The English Patient (film)

The English Patient is a 1996 epic romantic war drama film directed by Anthony Minghella from his own script based on the 1992 novel of the same name by Michael Ondaatje and produced by Saul Zaentz.

The English Patient
Theatrical release poster
Directed byAnthony Minghella
Screenplay byAnthony Minghella
Based onThe English Patient
by Michael Ondaatje
Produced bySaul Zaentz
Starring
CinematographyJohn Seale
Edited byWalter Murch
Music byGabriel Yared
Production
company
Tiger Moth Productions
Distributed byMiramax Films (through Buena Vista International outside the United States[1])
Release date
  • November 15, 1996 (1996-11-15)
Running time
162 minutes[2]
CountriesUnited States[3][4]
United Kingdom[5]
Languages
  • English
  • German
  • Italian
  • Arabic
Budget$27–31 million[6][7]
Box office$232 million[6]

The eponymous protagonist, a man burned beyond recognition who speaks with an English accent, recalls his history in a series of flashbacks, revealing to the audience his true identity and the love affair he was involved in before the war. He does not admit his identity or reveal the entire story to the nurse who cares for him and the man who suspects him until the end of the film. This form of exposition is very different from the book, where, under the influence of morphine, the patient talks about his past. The film ends with a definitive onscreen statement that it is a highly fictionalized account of László Almásy (died 1951) and other historical figures and events.

The film received 12 nominations at the 69th Academy Awards, winning nine, including Best Picture, Best Director for Minghella, and Best Supporting Actress for Juliette Binoche. It was also the first to receive a Best Editing Oscar for a digitally edited film. Ralph Fiennes, playing the titular character, and Kristin Scott Thomas were Oscar-nominated for their performances. The film also won five BAFTA Awards and two Golden Globes. The British Film Institute ranked The English Patient the 55th greatest British film of the 20th century.[8]

As of August 2021, the novel is currently in early development for a new BBC television series, co-produced by Miramax Television and Paramount Television Studios.[9][10]

Plot

An interwar vintage British biplane, flying across a sea of desert, is shot down by German gunners. The badly burned pilot is pulled from the wreckage and rescued by a group of Bedouin.

Hana, a French-Canadian combat nurse of the Royal Canadian Army Medical Corps during WWII, learns from a wounded soldier that her boyfriend has been killed in action.

In October 1944 Italy, Hana is caring for a dying, scarred-from-burns English-accented patient who says he cannot remember his name. His only possession is a copy of Herodotus' Histories, with personal notes, pictures, and mementos stored inside. When a nurse friend is killed in front of her, Hana decides she is a curse to those who love her. She gains permission to settle in a bombed-out monastery with her patient, as he suffers extra during relocations of her hospital unit.

They are soon joined by Lt. Kip, a Sikh sapper in the British Indian Army posted with Sgt. Hardy to clear German mines and booby traps. David Caravaggio, a Canadian Intelligence Corps operative who was tortured during a German interrogation, also arrives at the monastery. Caravaggio questions the patient, who gradually reveals his past through a series of flashbacks. Over the days of Almásy relating his story, Hana and Kip begin a shy love affair.

The patient reveals that in the late 1930s he was exploring a region of the Sahara. He is, in fact, Hungarian cartographer László Almásy, who was part of a Royal Geographical Society archeological and surveying expedition with a group including his good friend, Englishman Peter Madox, and British couple Geoffrey and Katharine Clifton, who own a plane and contribute with aerial surveys.

Almásy learns information from a Bedouin which helps the group discover the Cave of Swimmers, an ancient site of cave paintings. The group begins to document their find, during which time Almásy and Katharine fall in love. He writes about her in notes folded into his book, which Katharine discovers when Almásy awkwardly accepts her offer of two watercolours she has painted of the cave imagery and asks her to paste them into the book.

The two begin an affair on their return to Cairo, while the group arranges for more detailed archaeological surveys of the cave and the surrounding area. Almásy buys her a silver thimble as a gift. Some months later, Katharine abruptly ends their affair from fear Geoffrey will discover it. Shortly afterward the archaeological projects are halted due to the onset of the war. Madox leaves his Tiger Moth aeroplane at Kufra Oasis before his intended return to Britain.

