Rod Stewart

Stewart worked in the family shop and as a newspaper delivery boy.[33] He then worked briefly as a labourer for Highgate Cemetery, which became another part of his biographical lore.[nb 3] He worked in a North Finchley funeral parlour[33] and as a fence erector and sign writer.[27] In 1961, he went to Denmark Street with The Raiders and got a singing audition with well-known record producer Joe Meek, but Meek stopped the session with a rude sound.[35] Stewart began listening to British and American topical folk artists such as Ewan MacColl, Alex Campbell, Woody Guthrie, Ramblin' Jack Elliott, and especially Derroll Adams and the debut album of Bob Dylan.[35][36]

Stewart became attracted to beatnik attitudes and left-wing politics, living for a while in a beatnik houseboat at Shoreham-by-Sea.[35] He was an active supporter of the Campaign for Nuclear Disarmament at this time, joining the annual Aldermaston Marches from 1961 to 1963 and being arrested on three occasions when he took part in sit-ins at Trafalgar Square and Whitehall for the cause.[27][35] He also used the marches as a way to meet and bed girls.[35][37] In 1962, he had his first serious relationship, with London art student Suzannah Boffey (a friend of future model and actress Chrissie Shrimpton); he moved to a bed-sit in Muswell Hill to be near her.[38] She became pregnant, but neither Rod nor his family wanted him to enter marriage; the baby girl was given up for adoption and Rod and Suzannah's relationship ended.[38]

In 1962, Stewart began hanging around folk singer Wizz Jones, busking at Leicester Square and other London spots.[39] Stewart took up playing the then-fashionable harmonica.[40] On several trips over the next 18 months Jones and Stewart took their act to Brighton and then to Paris, sleeping under bridges over the River Seine, and then finally to Barcelona.[39] Eventually, this resulted in Stewart being rounded up and deported from Spain for vagrancy in 1963.[32][39][41] At this time, Stewart, who had been at William Grimshaw School with three of their members, was briefly considered as singer for the embryonic Kinks.[19][36][42][43][44]

In 1963, Stewart adopted the Mod lifestyle and look, and began fashioning the spiky rooster hairstyle that would become his trademark.[45] (It was made possible with sugar water or large amounts of his sisters' hair lacquer, backcombing, and his hands holding it in place to protect it from the winds of the Highgate Underground station.[45][46][47]) Disillusioned by rock and roll, he saw Otis Redding perform in concert and began listening to Sam Cooke records; he became fascinated by rhythm and blues and soul music.[45]

After returning to London, Stewart joined a rhythm and blues group, the Dimensions, in October 1963 as a harmonica player and part-time vocalist.[31][48] It was his first professional job as a musician, although Stewart was still living at home and working in his brother's painting and picture frame shop.[49][50] A somewhat more established singer from Birmingham, Jimmy Powell, then hired the group a few weeks later, and it became known as Jimmy Powell & the Five Dimensions, with Stewart being relegated to harmonica player.[31][48] The group performed weekly at the famed Studio 51 club on Great Newport Street in London, where The Rolling Stones often headlined;[48] this was Stewart's entrée into the thriving London R & B scene,[51] and his harmonica playing improved in part from watching Mick Jagger on stage.[40] Relations soon broke down between Powell and Stewart over roles within the group[49] and Stewart departed. Contrary to popular legend, during this time Stewart likely did not play harmonica on Millie Small's 1964 hit "My Boy Lollipop". That was probably Peter Hogman of the Dimensions, although Powell has also claimed credit.[31][52] Powell did record and release a single during this period, though Stewart did not appear on it.[48]

In January 1964,[nb 4] while Stewart was waiting at Twickenham railway station after having seen Long John Baldry and the All Stars at Eel Pie Island,[31][52][54] Baldry heard him playing "Smokestack Lightnin'" on his harmonica, and invited him to sit in with the group; when Baldry discovered Stewart was a singer as well, he offered him a job for £35 a week, after securing the approval of Stewart's mother.[52] Quitting his day job at the age of nineteen, Stewart gradually overcame his shyness and nerves and became a visible enough part of the act that he was sometimes added to the billing as "Rod the Mod" Stewart,[40][52][53] the nickname coming from his dandyish style of grooming and dress.[36] Baldry touted Stewart's abilities to Melody Maker magazine and the group enjoyed a weekly residence at London's fabled Marquee Club.[53] In June 1964, Stewart made his recording début (without label credit) on "Up Above My Head", the B-side to a Baldry and Hoochie Coochie Men single.[55] While still with Baldry, Stewart embarked on a simultaneous solo career.[56] He made some demo recordings,[nb 5] was scouted by Decca Records at the Marquee Club, and signed to a solo contract in August 1964.[57] He appeared on several regional television shows around the country and recorded his first single in September 1964.[56][57]

