District via a trust. Toby Wright, the producer of Alice in Chains' third album, set up a home recording system for him there.[85]

In 1998, amid rumors that Staley rarely left his apartment, had contracted gangrene, and had lost the ability to ingest food and was living on a diet of Ensure, Jerry Cantrell told Kerrang! that the members of Alice in Chains regularly hung out at Staley's house.[11] On June 22, 1998, Staley made a phone call to radio program Rockline and gave a rare interview while Cantrell was promoting his first solo album, Boggy Depot. Staley called the show to talk to Cantrell and stated that he had loved the album.[86]

In October 1998, Staley re-emerged to record two tracks with Alice in Chains, "Get Born Again" and "Died", which were released on the Music Bank box set in 1999.[45][87] Additional reports of Staley's deteriorating condition persisted in the midst of the sessions. Dirt producer Dave Jerden—originally chosen by the band for the production—said, "Staley weighed 80 pounds…and was white as a ghost." Studio engineer Elan Trujillo commented that Layne "definitely didn't look like how he used to look" and noticed Staley had, in addition to no teeth, atrophy in his legs.[88] Cantrell refused to comment on the singer's appearance, and band manager Susan Silver said she had not seen him since "last year".[87]

Staley made his final public appearance on October 31, 1998, when he attended a Jerry Cantrell solo concert in Seattle. He declined Cantrell's request to sing with him on stage. A photo taken of Staley backstage at this show is the most recent photo of him that has been publicly released.[89]

Thereafter, Staley was thought to have left behind his "self-imposed rock & roll exile", when in November 1998 he laid down additional vocal tracks as part of a supergroup called Class of '99, featuring members of Rage Against the Machine, Jane's Addiction, and Porno for Pyros.[71]

On July 19, 1999, the radio program Rockline was hosting Cantrell, Inez, and Kinney for a discussion on the release of Nothing Safe: Best of the Box, when, unexpectedly, Staley called in to participate. This was Staley's last interview.[90]

From 1999 to 2002, Staley became more reclusive and depressed,[91] rarely leaving his Seattle condo; little is known about the details of his life during this period. Staley was rumored to spend most of his days creating art, playing video games, or nodding off on drugs.[11] Staley's one time roommate and friend Morgen Gallagher later said that around 2001 Staley was going to audition for Audioslave; this claim was later debunked by Audioslave guitarist Tom Morello.[92][93]

Staley's mother, Nancy McCallum, told The Seattle Times in 2007 that despite his isolation, he was never far from the love of his family and friends, who filled his answering machine and mailbox with messages and letters. "Just because he was isolated doesn't mean we didn't have sweet moments with him." McCallum has also claimed that she saw Staley on Thanksgiving of 2001, and again just around Valentine's Day of 2002, when he visited his sister's baby. This was the last time that McCallum saw her son.[19] Sean Kinney has commented on Staley's final years and isolation period:

It got to a point where he'd kept himself so locked up, both physically and emotionally. I kept trying to make contact...Three times a week, like clockwork, I'd call him, but he'd never answer. Every time I was in the area, I was up in front of his place yelling for him ... Even if you could get in his building, he wasn't going to open the door. You'd phone and he wouldn't answer. You couldn't just kick the door in and grab him, though there were so many times I thought about doing that. But if someone won't help themselves, what, really, can anyone else do?[11]

Staley's physical appearance had become even worse than before: he had lost several teeth, his skin was sickly pale, and he was severely emaciated. Close friends such as Matt Fox said, "If no one heard from him for weeks, it wasn't unusual". Staley grew increasingly disconnected from his friends and bandmates who repeatedly tried to get him into rehab, but Staley refused.[94] Staley's close friend Mark Lanegan said, "He didn't speak to anybody as of late… It's been a few months since I talked to him. But for us to not talk for a few months is par for the course."[95]

