Sergei Lukyanenko

Lukyanenko's name is romanized as Sergey Lukianenko on the English version of his official website[1] and as Sergei Lukyanenko by his publisher on works translated into English.[2] Other spellings such as Sergey Lukyanenko are also found.[3]

Lukyanenko started writing in the mid-1980s, and his first publication, the short story "Misconduct" ("Where The Mean Enemy Lurks", although written earlier, was published later), followed soon in 1988. Science fiction in the Soviet Union was exposed to political control, as it was viewed chiefly as a political tool rather than an art. In the late 1980s, however, it was viewed somewhat benevolently, and he was able to jump on the bandwagon of the state support, attending a number of literary seminars and publishing several novellas and short stories.

First works of this period show the clear influence of the Russian children's author and teacher Vladislav Krapivin, whose fan Lukyanenko remains up to this day. These works, such as the novella Eighth Color of Rainbow, feature the same themes of coming of age, loyalty and friendship, as well as teenage protagonists and a similar target audience. However, Lukyanenko soon moved from imitating Krapivin toward a more polemic view of his idealistic views of children and their interaction. In the 1994 novel Knights of 40 islands, Lukyanenko established himself as an author of the Goldingian tradition.

After the dissolution of Soviet Union and the switch to the market economy, Russian authors now had to struggle with unfamiliar realities of a free publishing system. The hopes of a creative boom never materialized, as publishers were eager to exploit the lucrative pulp literature market (virtually nonexistent before) largely ignoring the existing literature establishment. This led to rather low confidence in domestic authors, and it was extremely hard to find a publisher ready to invest in a local writer.

Lukyanenko, though, fared somewhat better than the others, already having made something of a name in Russian science fiction circles.[4] Nascent computer networks (mainly FidoNet), distributing electronic copies of his works, also helped to create demand for printed versions. Another contribution was his writing style, combining intricate but captivating plots with deep intrigue and concentrated action.

His books at the time included the aforementioned Knights of the 40 Islands, plus Nuclear Dream, a collection of short stories and novellas, published in 1992, and two space opera trilogies: Line of Delirium, the setting of which was loosely based on that of the Master of Orion series of videogames, and the earlier Lord from Planet Earth, based on the dark setting brought forth in his early short stories (entitled A Splendid Faraway Universe). Autumn Visits, was also written during that time, when the author was struggling with depression.

Labyrinth of Reflections, a book heavily based on various internet subcultures and cyberpunk mythos, is another product of this period. Although Labyrinth is often labeled as cyberpunk, it is a rather straight romance story, hardly meeting Dozois criterion, and, more to the fact, was written when the author did not even have an Internet connection; all his internet knowledge was limited to FIDONet membership.

After moving from Kazakhstan to Moscow, he continued to write there, now often venturing into literary experiments – like the religiously themed alternative history dilogy Seekers of the Sky, where he experimented with language stylization. He also continued several series started in his earlier period, and started several new ones (often in his favorite genre of space opera) – like the Genome series, now featuring two novels (Genome and Dances on the Snow) and the Cripples novella, or The Stars Are Cold Toys dilogy, sharing the same themes with David Brin's Uplift series.

The novel Night Watch marked Lukyanenko's return to the fantasy genre, which he repeatedly visited during his career, but never ventured into seriously. Even in this novel he stayed in the less radical realm of urban fantasy; however, his gloomy but picturesque settings and vivid characters brought him a considerable success. He struck gold when improvements in the Russian economy permitted financing which revitalized a dormant domestic movie industry.

The 2004 film Night Watch (Nochnoy dozor), based on the book, was regarded as "the first Russian blockbuster." The film grossed over $16 million in Russia, a box office record at that time. In the United States, an adaptation of the film was released by Fox Searchlight.[5] The film Day Watch (Dnevnoy dozor) was released in Russia on January 1, 2006, and it was released in the US on June 1, 2007.[6]

He also released a number of sequels to the Watch series. In addition to the sequels, he published a short story Kid Watch (Melkiy dozor) featuring a teenage agent of the Day Watch who is also the son of a member of the Russian counter-intelligence service which monitors the Others.

Since then, a number of other movie adaptations of his books have been considered. To date, only one of these projects, a 2005 children's film Asiris Nuna, based on Today, Mother!, a humor novella coauthored with Yuly Burkin, has been completed; several other movies, however, seem to remain in production. In many of these projects Lukyanenko acts as both scriptwriter and consultant.

In the meantime, several other books have been released by him, such as the deeply philosophical, non-series novel Spectrum which deals with the themes of existentialism and omnipotence, among others. He also published a closely connected series, the novels Rough Draft and Final Draft.