Spaceship Earth (Epcot)

The structure was designed with the help of science fiction writer Ray Bradbury, who also helped write the original storyline for the attraction.[9][10][11] The term "Spaceship Earth" was popularised by Buckminster Fuller,[12] who also popularized the geodesic dome.

Construction took 26 months. Extending upwards from the table are "quadropod" structures, which support smaller beams which form the shell of the steel skeleton. Pipes stand the aluminum skin panels away from the skeleton and provide space for utilities. A small service car is parked in the interstitial space between the structural and cladding surfaces, and it can carry a prone technician down the sides to access repair locations. The shop fabrication of the steel (done in nearby Tampa, Florida) was an early instance of computer-aided drafting and materials processing.

Spaceship Earth was originally sponsored by the Bell System from 1982 until 1984,[13][14] when it was broken into smaller companies and its parent company, AT&T, became an independent company. AT&T sponsored Spaceship Earth from 1984 until 2004. From 2005 until 2017, the German company Siemens was the sponsor of Spaceship Earth. As of 2021, the ride currently has no sponsor. The private sponsor lounge, located on the second floor above Project Tomorrow, is currently used for special events.

During Epcot Center's opening ceremony William Ellinghaus, then president of AT&T dedicated Spaceship Earth stated: "Now as you will soon see, Spaceship Earth’s theme is communications, civilization and communications from Stone Age to Information Age, and I therefore think it is very fitting that we dedicate Spaceship Earth to all of the people who have advanced communications, arts, and sciences, and in so doing have demonstrated that communications is truly the beginning of understanding."[15]

From October 1, 1982 to May 25, 1986, the attraction experience began with the ride vehicles moving up into the structure through a lighted tunnel, enhanced by a fog machine, and then ascending on a spiraling track up through dark spaces featuring a series of lighted historic vignettes. The attraction featured actor Vic Perrin as the narrator along with a very simple and quiet orchestral composition throughout. The theme of "communication through the ages" is presented in chronological order in settings peopled with Audio-Animatronics figures. Cavemen are seen telling stories using wall carvings; Egyptians work on hieroglyphics and papyrus as a pharaoh inspects the final result. A Greek theater presents actors declaiming Oedipus Rex. Charioteers carry messages from a Roman court, and Jewish and Islamic scholars discuss texts. With typical Disney whimsy, a monk is seen having fallen asleep on a manuscript he was inscribing. Michelangelo, overhead, paints the ceiling of the Sistine chapel, and Gutenberg mans his printing press. Suggesting the rush of 20th-century technology, subsequent scenes meld together as the circumference of the ride track narrows. A newsboy hawks papers, a movie marquee and film clips represent motion pictures, and radio and television are represented. On the right side of the track, the vehicles then pass a wall with angled windows looking out into the stars, a glass wall with a mainframe computer blinking behind it, and a woman observing technical readouts on various screens. On the left side of the track, a man and a woman are seen working at a network operations center with a data map of the United States. As the vehicles reach the large space at the apex of the ride system, guests see, on the planetarium ceiling of the sphere, a projection of "our spaceship earth", and then they pass under a large lighted space station with two astronauts working on satellites and a woman sitting in the station operating controls. The Omnimover vehicles then revolve 180 degrees and pass under the woman through the station's “hangar”, so that the passengers lie backward facing the "sky" as they begin their descent on a relatively straight track passing various monitors showing various events and activities. The ride stops intermittently as wheelchairs are loaded or unloaded.

Night view of Spaceship Earth in 2010.

From May 26 to 28, 1986, the attraction was given a slight remodel. This second version of the attraction started off with the lighted tunnel enhanced by twinkling lights, meant to depict stars, with the fog machine removed. News journalist Walter Cronkite was the new narrator, reading from an updated script. Two new scenes were added before the network operations center, on the left side of the track, featuring a woman working in a “paperless office” and a boy at a computer in his bedroom (the right side, featuring a woman observing technical read outs, remained the same). A theme song called "Tomorrow's Child" was composed for the ending of the attraction, which was redesigned with projected images of children on screens to fit the theme of "Tomorrow's Child".

