List of Marvel Cinematic Universe television series

The first television series that Marvel Television developed to be part of the Marvel Cinematic Universe was Agents of S.H.I.E.L.D.; it was ordered to pilot by ABC in August 2012.[2][39] In January 2014, the series Agent Carter was announced;[3] it was canceled in May 2016.[40] That November, Marvel and IMAX Corporation announced Inhumans, based on the species of the same name, after a planned film starring the characters was removed from Marvel Studios' slate.[41][42][43] ABC canceled the series in May 2018.[44] In July 2019, the seventh season of Agents of S.H.I.E.L.D. was announced to be its last.[45] Loeb explained a month later that Marvel categorized its ABC series as the "Marvel Heroes" series due to their close connections to the MCU films, especially with the main characters of both Agents of S.H.I.E.L.D. and Agent Carter having originated in films.[11]

By October 2013, Marvel was preparing four drama series and a miniseries to present to video on demand services and cable providers, with Netflix, Amazon, and WGN America expressing interest.[56] Disney announced the next month that it would provide Netflix with live-action series based on Daredevil, Jessica Jones, Iron Fist, and Luke Cage, leading to a crossover miniseries based on the Defenders.[57] In April 2016, Marvel and Netflix ordered The Punisher as a spin-off from Daredevil.[55] Netflix had canceled all of the series by the end of February 2019;[58] the characters could not appear in any non-Netflix series or films for at least two years following the cancellations.[59] Loeb said in August 2019 that Marvel Television categorized the Netflix series internally as the "Marvel Street-Level Heroes" or "Marvel Knights".[11] All series were no longer available on Netflix starting March 1, 2022, due to Netflix's license for the series ending and Disney regaining the rights.[60] They all began streaming on Disney+ from March 16, 2022, where they were collected under the title "The Defenders Saga".[61]

At San Diego Comic-Con 2011, Loeb announced a series based on the Marvel Comics characters Cloak and Dagger was in development;[64] Freeform ordered the project to series in April 2016.[65] That August, Hulu ordered a new series based on the comics group the Runaways.[62][66] Marvel initially said there were no plans to crossover these series,[67] but Cloak and Dagger were announced to be appearing in the third season of Runaways in August 2019.[68] Loeb explained that Marvel categorized Runaways and Cloak & Dagger as its "YA", or "young adult", franchise, and said Marvel Television's push into the young adult genre was in response to Marvel Studios doing the same with Spider-Man. Loeb hoped there would be further crossovers between the two series,[11] but Cloak and Dagger was canceled in October 2019,[69] followed by Runaways that November.[70]

Hulu ordered two series based on Ghost Rider and the siblings Daimon and Ana Helstrom in May 2019, intending to build an interconnected universe between the two in a similar fashion to Marvel's Netflix shows.[72] Marvel announced the series as the cornerstone of the "Spirits of Vengeance", and Loeb said they were moving into a new, "chilling" corner of the Marvel Universe.[73] Loeb revealed in August that Marvel was now referring to these series collectively as "Adventure into Fear", and said more series under the banner were in development.[11] A month later, Hulu decided not to move forward with Ghost Rider due to creative differences.[74] When Marvel Television was folded into Marvel Studios in December, the studio said production on Helstrom would be completed but no further series would be developed.[18] Helstrom was canceled a year later in December 2020.[75]

Agents of S.H.I.E.L.D. executive producer Jeffrey Bell revealed at the show's 2014 PaleyFest panel that the producers and writers were able to read the screenplays for upcoming MCU films to know where the universe was headed.[77] He noted that since the films have to be "big" and move "quickly through a lot of huge pieces", it was beneficial for the films to have the television series fill in any "gaps" for them.[78] His fellow executive producer Jed Whedon explained that each Marvel project is intended to stand alone first before there is any interweaving, and noted that the series has to be aware of Marvel Studios' plans for the films so as not to interfere when introducing someone or something to the universe.[4] Bell said this was preferable so that people who do not watch the films could still follow the series, and vice versa.[78] Joss Whedon noted that this process meant the television series got the "leftovers".[79]