Turning down Decca's recommended material as too commercial, Stewart insisted that the experienced session musicians he was given, including John Paul Jones, learn a couple of Sonny Boy Williamson songs he had just heard.[58] The resulting single, "Good Morning Little Schoolgirl", was recorded and released in October 1964; despite Stewart performing it on the popular television show Ready Steady Go!, it failed to enter the charts. Also in October Stewart left the Hoochie Coochie Men after having a row with Baldry.[57]

Stewart played some dates on his own in late 1964 and early 1965, sometimes backed by the Southampton R & B outfit The Soul Agents.[59] The Hoochie Coochie Men broke up, Baldry and Stewart patched up their differences (and indeed became lifelong friends),[60] and legendary impresario Giorgio Gomelsky put together Steampacket, which featured Baldry, Stewart, Brian Auger, Julie Driscoll, Micky Waller, Vic Briggs and Ricky Fenson; their first appearance was in support of The Rolling Stones in July 1965.[61] The group was conceived as a white soul revue, analogous to The Ike & Tina Turner Revue, with multiple vocalists and styles ranging from jazz to R & B to blues.[62] Steampacket toured with the Stones and The Walker Brothers that summer, ending in the London Palladium;[62] seeing the audience react to the Stones gave Stewart his first exposure to crowd hysteria.[63] Stewart, who had been included in the group upon Baldry's insistence, ended up with most of the male vocal parts.[62] Steampacket was unable to enter the studio to record any material because its members all belonged to different labels and managers,[62][64] although Gomelsky did record one of their Marquee Club rehearsals.[nb 6]

Stewart's "Rod the Mod" image gained wider visibility in November 1965, when he was the subject of a 30-minute Rediffusion, London television documentary titled "An Easter with Rod" that portrayed the Mod scene.[32][65] His parallel solo career attempts continued on EMI's Columbia label with the November 1965 release of "The Day Will Come", a more heavily arranged pop attempt, and the April 1966 release of his take on Sam Cooke's "Shake", with the Brian Auger Trinity.[65] Both failed commercially and neither gained positive notices.[66] Stewart had spent the better part of two years listening mostly to Cooke; he later said, "I didn't sound like anybody at all ... but I knew I sounded a bit like Sam Cooke, so I listened to Sam Cooke."[50] This recording solidified that singer's position as Stewart's idol and most enduring influence; he called it a "crossing of the water."[36][50][62]

Stewart left Steampacket in March 1966,[65] with Stewart saying he had been sacked and Auger saying he had quit.[62] Stewart then joined a somewhat similar outfit, Shotgun Express, in May 1966 as co-lead vocalist with Beryl Marsden.[62][65] The other members included Mick Fleetwood and Peter Green (who would go on to form Fleetwood Mac), and Peter Bardens.[65] Shotgun Express released one unsuccessful single in October 1966, the orchestra-heavy "I Could Feel The Whole World Turn Round", before disbanding.[62][65] Stewart later disparaged Shotgun Express as a poor imitation of Steampacket and said, "I was still getting this terrible feeling of doing other people's music. I think you can only start finding yourself when you write your own material."[65] By now, Stewart had bounced around without achieving much success, with little to distinguish himself among other aspiring London singers other than the emerging rasp in his voice.[51]

Guitarist Jeff Beck recruited Stewart for his new post-Yardbirds venture,[67] and in February 1967, Stewart joined the Jeff Beck Group as vocalist and sometime songwriter.[68] This would become the big break of his early career.[36] There he first played with Ronnie Wood[62] whom he had first met in a London pub in 1964;[57] the two soon became fast friends.[67] During its first year, the group experienced frequent changes of drummers and conflicts involving manager Mickie Most wanting to reduce Stewart's role. They toured the UK and released a couple of singles that featured Stewart on their B-sides.[68][69] Stewart's sputtering solo career also continued with the March 1968 release of non-hit "Little Miss Understood" on Immediate Records.[68]

The Jeff Beck Group toured Western Europe in spring 1968, recorded, and were nearly destitute. Then assistant manager Peter Grant booked them on a six-week tour of the United States starting in June 1968 with the Fillmore East in New York.[68][70][71] Stewart, on his first trip to America, suffered terrible stage fright during the opening show and hid behind the amplifier banks while singing. Only a quick shot of brandy brought him out front.[68] Nevertheless, the show and the tour were a big success,[36][71] with Robert Shelton of The New York Times calling the group exciting and praising "the interaction of Mr. Beck's wild and visionary guitar against the hoarse and insistent shouting of Rod Stewart,"[70] and New Musical Express reporting that the group was receiving standing ovations and pulling receipts equal to those of Jimi Hendrix and The Doors.[68]