Between August 15 and November 23, 1994, the attraction was closed to receive a major remodel. This third version of the attraction kept the lighted tunnel as it was in 1986, and it maintained the majority of the scenes depicted in the beginning and middle of the attraction. Three 1980s scenes toward the end of the attraction were removed: a computer in a boy's bedroom, a woman's office, and a network operations center. These were replaced with a single scene depicting a boy and girl using the Internet to communicate between America and Asia. The ride received an updated script narrated by Jeremy Irons. A new orchestral composition, based upon Bach's Sinfonia No. 2 in C Minor, was composed for the entire attraction. The ending was completely redone, with the updating of the projected Earth and removal of the Space Station scene from the planetarium (the Space Station astronauts subsequently turned up in Space Mountain's post-show, where they were used until 2009) as well as the replacement of the 1982 and 1986 ending scenes with miniature architectural settings that were connected by color-changing fiber-optic cables, and arrays of blinking lights, representing electronic communication pathways.

Spaceship Earth with the Mickey Mouse wand, added in 2000 and removed in 2007

In celebration of the year 2000, a 25-story "magic wand" held by a representation of Mickey Mouse's hand was built next to the sphere. Inspiration for it came from the Sorcerer's Apprentice sequence of Fantasia (although Mickey did not actually use a magic wand in that sequence). At the top of the structure was a large cut-out of the number 2000. This structure was constructed to have a lifetime of about 10 years, and it was left standing after the Millennium Celebration ended. In 2001, the number 2000 was replaced with the word "Epcot" in a script font that differed from the park's logotype.

On July 5, 2007, Epcot Vice President Jim MacPhee announced that Spaceship Earth would be restored to its original appearance, and that the "magic wand" structure would be removed in time for the park's 25th anniversary on October 1, 2007. It was rumored that Siemens AG, the new sponsor of Spaceship Earth, requested the wand be removed as it did not fit their corporate image. The attraction was closed on July 9, 2007, and by October 1 the wand structure, the stars and their supports were gone, replaced by palm trees and other plants. Components of the structure were later auctioned on eBay.[16]

Spaceship Earth seen from within the park in 2016

The closure also saw the ride's fourth update, which included new scenes and modifications to existing scenes, some new costumes, lighting, and props, a new musical score by Bruce Broughton, new narration by Judi Dench,[17] and a new interactive ending. New scenes showed a Greek classroom, mainframe computers and the creation of the personal computer.[18] The attraction opened for "soft launch" previews starting in December 2007. After some last-minute adjustments in January, the ride had its official re-opening on February 15, 2008.

The "time machine" vehicles now have an interactive screen where riders can choose their vision of the future.[19] This resembles a similar idea to the now-defunct Horizons attraction. At the beginning of the ride, a camera takes riders' pictures (using facial recognition technology) which are used at the end of the ride to conduct an interactive experience about the future of technology, featuring the riders' faces on animated characters, with narration by Cam Clarke. Visitors are now also asked where in our Spaceship Earth they live; this is used in the post-show area where a map of the world is displayed with the riders' faces shown where they live.

On June 30, 2017, Siemens, a long-time sponsor, announced they would end their sponsorship of the attraction, as well as the firework show, IllumiNations: Reflections of Earth.[20] The last official day of Siemens sponsorship was on October 10, 2017.[21]

Spaceship Earth's LED lighting design introduced in 2021.

On August 25, 2019, it was announced that, as part of a multi-year renovation of Epcot, Future World would become three new areas: World Celebration, World Discovery and World Nature. Spaceship Earth (which is under the name of Spaceship Earth: Our Shared Story) would become a part of World Celebration, and would be updated with a new narrative about the human experience and the art of storytelling. An ethereal "story light" would guide guests as they travel through the attraction. The attraction's new exit would be Dreamers Point, an elevated area which would present a panoramic view of the park (which was cancelled to make way for a new Festival space, CommuniCore Hall and Plaza) and would feature a lush garden with a "wishing tree" (which has been cancelled to make way for a new Meet and greets characters as Mickey and Friends), an interactive fountain (which has been cancelled to make way for new EPCOT Gardens), and Walt the Dreamers as a statue of Walt Disney.[22][23]