An informal memorial was held for Staley on the night of April 20, 2002, at the Seattle Center, which was attended by at least 100 fans and friends, including Alice in Chains bandmates Cantrell, Starr, Inez and Kinney, and Soundgarden frontman Chris Cornell.[107][108] Staley's body was cremated and a private memorial service was held for him on April 28, 2002, on Bainbridge Island in Washington's Puget Sound. During her appearance on Celebrity Rehab in 2010, Staley's mother said she has her son's ashes in a box.[103] Staley's private memorial was attended by his family and friends, along with his Alice in Chains bandmates, the band's manager Susan Silver and her then-husband Chris Cornell, as well as other music personalities. Chris Cornell, joined by Heart's Ann and Nancy Wilson, sang a rendition of The Rolling Stones' "Wild Horses" at the funeral.[109] They also performed The Lovemongers' song "Sand".[110]

Jerry Cantrell dedicated his solo album, Degradation Trip, released two months after Staley's death, to his memory.[111] Cantrell also took in Staley's cat, Sadie, and he and the family cared for the pet for eight years until Sadie died in 2010 at the age of 18.[112]

Shortly after Staley's death, his parents Nancy McCallum and Phil Staley started receiving donations from fans all over the world. Nancy and Phil worked with Seattle's Therapeutic Health Services clinic to create the Layne Staley Memorial Fund to help other heroin addicts and their families in the Seattle music community.[113][114]

Alice in Chains remained inactive following Staley's death. For the next several years, the band refused to perform together out of respect for him.[65][115] In 2005, Cantrell, Kinney, and Inez reunited for a benefit concert for victims of the 2004 Indian Ocean tsunami, with several vocalists filling in for Staley.[115] Following positive response, the band decided to reunite formally in 2006. Comes with the Fall vocalist William DuVall, a member of Cantrell's solo touring band who often sang Staley's parts on the Alice in Chains songs that Cantrell performed, was announced to sing Staley's part for the reunion shows.[116] In an interview with MTV News, Kinney noted that the band would use the reunion concerts to pay tribute to the songs and to Staley.[116] The band used to have an intermission to include a five-minute filmed tribute to Staley in between sets.[117] DuVall has since become Staley's full-time replacement in the band, contributing to three full-length releases.

On August 22, 2019, which would have been Staley's 52nd birthday, Seattle mayor Jenny Durkan officially proclaimed that day as "Layne Staley Day" in the city in honor of Staley's contributions to the world of music. The day was also a call to attention to the Layne Staley Memorial Fund, established by his parents in 2002.[152]

Two biographies have been written about Staley, both authored by Adriana Rubio—Layne Staley: Angry Chair released in 2003, which contains an alleged final interview of Staley that Rubio claimed to have conducted less than three months before his death,[81] and Layne Staley: Get Born Again, released in 2009, a revised and updated version of her earlier book.[153]

Staley's family has disputed Rubio's work, stating they do not believe she interviewed him in 2002.[154] Staley's last interview was for the radio Rockline on July 19, 1999, promoting the release of the compilation album Nothing Safe: Best of the Box with the other members of Alice in Chains.[155] The content of Rubio's book, including what she referred to as Staley's final interview, was called into question in journalist David De Sola's 2015 book Alice in Chains: The Untold Story.[81] De Sola questions not only the content of the interview, which portrays Staley as using his lyrics in casual conversation, it also indicates that Rubio never spoke to him, citing her refusal to release the tape with the interview and the fact that not even her publisher had access to the tape.[81] One of Staley's sisters, Liz Coats, likewise doubted the veracity of the book.[154]

Staley was featured on the books Grunge Is Dead: The Oral History of Seattle Rock Music (2009) by Greg Prato,[156] and Everybody Loves Our Town: An Oral History of Grunge (2011) by Mark Yarm. Both books explored the history of grunge in detail and touch upon Alice in Chains and Staley's life and death via interviews with Staley's mother, friends and bandmates, including Cantrell, Kinney, Starr and Inez.[157][158]

In August 2015, journalist David de Sola released the biography Alice in Chains: The Untold Story,[159] which is mainly focused on Staley and features interviews with his friends and relatives; the surviving members of Alice in Chains did not partake in interviews for this book.[160]

Staley appeared on all Alice in Chains releases from We Die Young up to the song "Died", later taking part in reissues and compilations containing material from his time in the band.