In August 1968, their first album Truth was released, and by October, it had risen to number 15 on the US albums chart but failed to chart in the UK.[68] The album featured Beck's masterly guitar technique and manipulated sounds as Stewart's dramatic vocalising tackled the group's varied repertoire of blues, folk, rock, and proto-heavy metal.[51][69][72] Stewart also co-wrote three of the songs[72] and credited the record for helping to develop his vocal abilities and the sandpaper quality in his voice.[50] The group toured America again at the end of the year to a strong reception, then suffered from more personnel upheaval[68][73] (something that would continue throughout Beck's career). In July 1969, Stewart left following his friend Wood's departure.[50][74] Stewart later recalled, "It was a great band to sing with, but I couldn't take all the aggravation and unfriendliness that developed.... In the two and a half years I was with Beck I never once looked him in the eye – I always looked at his shirt or something like that."[68]

The group's second album, Beck-Ola, was released in June 1969 in the US and in September 1969 in the UK, bracketing the time the group was dissolving; it also made number 15 in the US albums chart and reached number 39 in the UK albums chart.[36][74][75] During his time with the group, Stewart initially felt overmatched by Beck's presence, and his style was still developing; but later Stewart felt the two developed a strong musical, if not personal, rapport.[68][76] Much of Stewart's sense of phrasing was developed during his time with the Jeff Beck Group.[50] Beck sought to form a new supergroup with Carmine Appice and Tim Bogert (of the similarly just-breaking-up Vanilla Fudge) joining him and Stewart, but Stewart had other plans.[77]

Mercury Records A&R man Lou Reizner had seen Stewart perform with Beck, and on 8 October 1968 signed him to a solo contract;[68] but contractual complexities delayed Stewart's recording for him until July 1969.[74][78] Meanwhile, in May 1969, guitarist and singer Steve Marriott left English band The Small Faces.[74] Ron Wood replaced him as guitarist in June and on 18 October 1969, Stewart followed his friend and became the band's new singer.[74] The two joined existing members Ronnie Lane, Ian McLagan, and Kenney Jones, who soon decided to call the new line-up Faces.[79]

An Old Raincoat Won't Ever Let You Down became Stewart's first solo album in 1969 (it was known as The Rod Stewart Album in the US). It established the template for his solo sound: a heartfelt mixture of folk, rock, and country blues, inclusive of a British working-class sensibility, with both original material ("Cindy's Lament" and the title song) and cover versions (Ewan MacColl's "Dirty Old Town" and Mike d'Abo's "Handbags and Gladrags"). The backing band on the album included Wood, Waller and McLagan, plus Keith Emerson and guitarists Martin Pugh (of Steamhammer, and later Armageddon and 7th Order) and Martin Quittenton (also from Steamhammer).[80]

Stewart in a trade advert for his 1971 album Every Picture Tells A Story

Faces released their début album First Step in early 1970 with a rock and roll style similar to the Rolling Stones. While the album did better in the UK than in the US, the Faces quickly earned a strong live following. Stewart released his second album, Gasoline Alley that autumn. Stewart's approach was similar to his first album and mandolin was introduced into the sound. He then launched a US tour with the Faces. Stewart sang guest vocals for the Australian group Python Lee Jackson on "In a Broken Dream", recorded in April 1969 but not released until 1970. His payment was a set of seat covers for his car. It was re-released in 1972 to become a worldwide hit.

Stewart's 1971 solo album Every Picture Tells a Story made him a household name when the B-side of his minor hit "Reason to Believe", "Maggie May", (co-written with Martin Quittenton) started to receive radio play. The album and the single occupied the number one chart position simultaneously in the UK, US, Canada and Australia, a chart first, in September.[81] Maggie May topped the single chart for five weeks in the US, and the UK and four weeks in Australia. Set off by a striking mandolin part (by Ray Jackson of Lindisfarne), "Maggie May" was also named in The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. The rest of the album was equally strong, with "Mandolin Wind" again showcasing that instrument; "(I Know) I'm Losing You" adding hard-edged soul to the mix; and "Tomorrow Is a Long Time", a cover of a Bob Dylan song. But the ultimate manifestation of the early Stewart solo style was the Stewart-Wood-penned "Every Picture Tells a Story" itself: powered by Mick Waller's drumming, Pete Sears's piano and Wood's guitar work in a largely acoustic arrangement; it is a song relating to the picaresque adventures of the singer.

The second Faces album, Long Player, was released in early 1971 and enjoyed greater chart success than First Step. Faces also got their only US Top 40 hit with "Stay With Me" from their third album A Nod Is as Good as a Wink...To a Blind Horse released in late 1971.[82] This album reached the Top 10 on both sides of the Atlantic on the back of the success of Every Picture Tells A Story.[82][83] Steve Jones from The Sex Pistols regarded the Faces highly and named them as a main influence on the British punk rock movement.[84]

The Faces toured extensively in 1972 with growing tension in the band over Stewart's solo career enjoying more success than the band's. Stewart released Never a Dull Moment in the same year. Repeating the Every Picture formula, for the most part, it reached number two on the US album charts and number one in the UK,[85] and enjoyed further good notices from reviewers. "You Wear It Well" was a hit single that reached number 13 in the US and went to number one in the UK, while "Twisting the Night Away" made explicit Stewart's debt to Sam Cooke.