On July 15, 2020, when EPCOT officially reopened, both "Spaceship Earth: Our Shared Story" as well as the Mary Poppins attraction's sequences were removed from the EPCOT Experience. When asked for comment, a spokesperson for Disney said, "As with most businesses during this period, we are further evaluating long-term project plans. The decision was made to postpone development of the 'Mary Poppins'-inspired attraction and Spaceship Earth at this time."[24]

Audio-animatronic cavemen in the first scene of the ride, seen in 2005. The scene has since been updated with new figures and an animated background.

The ride begins with the time-machine vehicles ascending into a dark tunnel with twinkling stars all around. An adventurous orchestral theme starts to play. As the score shifts to the theme ostinato, a leitmotif that comes to represent digital interference. On touchscreens in the vehicle, guests select their language and hometown, and then have their picture taken by a passing camera.

As the vehicle arrives at the first story of the structure, it begins a slow curve. A large film screen is stretched along the inside of the sphere, depicting early humans fighting for survival against a woolly mammoth without a form of communication and language. As the screen dims behind them, guests enter a cavern populated by audio animatronic early humans, who represent the development of early language through cave paintings. The drawings on the walls come to life and begin to dance as the car continues onward.

The score modulates, presenting the theme in a phrygian mode, implying a middle eastern atmosphere. Guests are brought through a heated diorama of the Egyptians, who invented a system of portable communication using hieroglyphs recorded on papyrus, as opposed to cave paintings that were unable to be transported as humans migrated.

The Phoenicians animatronics in an early scene from the ride discussing how our modern alphabet evolved

Phoenician merchants are seen carrying goods to faraway lands. The narration explains how each civilization is trying to communicate, but cannot understand each other due to the language barrier. But the Phoenicians, who trade with all of them create a simple common alphabet, so that trade and communication becomes easier. Turning a corner, riders see a lesson in mathematics being taught in a piazza in an ancient Greek city, in a sequence that attempts to show how math helped invent the 'birth of a high tech life we enjoy today.' Shifting to ancient Rome, a night scene including a traveler in a chariot delivering news depicts how language is portrayed as a tool for cultural unification with the vast network of roads that stretched across Europe, ultimately all leading to Rome.

Suddenly, the scene takes a dark turn as crashes are heard and the smell of burning wood fills the air. The fall of Rome by invading mercenary armies also brought the destruction of the bulk of the world's recorded knowledge, including the loss of scrolls at the Library of Alexandria. But the narration gives hope as the vehicle reaches the next level, where Jewish and Islamic scholars of the Middle Ages are seen preserving recorded information, and continuing to progress in science.

Winding through exotic fabrics and drapery, guests arrive at a monastery where biblical manuscripts are being copied by hand. The composition shifts to a hallelujah chorus, sung to the melody of the piece's exposition. Gutenberg is seen working the first movable-type printing press, allowing information to travel freely across the globe. The European Renaissance is portrayed, with animatronics of ensembles playing rich, polyphonic secular motets, sculpting a woman, and the painting of a portrait of fruit. The scene ends as the car passes under a scaffold, where Michelangelo is seen painting the ceiling of the Sistine Chapel.

The time machines transition to a post-Civil War North. Guests witness syndicated news reports illuminating the planet of current events with amazing efficiency. Loud, industrial-sized printing presses show the incredible influence of the machine as an advancement in mass communication. As guests pass the clanging sounds of the press, the score's theme is presented again, this time with an uptempo ragtime piano. Seen next is a romanticized version of the 20th century communications revolution—after passing telegraphs, radio, telephones, and movies, riders see the 1969 television broadcast of Apollo 11 landing on the moon, featuring Walter Cronkite. Riders hear Neil Armstrong say his most famous quote, "That's one small step for man, one giant leap for mankind." while the vehicles pass by the TV. Language had progressed to such an extent that it no longer was spoken solely by humans, but by machines as well.