Caravaggio reveals that he has been seeking revenge for his injuries, and has killed the German interrogator who cut off his thumbs and the spy who identified him, but has been searching for the man who provided maps to the Germans, allowing them to infiltrate Cairo. He suspects the patient is Almásy, asking "Did you kill the Cliftons?", to which Almásy concedes "Maybe... I did".

Reminiscing for Caravaggio, with Hana listening in from an adjoining room, Almásy recalls packing camp in 1941 when Geoffrey arrives overhead. He dives straight for Almásy, who jumps out of the way. Scrambling over to the wreckage, he finds Geoffrey dead at the controls and Katharine badly injured in the front seat. She tells him Geoffrey knew, and was attempting a double murder-suicide. Almásy carries her to the Cave of Swimmers. He notices she is wearing a chain bearing his gift, and she declares she has always loved him.

Leaving her in the cave with provisions and his book, Almásy walks three days cross-desert. Arriving at British-held El Tag, he explains the desperate situation and asks for help, but a young officer detains Almásy on suspicion of being a spy. Transported away by train, Almásy escapes and eventually comes into contact with a German army unit. They take him to the Kufra Oasis, where Madox has hidden his plane. Exchanging maps for fuel, Almásy takes to the air and finally reaches the cave, where he confirms that Katharine has died. He carries her body to the plane, and he is burned when shot down, connecting to the start of the film. After hearing the story, Caravaggio gives up his quest for revenge.

Kip is reposted once he has cleared the area of explosives; he and Hana agree they will meet again. Later, pushing several vials of morphine toward Hana, Almásy tells her he has had enough. Though visibly upset, she grants his wish and administers a lethal dose. As he drifts to sleep, she reads him Katharine's final letter, written to Almásy while she was alone in the cave. The next morning Caravaggio returns with a friend, and they get a lift to Florence. Hana holds Almásy's book tight as they ride away.

Cast

In addition, Torri Higginson plays Mary and Liisa Repo-Martell plays the soon-killed Jan, appearing briefly as Hana's nursing corps colleagues.

Production

Triumph 3HW 350cc motorcycle specified in the novel as Kip's choice of transport and used in the film

Saul Zaentz was interested in working with Anthony Minghella after he saw the director's film Truly, Madly, Deeply (1990); Minghella brought this project to the producer's attention. Michael Ondaatje, the Sri Lankan-born Canadian author of the novel, worked closely with the filmmakers.[11] During the development of the project with 20th Century Fox, according to Minghella, the "studio wanted the insurance policy of so-called bigger" actors.[12] Zaentz recalled, "they'd look at you and say, 'Could we cast Demi Moore in the role'?"[13] Not until Miramax Films took over was the director's preference for Scott Thomas accepted.[12]

The film was shot on location in Tunisia and Italy.[14] with a production budget of $31 million.[7]

The Conversations: Walter Murch and the Art of Editing Film (2002)[15] by Michael Ondaatje is based on the conversations between the author and film editor. Murch, with a career that already included such complex works as the Godfather trilogy, The Conversation, and Apocalypse Now, dreaded the task of editing the film with multiple flashbacks and time frames. Once he began, the possibilities became apparent, some of which took him away from the order of the original script. A reel without sound was made so scene change visuals would be consistent with the quality of the aural aspect between the two. The final cut features over 40 temporal transitions. It was during this time that Murch met Ondaatje and they were able to exchange thoughts about editing the film.[16]

Two types of aircraft are used in the film,[17] a De Havilland D.H.82 Tiger Moth and a Boeing-Stearman Model 75. Both are biplanes.[18] The camp crash scene was made with a 12-size scale model.

The Hungarian folk song, "Szerelem, Szerelem", performed by Muzsikas featuring Márta Sebestyén, was featured in the film.

Reception

The film received widespread critical acclaim, was a box office success and received nine Academy Awards, six BAFTA awards, and two Golden Globe Awards.