For the body of his early solo work Stewart earned tremendous critical praise. Rolling Stone's 1980 Illustrated History of Rock & Roll includes this in its Stewart entry:[51]

Rarely has a singer had as full and unique a talent as Rod Stewart; rarely has anyone betrayed his talent so completely. Once the most compassionate presence in music, he has become a bilious self-parody – and sells more records than ever [... A] writer who offered profound lyricism and fabulous self-deprecating humour, teller of tall tales and honest heartbreaker, he had an unmatched eye for the tiny details around which lives turn, shatter, and reform [...] and a voice to make those details indelible. [... His solo albums] were defined by two special qualities: warmth, which was redemptive, and modesty, which was liberating. If ever any rocker chose the role of everyman and lived up to it, it was Rod Stewart.

Stewart (right) whilst in Faces, with Ronnie Wood (left)

The Faces released their final album Ooh La La, which reached number one in the UK and number 21 in the US in 1973.[82][83] During the recording of the album, the rift between Stewart and the rest of the Faces grew further, as (according to Ian McLagan), Stewart did not participate until two weeks into the sessions, "and then complained that some songs were in the wrong key for him. So we recorded them again and waited a week for him to come back. We cut the track for 'Ooh La La' three times before he eventually passed on it, leaving it for Woody to sing. [...] The week the album came out he did all he could to scuttle it and told anyone who would listen how useless it was."[86] The band toured Australasia, Japan, Europe and the UK in 1974[87] to support the album and the single "Pool Hall Richard".

In late 1974, Stewart released his Smiler album. In Britain, it reached number one, and the single "Farewell" number seven, but only number 13 on the Billboard pop album charts and the single "Mine for Me" only number 91 on the Billboard pop singles charts. It was his last original album for Mercury Records. After the release of the double album compilation The Best of Rod Stewart he switched to Warner Bros. Records and remained with them throughout the vast majority of his career (Faces were signed to Warner Bros., and Stewart's solo releases in the UK appeared on the Riva label until 1981). In 1975, Faces toured the US twice (with Ronnie Wood joining The Rolling Stones' US tour in between).[87] With Ronnie Wood having released his second solo album in 1975 and also having joined the Rolling Stones (first as a temporary replacement for the departing Mick Taylor, and later as a permanent member), as well as Stewart's own burgeoning solo career, it became impossible to maintain the Faces' as a viable band, so the Faces broke up at the end of the year.[88]

On stage in Dublin, 1981

In 1975, Stewart moved to Los Angeles. He released the Atlantic Crossing album for his new record company, using producer Tom Dowd and a different sound based on the Muscle Shoals Rhythm Section. Atlantic Crossing marked both a return to form and a return to the Top 10 of the Billboard album charts. The first single, a cover of the Sutherland Brothers song "Sailing", was a number-one hit in the UK, charted high in other European countries and in Australia, but only reached the Top 60 of the US and Canadian charts. The single returned to the UK Top 10 a year later when used as the theme music for a BBC documentary series about HMS Ark Royal. Having been a hit twice over, "Sailing" became, and remains, Stewart's biggest-selling single in the UK. His Holland-Dozier-Holland cover "This Old Heart of Mine" was also a Top 100 hit in 1976.[82] In 1976 Stewart covered The Beatles' song "Get Back" for the musical documentary All This and World War II.[89]

Later in 1976, Stewart topped the US Billboard Hot 100 for eight weeks and the Australian ARIA chart with the ballad "Tonight's the Night", with an accompanying music video featuring actress Britt Ekland.[82] It came from the A Night on the Town album, which went to number two on the Billboard album charts and was Stewart's first album to go platinum. By explicitly marking the album as having a "fast side" and a "slow side", Stewart continued the trend started by Atlantic Crossing. "The First Cut Is the Deepest", a cover of a Cat Stevens song, went number one in the UK in 1977, and top 30 in the US.[82][85] "The Killing of Georgie (Part 1 and 2)", about the murder of a gay man, was also a Top 40 hit for Stewart during 1977.[82]

Foot Loose & Fancy Free (1977) featured Stewart's own band, the original Rod Stewart Group that featured Carmine Appice, Phil Chen, Jim Cregan, Billy Peek, Gary Grainger and John Jarvis. It continued Stewart's run of chart success, reaching number two. "You're in My Heart" was the hit single, reaching number four in the US.[82]

"Hot Legs" achieved a lot of radio airplay as did the confessional "I Was Only Joking". In appearance, Stewart's look had evolved to include a glam element, including make-up and spandex clothes. Stewart scored another UK number one and US number one single with "Da Ya Think I'm Sexy?", which was a crossover hit reaching number five on the Billboard black charts due to its disco sound.[82] This was the lead single from 1978's Blondes Have More Fun, which went to number one on the Billboard album charts and sold three million albums.[90]

A focal point of criticisms about this period was his biggest-selling 1978 disco hit "Da Ya Think I'm Sexy?", which was atypical of his earlier output, and disparaged by critics.[91] In interviews, Stewart, while admitting his accompanying look had become "tarty", has defended the lyrics by pointing out that the song is a third-person narrative slice-of-life portrayal, not unlike those in his earlier work, and that it is not about him. The song's refrain was identical to Brazilian Jorge Ben Jor's earlier "Taj Mahal" and a lawsuit ensued. Stewart donated his royalties from "Da Ya Think I'm Sexy?" to UNICEF, and he performed it with his band at the Music for UNICEF Concert at the United Nations General Assembly in 1979.