In October 2014, Feige said the opportunity "certainly" existed for characters in the Netflix series to appear in Avengers: Infinity War (2018).[80] In March 2015, Loeb said Marvel Television would have to "earn" the ability to have the Netflix series cross over with the films and ABC series, adding that each series had to be established and defined on its own before crossovers could occur.[81] In September 2015, Feige elaborated on the films referencing the television series, saying it would be "inevitable at some point" but noted the timing would be difficult given how the production schedule for the series allowed them to be "more nimble and faster" to produce things that could align with the films while the long development period for a film would make it difficult to reference events of a series.[82]

Loeb reiterated in July 2016 the issue of scheduling by saying "if I'm shooting a television series and that's going to go on over a six-month or eight-month period, how am I going to get [a television series actor] to be able to go be in a movie?" This would be less of an issue if characters were making minor cameo appearances, but Loeb explained that Marvel was not interested in cameos and Easter eggs just for the sake of fan service, which could detract from the story being told; "Our feeling is that the connection isn't just whether or not somebody is walking into a movie or walking out of a television show. It's connected in the way that the shows come from the same place, that they are real, that they are grounded."[83] Eric Carroll, producer on Spider-Man: Homecoming (2017), felt with the introduction of Queens-based Spider-Man to the MCU that it "would be really fun" to make mention of the Defenders based in Manhattan, adding, "it's definitely a card I would love to see played, if not sooner rather than later".[84] In January 2017, Vincent D'Onofrio, who portrays Wilson Fisk / Kingpin in Daredevil, said he was open to appearing in the films, but believed it would most likely not happen. D'Onofrio cited Feige's previous reasoning as well as the fact that the films already had difficulty handling the large number of characters they had.[85] In March 2017, Anthony Mackie, who portrays Sam Wilson / Falcon in the films, felt a crossover between the films and television series "wouldn't work at all" given they are "different universes, different worlds, different companies, different designs" and that "Kevin Feige is very specific about how he wants the Marvel Universe to be seen in the film world".[86] That May, Feige noted that a character appearing in a television series would not necessarily exclude them from appearing in a film, adding that "at some point, there's going to be a crossover. Crossover, repetition, or something."[87] Regarding the potential for the Avengers to learn in the films that Phil Coulson is alive, Loeb stated, "It's certainly something that will get resolved, and it may get resolved in a very surprising way."[88]

Loeb said in July 2017 that Marvel Television had no plans for series to cross over across networks. Specifically for the similarly themed Cloak & Dagger, New Warriors, and Runaways, which all deal with young heroes, Loeb noted, "You'll see things that comment on each other; we try to touch base wherever we can... things that are happening in L.A. [where Runaways is set] are not exactly going to be affecting what's happening in New Orleans [where Cloak & Dagger is set]... It's being aware of it and trying to find a way for it to be able to discuss in a way that makes sense."[67] He added in October that scheduling of each series factors into why crossovers between them are more difficult to pull off, and that network "feelings" need to be considered. He also spoke on why the television series do not show Avengers Tower as it appears in the films when they depict New York City and stated that Marvel Television wanted to be "less specific" about the television characters' relationships to the tower because that "helps the audience understand that this could be on any street corner" and that the characters could be in an area of the city where you would not be able to see the tower, even though it exists.[89] In June 2018, speaking to how the MCU television series would be affected by the events of Avengers: Infinity War, Loeb noted that "For the most part our stories will take place before Thanos clicked his fingers. A lot of that has to do with production and when we are telling our stories versus when the movies come out."[90] In April 2019, actor James D'Arcy appeared in Avengers: Endgame, reprising his role of Edwin Jarvis from the television series Agent Carter. This marked the first time a character introduced in an MCU television series appears in an MCU film.[91]