The film has a "Certified Fresh" rating of 86% on Rotten Tomatoes based on 91 reviews, with an average rating of 7.90/10. The website's critical consensus states, "Though it suffers from excessive length and ambition, director Minghella's adaptation of the Michael Ondaatje novel is complex, powerful, and moving."[19] The film also has a rating of 87/100 on Metacritic, based on 31 critical reviews, indicating "universal acclaim".[20] Chicago Sun Times critic Roger Ebert gave the film a four-star rating, saying "it's the kind of movie you can see twice – first for the questions, the second time for the answers".[21] In his movie guide, Leonard Maltin rated the film 3+12 out of 4, calling it "a mesmerizing adaptation" of Ondaatje's novel, saying "Fiennes and Scott Thomas are perfectly matched", and he concluded by calling the film "an exceptional achievement all around".[22]

Audiences surveyed by CinemaScore gave the film a grade of "A−" on a scale of A+ to F.[23]

It became the highest-grossing film in the history of Miramax with a worldwide gross of $232 million.[24][6]

Home video releases

When released on VHS in 1997, Miramax Home Entertainment released the movie on both two VHS Tapes (in mid-1997) and one VHS tape (in early 1998). The double-tape release is much harder to come by and has a slightly different sleeve design on both the tapes and case. The double tape has the cover art on the front of the case slightly cropped more to the right than the single-tape release and has the 'Recommend this Hit to Friends!' disclaimer on the tape sleeve, indicating a slightly older release. It also has a '--Part 1--' or '--Part 2--' disclaimer. Neither of these gimmicks are present on the single-tape release of the movie.

Also to note is the previews on each version of the original release: the two-tape version has several previews (including previews for The Horse Whisperer, Evita, and First Do No Harm) plus a promo for the movie's soundtrack. The single-tape version has no previews, aside from a promo for the book The English Patient.

In 1998, the film was re-released on a single VHS tape in widescreen. The cover has a widescreen banner and has the image cropped properly, unlike the two earlier releases. This was also the first DVD release of the movie.

Over the next several years, it would be re-released in America on VHS, DVD, and Blu-Ray.