Stewart moved to a more new wave direction in 1980 by releasing the album Foolish Behaviour. The album produced one hit single, "Passion", which reached No. 5 on the US Billboard Charts. In August 1981, MTV was launched in the US with several of Stewart's videos in heavy rotation. Later in 1981, Stewart added further elements of new wave and synthpop to his sound for the Tonight I'm Yours album. The title song reached No. 20 in the US, while "Young Turks" reached the Top 5 with the album going platinum.[82] On 18 December 1981, Stewart played the Los Angeles Forum, along with Kim Carnes and Tina Turner, in a concert broadcast worldwide via satellite.[92]

Stewart performing in Paris, 1986

Stewart was criticised by the anti-apartheid movement for breaking a widely observed cultural boycott of apartheid South Africa by performing at the Sun City resort complex in Bophuthatswana as part of his Body Wishes (1983) and Camouflage (1984) tours.[93]

Stewart had four US Top 10 singles between 1982 and 1988; "Young Turks" (No. 5, carrying over from 1981 into 1982), "Some Guys Have All the Luck" (No. 10, 1984), "Infatuation" (No. 6, 1984) and "Love Touch" (No. 6, 1986, a Holly Knight/Mike Chapman collaboration). "Baby Jane" reached No. 14 in 1983, but went to No. 1 in the UK, his final chart-topping single there to date.[82] The corresponding Camouflage album went gold in the UK, and the single "Infatuation" (which featured his old friend Jeff Beck on the guitar) received considerable play on MTV. The second single "Some Guys Have All The Luck" reached No. 15 in the UK and No. 10 in the US.[82]

A reunion with Jeff Beck produced a successful take on Curtis Mayfield's "People Get Ready", but an attempt to tour together fell apart after a few dates. In the UK, "Every Beat of My Heart" reached number two in 1986. In January 1985, Stewart performed to a large audience at the Rock in Rio festival in Rio de Janeiro.[94]

In 1988, Stewart returned with Out of Order, produced by Duran Duran's Andy Taylor and by Bernard Edwards of Chic. "Lost in You", "Forever Young", "Crazy About Her", and "My Heart Can't Tell You No" from that album were all top 15 hits on the Billboard Hot 100 and mainstream rock charts, with the latter even reaching the Top Five. "Forever Young" was an unconscious revision of Bob Dylan's song of the same name; the artists reached an agreement about sharing royalties. The song reached No. 12 in the US.[82] In September 1988, Stewart performed "Forever Young" at the 1988 MTV Video Music Awards at the Universal Amphitheatre in Los Angeles, and in 1989 he received a Grammy Award nomination for Best Male Rock Vocal Performance for the song.[95]

In January 1989, Stewart set out on the South American leg of the Out of Order Tour playing to sell-out audiences throughout Americas. There were 80,000 people at his show at Corregidora Stadium, Querétaro, México (9 April), and 50,000 at Jalisco Stadium, Guadalajara, Jalisco (12 April). In Buenos Aires, the audience at the River Plate Stadium, which seats 70,000+, was at over 90,000, with several thousand outside the stadium. Firehoses were sprayed on the crowd to avoid heat prostration.

Stewart's version of the Tom Waits song "Downtown Train" went to number three on the Billboard Hot 100 in 1990.[82] This song was taken from a four-CD compilation set called Storyteller – The Complete Anthology: 1964–1990.

Released in 1991, the Vagabond Heart album continued Stewart's renewal and inspiration.[96] The lead single "It Takes Two" with Tina Turner, was released in 1990 in advance of the full album's release, and reached number five on the UK charts, but did not chart in the US. The follow-up songs from Vagabond Heart both reached the Billboard Hot 100 in 1991, with "Rhythm of My Heart" peaking at No. 5 and "The Motown Song" peaking at No. 10.[82]

