Lee J. Cobb

Cobb performed summer stock with the Group Theatre in 1936, when it summered at Pine Brook Country Club in Nichols, Connecticut.[8] He made his Broadway debut as a saloonkeeper in a dramatization of Crime and Punishment that closed after 15 nights. He starred opposite Elia Kazan in Group Theatre's productions of Clifford Odets' Waiting for Lefty and Golden Boy. He also acted in Ernest Hemingway's only ever full-length play, The Fifth Column, and Clash by Night.

Cobb gained widespread recognition for his portrayal of Willy Loman in the original production of Arthur Miller's play Death of a Salesman under the direction of Elia Kazan. Miller praised Cobb as "the greatest dramatic actor I ever saw"[9] and, upon his casting, changed a line referring to the physical appearance of the title character, whom the author had originally conceived of as a small man, from "shrimp" to "walrus".[10] Cobb played through the play's entire initial run at the Morosco Theatre between February 1949 and November 1950. The play won the Tony Award for Best Play and the Pulitzer Prize for Drama. Miller later offered Cobb the part of Eddie Carbone in A View from the Bridge, but Cobb turned it down.

During World War II, Cobb joined the US Army Air Forces in the hopes of becoming pilot. Instead, he was assigned to a radio unit. He was later transferred to the First Motion Picture Unit,[11] where he appeared in Moss Hart Army Emergency Relief fundraiser productions like This is the Army and Winged Victory.

In 1968, his performance as King Lear with Stacy Keach as Edmund, René Auberjonois as the Fool, and Philip Bosco as Kent achieved the longest run (72 performances) for the play in Broadway history.[12]

Cobb as Johnny Friendly in On the Waterfront (1954)

Cobb entered films in the 1930s, successfully playing middle-aged and even older characters while he was still a youth. His first credited role was in the 1937 Hopalong Cassidy oater Rustlers' Valley, where he was billed using the stage name 'Lee Colt.' In all subsequent films, he used Lee Cobb and later Lee J. Cobb.

He starred in the 1939 film adaptation of Golden Boy, albeit in a different role.

He was cast as the Kralahome in the 1946 film Anna and the King of Siam, upon which the musical play The King and I was later partially based. He also played the sympathetic doctor in The Song of Bernadette and appeared as Derek Flint's (James Coburn) supervisor in the James Bond spy spoofs Our Man Flint and In Like Flint.

In August 1955, while filming The Houston Story, Cobb suffered a heart attack and was replaced by Gene Barry.[13] Later that year, he picked up a Best Supporting Actor Oscar nomination for his portrayal of corrupt union boss Johnny Friendly in Elia Kazan’s On the Waterfront. He was nominated a second time for playing Fyodor in Richard Brooks’ movie adaptation of The Brothers Karamazov.

In 1957, he appeared in Sidney Lumet's 12 Angry Men as the abrasive Juror #3. The role earned him a Golden Globe nomination for Best Supporting Actor, one of two in the same category. He was nominated again for the Frank Sinatra comedy Come Blow Your Horn (1963).

One of his final film roles was that of Washington, D.C. Metropolitan Police homicide detective Lt. Kinderman in the 1973 horror film The Exorcist, about a demonic possession of a teen-age girl (Linda Blair) in Georgetown, D. C. In the same decade, Cobb travelled to Europe to work in Italian films, primarily poliziotteschi (crime thrillers). His final films, Cross Shot and Nick the Sting, were both released posthumously, nearly two months after Cobb died.

In 1959, on CBS' DuPont Show of the Month, he starred in the dual roles of Miguel de Cervantes and Don Quixote in the play I, Don Quixote, which years later became the musical Man of La Mancha. Cobb also appeared as the Medicine Bow, Wyoming owner of the Shiloh Ranch, Judge Henry Garth in the first four seasons (1962–1966), of the long-running NBC Western television series The Virginian (1962–1971).

He reprised his role of Willy Loman in the 1966 CBS television adaptation of the famous play Death of a Salesman, which included Gene Wilder, James Farentino, Bernie Kopell, and George Segal. Cobb was nominated for an Emmy Award for the performance. Mildred Dunnock, who had co-starred in both the original stage version and the 1951 film version, again repeated her role as Linda, Willy's devoted wife.

One of his last television roles was as a stalwart overworked elderly physician still making house calls in urban Baltimore, in Doctor Max, a TV pilot for a potential series that never materialized. His final aired television role was Origins of the Mafia, a miniseries about the history of the Sicilian Mafia, filmed on-location in Italy. He subsequently appeared alongside British actor Kenneth Griffith in an ABC television documentary on the American Revolution called Suddenly an Eagle, which was broadcast six months after his death.

• 1966, Golden Plate Award of the American Academy of Achievement[20]
• 1981, American Theatre Hall of Fame