Guests turn a corner and find themselves in a large mainframe computer as they ascend up the final hill. At the top, a slow descent starts, progressing through a garage in California, where a man[18] is seen building one of the first home computers. The score becomes suddenly percussive and dramatic as guests fly through a tunnel with computer code projected onto the walls. At a crescendo, the car makes its final turn into the cupola of Spaceship Earth. The top of the structure is, in fact, a planetarium studded with stars and a large projection of a rotating Earth. Before the omnimover vehicles start to move down the long descent to the unloading area, they rotate 180 degrees clockwise and guests ride the end of the attraction backwards. The final scene has been redone multiple times, most recently to remove the animatronic scenes.

The remainder of the ride moves past a seemingly infinite number of stars and into a realm of glowing triangles. The guests can then use the touchscreens in their Omnimover vehicle to answer questions to create a possible depiction of their future, which uses the pictures taken at the beginning of the ride.

Guests are then invited to visit Project Tomorrow as they exit the ride cars.

The original post show for Spaceship Earth was called Earth Station. It lasted from 1982 until 1994. It was a wide open exhibit space that included:

• EPCOT Center Guest Relations
• Seven large rear projector screens mounted on the walls of the exhibit space toward the ceiling that displayed visual previews of various EPCOT Center attractions.
• WorldKey Information: Interactive kiosks that offered previews of various EPCOT Center attractions. Guests could also talk to a live cast member via two-way closed-circuit video, or make a restaurant reservation while in the park.

When AT&T renewed their sponsorship in 1994, they redesigned the exhibit space for Earth Station into the Global Neighborhood. The original Global Neighborhood lasted from 1994 until 1999. In 1999, the exhibit space was updated to become the New Global Neighborhood for the Millennium Celebration. The exhibit space closed in 2004 after AT&T left as sponsor.

AT&T's departure as sponsor in 2004 caused the exhibit to close. Siemens AG, the newest sponsor of Spaceship Earth, having signed on in 2005, created a new exhibit space called Project Tomorrow: Inventing the Wonders of the Future. The new exhibit space once again uses the entire exhibit space that only Earth Station had once used. The new exhibit space houses interactive exhibits featuring various Siemens AG technology. These interactive displays and games allow guests to see the future of medicine, transportation and energy management. The space opened with two games, with two new games added in December 2007 and January 2008. After Siemens dropped their sponsorships, all signs mentioning them were removed, however, the name stayed the same.

Project Tomorrow current attractions are:

• An illuminated globe that shows the hometown of all Spaceship Earth visitors for the day.
• Body Builder – a 3-D game that challenges guests to reconstruct a human body. Features the voice of Wallace Shawn as Dr. Bones.
• Super Driver – a driving simulation video game featuring vehicle accident and avoidance systems. It simulates what is supposed to be the future of driving. You drive a "smart-car" and try to stop the city from being destroyed.
• Power City – a large, digital "shuffleboard-style" game that has guest racing around the board to power their city.
• InnerVision – a coordination and reaction-time game with elements similar to Simon and Dance Dance Revolution[19]

A VIP lounge, operated by the pavilion sponsor, exists above the post-show area of Spaceship Earth. Employees of the current sponsoring company and their guests can relax in the lounge while visiting Epcot. The sponsor can also hold receptions in the space as well as conduct workshops and business presentations. When Spaceship Earth was without sponsorship from 2004 to 2005, the room was utilized for private events such as weddings and conventions. The layout is small and curved in shape, with one wall consisting of large windows where visitors can look out onto the park.

When Siemens AG took over as sponsor, the lounge was given the name "Base21."[27] In 2012, the name was dropped and it is now simply known as the "Siemens VIP Center." In August 2017, Siemens quickly left the lounge, and Disney took it over.[28]

• Vic Perrin: October 1, 1982 – May 25, 1986
• Walter Cronkite: May 29, 1986 – August 15, 1994
• Jeremy Irons: November 23, 1994 – July 9, 2007
• Judi Dench: February 15, 2008 – present