Concert ticket, 1993

At the 1993 Brit Awards in London, Stewart picked up the prize for Outstanding Contribution to Music.[97] Stewart brought back the Faces on stage for an impromptu reunion.[97] In 1993, Stewart recorded "All For Love" with Sting and Bryan Adams for the soundtrack to the movie The Three Musketeers; the single reached number one in the US and number two in the UK.[83] Also in 1993, he reunited with Ronnie Wood to record an MTV Unplugged special that included "Handbags and Gladrags", "Cut Across Shorty", and four selections from Every Picture Tells a Story. The show featured an acoustic version of Van Morrison's "Have I Told You Lately", which topped the Billboard adult contemporary chart and No. 5 on the Billboard Hot 100.[82] A rendition of "Reason to Believe" also garnered considerable airplay. The resulting Unplugged...and Seated album reached number two on the Billboard 200 album charts.[82]

Stewart was inducted into the Rock and Roll Hall of Fame in 1994, presented by Jeff Beck.[85] On 31 December 1994, Stewart played in front of 3.5 million people on Copacabana beach in Rio, and made it into the Guinness Book of World Records for staging the largest free rock concert attendance in history.

Stewart in Paris, 1995

By the early 1990s, Stewart had mostly abandoned creating his own material, saying that he was not a natural songwriter and that the tepid response to his recent efforts was not rewarding.[98] In 1995, Stewart released A Spanner in the Works containing a single written by Tom Petty, "Leave Virginia Alone", which reached the Top 10 of the adult contemporary charts. The latter half of the 1990s was not as commercially successful though the 1996 album If We Fall in Love Tonight reached number 8 in the UK, and went gold and hit No. 19 on the Billboard album chart.[82]

When We Were the New Boys, his final album on the Warner Bros. label released in 1998, contained versions of songs by Britpop acts such as Oasis and Primal Scream, and reached number two on the UK album charts. That same year, he recorded the song "Faith of the Heart", written by Diane Warren, for the film Patch Adams. In 2000, Stewart left Warner Bros. and moved to Atlantic Records, another division of Warner Music Group. In 2001, he released Human. The single "I Can't Deny It" went Top 40 in the UK and Top 20 in the adult contemporary. Stewart then signed to Clive Davis' new J Records label. The Story So Far: The Very Best of Rod Stewart, a greatest hits album compiled from his time at Warner Bros., is certified four times platinum in the UK with over 1.2 million copies sold, and reached number one in 2001 in Belgium and France.[99]

In June 2002, Stewart performed "Handbags and Gladrags" at the Party at the Palace held at Buckingham Palace Garden, a concert which celebrated the Golden Jubilee of Elizabeth II and featured stars from five decades of music.[100]

By 2002, Stewart had sold over 100 million records during his career.[101] While growing up, he heard in his home classic songs written by songwriters such as Cole Porter, Gus Kahn and George and Ira Gershwin. Stewart joined others who had recorded the classic songs.[102] He concentrated on singing 1930s and 1940s pop standards from the Great American Songbook with great popular success. These albums have been released on Clive Davis's J Records label and have seen Stewart enjoy album sales equal to the 1970s.

The first album from the songbook series, It Had to Be You: the Great American Songbook, reached number four on the US album chart, number eight in the UK and number ten in Canada when released in late 2002. The track "These Foolish Things" (which is actually a British, not American, song) reached number 13 on the Billboard adult contemporary chart, and "They Can't Take That Away From Me" went Top 20.[103]

The second series album, As Time Goes By: the Great American Songbook 2, reached number two in the US, number four in the UK and number one in Canada. "Bewitched, Bothered and Bewildered", a duet with Cher, went Top 20 on the US adult contemporary charts. "Time After Time" was another Top 30 track on the US adult contemporary charts.[103] A musical called Tonight's The Night, featuring many of Stewart's songs, opened 7 November 2003 at London's Victoria Palace Theatre. It is written and directed by Ben Elton, who previously created a similar production, We Will Rock You, with music by Queen.[104] The musical tells about a "Faustian pact between Detroit gas station mechanic Stu Clutterbuck and Satan."[105]

In 2004, Stewart reunited with Ronnie Wood for concerts of Faces material. A Rod Stewart and the Faces best of album, Changing Faces, reached the Top 20 of the UK album charts. Five Guys Walk into a Bar..., a Faces box set compilation, was released. In late 2004, Stardust: the Great American Songbook 3, the third album in Stewart's songbook series, was released. It was his first US number one album in 25 years, selling over 200,000 albums in its first week. It also debuted at number one in Canada, number three in the UK and Top 10 in Australia. His version of Louis Armstrong's "What a Wonderful World", featuring Stevie Wonder, made the Top 20 of the world adult charts. He also recorded a duet with Dolly Parton for the album – "Baby, It's Cold Outside". Stewart won his first ever Grammy Award for this album.[106]