Speaking about how the Marvel Television series fit within the larger MCU timeline, Loeb noted, "We don't want to ever do something in our show[s] which contradicts what's happening in the movies. The movies are the lead dog. They're setting the timeline for the MCU and what's going on. Our job is to navigate within that world."[92] The Roxxon Corporation, which had been featured in the Iron Man films, is referenced in multiple Marvel Television series, with Adam Barnhardt of ComicBook.com calling it "the go-to Easter egg for most shows involved in the Marvel Television sphere".[93]

In March 2021, the Darkhold appeared in WandaVision, where it had a different design than the one in Agents of S.H.I.E.L.D. and Runaways. While WandaVision's head writer, Jac Schaeffer, said there were no "big conversations" among the writers regarding its appearance in the Marvel Television series,[94][95] director Matt Shakman said that despite the new design, he believed it was the same one seen in those series.[96] The Darkhold was designed by the Doctor Strange in the Multiverse of Madness (2022) props team, since it reappears and has more screen time in that film.[97][98] The film also showed that multiple copies of the Darkhold exist.[99]

Following the introduction of the multiverse to the MCU in the first-season finale of Loki, Jack Shephard of Total Film suggested that Marvel Studios should announce that the Marvel Television series take place on a different timeline within that multiverse since he felt the studio was not taking the events of those series into account as part of the main timeline.[100] In December 2021, Feige confirmed that Charlie Cox would reprise the role of Daredevil in Marvel Studios MCU productions,[101] with Cox first reprising the role in the film Spider-Man: No Way Home (2021). Additionally, D'Onofrio first reprised his role as Kingpin in the Disney+ series Hawkeye (2021),[102] with D'Onofrio stating he was playing the same character from Daredevil.[103] Inhumans star Anson Mount portrayed a version of his character Blackagar Boltagon / Black Bolt from an alternate universe in Multiverse of Madness.[104] Following Cox's appearance on She-Hulk: Attorney at Law (2022), Marvel.com described the character as "very much the same Matt Murdock audiences have come to know and love".[105]

Two Marvel Studios Special Presentation television specials are also included in Phase Four.[33][34]

At any given time, Marvel Studios has future television series planned five-to-six years out from what they have announced.[140] By December 2020, after announcing series through the end of 2022,[141] future series were planned through 2028.[140]

In February 2021, a drama series set in Wakanda was revealed to be in development from Ryan Coogler, writer and director of Black Panther (2018) and Black Panther: Wakanda Forever (2022), through his company Proximity Media.[22][142] By that May, Danai Gurira had signed a deal to reprise her role as Okoye, the head of the Dora Milaje, in the series, which was said to be an origin spin-off for the character.[143][144]

Peter Parker's origin story and early days using the Spider-Man persona are explored while Norman Osborn becomes his mentor.[124][145]

In November 2021, the animated series Spider-Man: Freshman Year was announced, with Jeff Trammell serving as head writer and executive producer. The series features a style that "celebrates" and pays homage to the early Spider-Man comics.[124] The first season of Spider-Man: Freshman Year is scheduled to be released in 2024, while a second season, titled Spider-Man: Sophomore Year, is in development.[31]

Spider-Man: Freshman Year is set in an alternate reality from the main MCU in which Norman Osborn is Peter Parker's mentor instead of Tony Stark.[145] Charlie Cox voices Matt Murdock / Daredevil, reprising the role from previous MCU media.[31] The series features Osborn and Otto Octavius / Doctor Octopus, following the appearance of other versions of the characters in Spider-Man: No Way Home (2021), along with Mac Gargan / Scorpion and Dr. Stephen Strange from prior MCU media, and Nico Minoru, who appeared in the Marvel Television series Runaways (2017–2019).[31]

A new generation of heroes battle against zombies.[124]