2005 saw the release of the fourth songbook album, Thanks for the Memory: The Great American Songbook 4; it included duets with Diana Ross and Elton John. Within weeks of its release, the CD made it to number two on the Top 200 list. In late 2006, Stewart made his return to rock music and his new approach to country music with the release of Still the Same... Great Rock Classics of Our Time, a new album featuring rock and southern rock milestones from the last four decades, including a cover of Creedence Clearwater Revival's "Have You Ever Seen the Rain?", which was released as the first single. The album debuted at number one on the Billboard charts with 184,000 copies in its first week. The number one début was helped by a concert in New York City that was on MSN Music and an appearance on Dancing with the Stars. He performed tracks from his new album live from the Nokia Theater on 9 October. Control Room broadcast the event Live on MSN and in 117 cinemas across the country via National CineMedia. In November 2006, Stewart was inducted into the UK Music Hall of Fame.[107]

Performing in Zaragoza, Spain, November 2006

On 1 July 2007, Stewart performed at the Concert for Diana held at Wembley Stadium, London, an event which celebrated the life of Princess Diana almost 10 years after her death.[108][109] He performed "Sailing", "Baby Jane" and "Maggie May".[110] On 12 December, he performed for the first time at the Royal Variety Performance at the London Coliseum in front of HRH Prince of Wales and The Duchess of Cornwall, singing another Cat Stevens number, "Father and Son", and Bonnie Tyler's song "It's a Heartache". On 22 December 2006, Stewart hosted the 8th Annual A Home for the Holidays special on CBS at 8:00 pm (PST).

On 20 May 2009, Stewart performed "Maggie May" on the grand finale of American Idol season 8. On 2, July 2009 Stewart performed his only UK date that year at Home Park, Plymouth. On 29 September 2009 a 4-CD, 65-track compilation entitled Rod Stewart Sessions 1971–1998 was released; it is composed of previously unreleased tracks and outtakes from the bulk of his career. Stewart has also mentioned plans for a compilation of covers of soul classics, the possible release of another edition of the Great American Songbook album and a country covers album.[111]

On 17 October 2009, Stewart released the studio album Soulbook which was composed of covers of soul and Motown songs. On 14 November 2009, Stewart recorded a TV program in the UK for ITV that was screened on 5 December 2009. The music in the programme featured tracks from his new album and some old favourites. On 14 January 2010, Rhino records released Stewart's Once in a Blue Moon, a "lost album" originally recorded in 1992, featuring ten cover songs including the Rolling Stones' "Ruby Tuesday", Bob Dylan's "The Groom's Still Waiting at the Altar" and Stevie Nicks' "Stand Back", as well as Tom Waits' "Tom Traubert's Blues". On 19 October 2010, Stewart released another edition of his Great American Songbook series titled Fly Me to the Moon...The Great American Songbook Volume V on J Records.

In 2011, Stewart performed with Stevie Nicks on their Heart & Soul Tour. Starting on 20 March in Fort Lauderdale, Florida, the tour visited arena concerts in North America – with performances in New York, Toronto, Los Angeles, Philadelphia, Chicago, Detroit, Tampa and Montreal, among others.[112]

Stewart headlined the Sunday show at the 2011 Hard Rock Calling Festival on 26 June in London's Hyde Park.[113] Stewart signed on to a two-year residency at the Colosseum at Caesars Palace, Las Vegas, commencing on 24 August.[114][115] Performing his greatest hits, the residency also saw him perform selected tracks from his upcoming, untitled blues album.[115]

On 7 June 2012, Stewart signed a recording agreement with Universal Music Group.[116] Stewart released his first Christmas album, titled Merry Christmas, Baby, on the Verve Music Group label (a division of Universal Music Group) on 30 October 2012. The album was produced by David Foster and contained several duets, as well as an original song written by Stewart, Foster and Amy Foster called "Red-Suited Super Man".[117] According to IFPI, Merry Christmas, Baby was the seventh best-selling album worldwide in 2012.[118] In October 2012, Stewart's autobiography titled Rod: The Autobiography was released (exact dates vary worldwide).[119]

In November 2012, Stewart performed "Auld Lang Syne" from his Christmas album and his hit "Sailing" at the Royal Albert Hall for the Royal British Legion Festival of Remembrance, which was attended by Queen Elizabeth II.[120] Later that month, Stewart again performed at the Royal Albert Hall in front of the Queen during the 100th Royal Variety Performance, singing "When You Wish upon a Star".[121] On 26 November, Stewart's recording of "Let It Snow! Let It Snow! Let It Snow!" reached the top of the Billboard Adult Contemporary Chart. Stewart had the number one song on this chart three times previously, the last being in 1993 with "Have I Told You Lately", giving him the second-largest hiatus between number ones in the history of the chart.[122] The song remained in the No. 1 spot for five weeks, tying it for the longest-leading holiday title in the chart's 51-year history.[123] On 10 December 2012, Stewart was a guest singer on Michael Bublé's television Home for the Holidays Christmas special.[124] Stewart was the tenth best-selling artist in Canada in the year 2012 according to year-end sales data from Nielsen Soundscan Canada.[125] In February 2013, Stewart was nominated for a Canadian Juno Award in the International Album of the Year category for his album Merry Christmas, Baby.[126]

Performing in Hamburg in September 2013

In May 2013, Stewart released Time, a rock album of his own original material. It marked a return to songwriting after what Stewart termed "a dark period of twenty years"; he said that writing his autobiography gave him the impetus to write music again.[44] The album entered the UK Albums Chart at number 1, setting a new British record for the longest gap between chart-topping albums by an artist.[127] Stewart's last No. 1 on the chart had been Greatest Hits Volume 1 in 1979 and his last studio album to top the chart was 1976's A Night on the Town.[128]

In September 2013, Stewart presented his friend Elton John with the first Brits Icon award in a special show at the London Palladium, recognising John's "lasting impact" on UK culture. Stewart quipped that John was "the second-best rock singer ever", before the two performed a duet on stage.[129]

A new studio album, Another Country, was released on 23 October 2015. The video for the first single "Love Is" is available on his Vevo account.[130]

Stewart recorded vocals with Joe Walsh on the Frankie Miller album Frankie Miller's Double Take, which was released on 30 September 2016.[131] He sang his cover of the Beatles' "Sgt. Pepper's Lonely Hearts Club Band" as Sgt. Pepper for Beat Bugs episode 17b, which debuted 18 November 2016 on Netflix.[132] At the same, Stewart was quoted responding to John Lennon's 1980 assertion that Stewart's hit "The Killing of Georgie (Part 1 and 2)" plagiarised his song "Don't Let Me Down", declaring to The Guardian: "It does sound like it, [...] Nothing wrong with a good steal!".[133][134][135]

On 28 September 2018, Stewart released his 30th studio album, Blood Red Roses, on Republic Records.[136] He duets with Welsh singer Bonnie Tyler on the track "Battle of the Sexes" from her 2019 studio album, Between the Earth and the Stars.[137] Stewart collaborated with the Royal Philharmonic Orchestra for the release of You're in My Heart in November 2019. The album contains new versions of the hit songs "Maggie May", and "It Takes Two" with Robbie Williams.[138]

On 22 November 2019, Stewart released You're in My Heart: Rod Stewart with the Royal Philharmonic Orchestra, produced by Trevor Horn. The album contains vocal tracks from UK number one hits "Sailing", "I Don't Want To Talk About It" and "The First Cut is the Deepest" with new arrangements performed by the Royal Philharmonic Orchestra,[139] as well as 1971 chart toppers in both the UK and US "Maggie May" and "Reasons to Believe". The release of You're In My Heart coincided with Stewart's biggest-ever UK stadium tour throughout November and December 2019, a continuation of his successful summer stadium tour. You're In My Heart also included "Stop Loving Her Today", a new song, as well as a new recording of 'It Takes Two' featuring Robbie Williams.[140] You're in My Heart topped the UK Albums Chart, staying in the #1 position for three weeks and making it his tenth Number 1 album.[141] Stewart released his 31st studio album The Tears of Hercules in November 2021.[142] Stewart is only the fifth British act in UK chart history with 10 or more number-one albums, and BPI Certified – Gold.[143][144]

Stewart has eight children, by five mothers:

In reference to his divorces, Stewart was once quoted as saying, "Instead of getting married again, I'm going to find a woman I don't like and just give her a house."[176]

In January 2020, Stewart and his 39-year-old son, Sean, were arrested and Stewart was charged with alleged assault following an incident at a Florida hotel. He was due to appear in court on 5 February.[177] Stewart's defence lawyer Guy Fronstin, told Judge August Bonavita in October 2020 that he had been in contact with the prosecutors and the case is unlikely to reach the trial stage.[178]

• An Old Raincoat Won't Ever Let You Down (1969)
• Gasoline Alley (1970)
• Every Picture Tells a Story (1971)
• Never a Dull Moment (1972)
• Smiler (1974)
• Atlantic Crossing (1975)
• A Night on the Town (1976)
• Foot Loose & Fancy Free (1977)
• Blondes Have More Fun (1978)
• Foolish Behaviour (1980)
• Tonight I'm Yours (1981)
• Body Wishes (1983)
• Camouflage (1984)
• Every Beat of My Heart (1986)
• Out of Order (1988)
• Vagabond Heart (1991)
• A Spanner in the Works (1995)
• When We Were the New Boys (1998)
• Human (2001)
• It Had to Be You: The Great American Songbook (2002)
• As Time Goes By: The Great American Songbook, Volume II (2003)
• Stardust: The Great American Songbook, Volume III (2004)
• Thanks for the Memory: The Great American Songbook, Volume IV (2005)
• Still the Same... Great Rock Classics of Our Time (2006)
• Soulbook (2009)
• Once in a Blue Moon: The Lost Album (2010)
• Fly Me to the Moon... The Great American Songbook Volume V (2010)
• Merry Christmas, Baby (2012)
• Time (2013)
• Another Country (2015)
• Blood Red Roses (2018)
• The Tears of Hercules (2021)

• Rod Stewart: The Hits (2011–)