In November 2021, a Marvel Zombies animated series was announced, with Bryan Andrews directing and Zeb Wells serving as head writer,[124] and is based on the comic book series Marvel Zombies.[146] It is a continuation of the reality first introduced in the What If...? episode "What If... Zombies?!" and includes characters introduced in Phase Four of the MCU.[147][31] Marvel Zombies is scheduled to be released in 2024,[31] and will consist of four episodes.[134]

In December 2021, Destin Daniel Cretton signed a multi-year deal with Marvel Studios to develop television projects for Disney+, with a comedy series already in development at that point, through Cretton's company Family Owned.[30][148] In June 2022, the series was revealed to be in early development and titled Wonder Man, centered on the character Simon Williams / Wonder Man, with Andrew Guest joining to develop the series along with serving as head writer.[135] Cretton was also expected to direct episodes of the series.[135][136] In October, Yahya Abdul-Mateen II was cast as the title character.[136] Filming is expected to begin as early as 2023.[135]

Ben Kingsley reprises his MCU role as Trevor Slattery.[149]

In March 2022, a project featuring the character Richard Rider / Nova was revealed to be in development, with Sabir Pirzada writing.[137] Production Weekly had previously included an untitled space-centered series in their report of upcoming projects in development,[150][151] later confirming the untitled series was the Nova project.[138]

The series centers on The Vision as he attempts to regain his memory and humanity.[139]

In October 2022, a second spin-off from WandaVision (2021) centered on the character The Vision was revealed to be in development and titled Vision Quest.[152][139] Jac Schaeffer was set as head writer and executive producer, with Paul Bettany reprising his role.[139]

A third season of What If...? is in development.[31] By September 2022, Brian Kesinger was attached to direct an animated series for Marvel Studios.[153] Additionally, after the shut down of Marvel Television, ABC said that it remained committed to featuring Marvel content.[18] In January 2020, ABC Entertainment president Karey Burke said that talks were beginning with Feige and Marvel Studios about what a Marvel Studios series on ABC would be, but she noted that Marvel's focus was on the Disney+ series.[154]

Feige described Marvel Studios' approach to their television series in January 2021, explaining that streaming on Disney+ gave Marvel Studios flexibility with the formats for each series. He said some were being developed as "one off" miniseries that were intended to lead into feature films,[155][156] though additional seasons could be added to these in the future.[157] Other series were always intended to cover multiple seasons while still being connected to the films,[155] such as Loki.[158] These could have several years between the release of seasons, similar to series like Game of Thrones and Stranger Things.[155] Feige added that each miniseries or season was intended to be around six hours of content, but this would be split in different ways depending on the story being told, such as six hour-long episodes, or nine or ten half-hour episodes.[159][160] Marvel Studios' earliest series were directed by a single person, but later series have multiple directors taking on different numbers of episodes. Feige said this happened due to a combination of logistics, the needs of each story, and the studio's "own internal learnings of making longform television". He said the studio would continue varying the number of directors on future series as needed.[156]

Marvel Studios uses the term "head writer" instead of the traditional showrunner title, since they approach their television series as if they were six hour-long films. They encourage the series' directors to be in the writers room and part of the creative process (much like the feature films) in addition to Feige and the Marvel Studios executives assigned to each series.[161] This approach was confirmed by WandaVision head writer Jac Schaeffer,[162] The Falcon and the Winter Soldier director Kari Skogland,[161] and Loki season one director Kate Herron,[163] with Skogland describing the approach as "effective and efficient" since the series are too much for a single showrunner to take on.[161] Despite the head writer term, each series has multiple writers and a writers room that the head writer leads, and they also use "created for television by" credits for the head writers.[162][164] Explaining the decision-making process and hierarchy for Marvel Studios' first three series, Loki season one head writer Michael Waldron said the head writer of each series would have final say on creative decisions before filming began. At that point, the series shifted to a "more feature centric model" where the director takes on the role that a traditional showrunner might have and has the final say for creative decisions while on set and in post-production,[164] with the head writer still present on set for any necessary rewrites and during post-production.[161][162][164]