Accolades

Award Category Nominee(s) Result
20/20 Awards Best Director Anthony Minghella Nominated
Best Actor Ralph Fiennes Nominated
Best Actress Kristin Scott Thomas Nominated
Best Supporting Actress Juliette Binoche Won
Best Adapted Screenplay Anthony Minghella Nominated
Best Art Direction Stuart Craig Nominated
Best Cinematography John Seale Nominated
Best Costume Design Ann Roth Nominated
Best Editing Walter Murch Nominated
Best Makeup Nominated
Best Score – Drama Gabriel Yared Won
Best Sound Design Nominated
Academy Awards[25][26] Best Picture Saul Zaentz Won
Best Director Anthony Minghella Won
Best Actor Ralph Fiennes Nominated
Best Actress Kristin Scott Thomas Nominated
Best Supporting Actress Juliette Binoche Won
Best Screenplay – Based on Material Previously Produced or Published Anthony Minghella Nominated
Best Art Direction Stuart Craig and Stephenie McMillan Won
Best Cinematography John Seale Won
Best Costume Design Ann Roth Won
Best Film Editing Walter Murch Won
Best Original Dramatic Score Gabriel Yared Won
Best Sound Walter Murch, Mark Berger, David Parker and Christopher Newman Won
American Cinema Editors Awards Best Edited Feature Film Walter Murch Won
American Society of Cinematographers Awards[27] Outstanding Achievement in Cinematography in Theatrical Releases John Seale Won
Art Directors Guild Awards[28] Excellence in Production Design – Feature Film Stuart Craig and Aurelio Crugnola Won
Artios Awards[29] Outstanding Achievement in Feature Film Casting – Drama David Rubin Nominated
ASECAN Awards Best Foreign Film Anthony Minghella Won
Australian Film Institute Awards[30] Best Foreign Film Saul Zaentz Nominated
Awards Circuit Community Awards Best Motion Picture Nominated
Best Director Anthony Minghella Runner-up
Best Actor in a Leading Role Ralph Fiennes Runner-up
Best Actress in a Leading Role Kristin Scott Thomas Nominated
Best Actress in a Supporting Role Juliette Binoche Won
Best Adapted Screenplay Anthony Minghella Runner-up
Best Art Direction Stuart Craig and Stephenie McMillan Runner-up
Best Cinematography John Seale Runner-up
Best Costume Design Ann Roth Nominated
Best Film Editing Walter Murch Nominated
Best Original Score Gabriel Yared Runner-up
Best Sound Nominated
Berlin International Film Festival[31] Golden Bear Anthony Minghella Nominated
Best Actress Juliette Binoche Won
Boston Society of Film Critics Awards[32] Best Cinematography John Seale Won
British Academy Film Awards[33] Best Film Saul Zaentz and Anthony Minghella Won
Best Direction Anthony Minghella Nominated
Best Actor in a Leading Role Ralph Fiennes Nominated
Best Actress in a Leading Role Kristin Scott Thomas Nominated
Best Actress in a Supporting Role Juliette Binoche Won
Best Screenplay – Adapted Anthony Minghella Won
Best Cinematography John Seale Won
Best Costume Design Ann Roth Nominated
Best Editing Walter Murch Won
Best Make Up/Hair Fabrizio Sforza and Nigel Booth Nominated
Best Original Music Gabriel Yared Won
Best Production Design Stuart Craig Nominated
Best Sound Mark Berger, Pat Jackson, Walter Murch, Chris Newman, David Parker and Ivan Sharrock Nominated
British Society of Cinematographers[34] Best Cinematography in a Theatrical Feature Film John Seale Nominated
Cabourg Film Festival Best Actress Juliette Binoche Won
César Awards[35] Best Foreign Film Anthony Minghella Nominated
Chicago Film Critics Association Awards[36] Best Film Nominated
Best Supporting Actress Juliette Binoche Nominated
Best Cinematography John Seale Won
Chlotrudis Awards[37] Best Supporting Actor Naveen Andrews Nominated
Best Supporting Actress Juliette Binoche Won[lower-alpha 1]
Cinema Audio Society Awards Outstanding Achievement in Sound Mixing for Motion Pictures Christopher Newman, Walter Murch, Mark Berger and David Parker Won
Critics' Choice Awards[38] Best Picture Nominated
Best Director Anthony Minghella Won
Best Screenplay Won
Czech Lion Awards Best Foreign Film Nominated
Dallas–Fort Worth Film Critics Association Awards Best Picture Nominated
Best Supporting Actress Juliette Binoche Won
Best Cinematography John Seale Won
Directors Guild of America Awards[39] Outstanding Directorial Achievement in Motion Pictures Anthony Minghella Won
Empire Awards Best British Director Won
European Film Awards European Film of the Year Saul Zaentz Nominated
European Actress of the Year Juliette Binoche Won
European Cinematographer of the Year John Seale Won
Florida Film Critics Circle Awards[40] Best Cinematography Won
Golden Globe Awards[41] Best Motion Picture – Drama Won
Best Actor in a Motion Picture – Drama Ralph Fiennes Nominated
Best Actress in a Motion Picture – Drama Kristin Scott Thomas Nominated
Best Supporting Actress – Motion Picture Juliette Binoche Nominated
Best Director – Motion Picture Anthony Minghella Nominated
Best Screenplay – Motion Picture Nominated
Best Original Score – Motion Picture Gabriel Yared Won
Golden Reel Awards Motion Picture Feature Films: Music Editing Robert Randles Won
Golden Screen Awards Won
Goya Awards Best European Film Anthony Minghella Nominated
Grammy Awards[42] Best Instrumental Composition Written for a Motion Picture or for Television The English Patient – Gabriel Yared Won
Guild of German Art House Cinemas Awards Best Foreign Film Anthony Minghella Won
Japan Academy Film Prize Outstanding Foreign Language Film Nominated
London Film Critics Circle Awards British Director of the Year Anthony Minghella Won
Los Angeles Film Critics Association Awards[43] Best Cinematography John Seale Won[lower-alpha 2]
Mainichi Film Awards Best Foreign Language Film Anthony Minghella Won
National Board of Review Awards[44] Top Ten Films 2nd Place
Best Supporting Actress Juliette Binoche Won
(Tied)
Kristin Scott Thomas
National Society of Film Critics Awards[45] Best Supporting Actress 3rd Place
Best Cinematography John Seale 3rd Place
Nikkan Sports Film Awards Best Foreign Film Won
Online Film & Television Association Awards[46] Best Picture Saul Zaentz Won
Best Drama Picture Won
Best Director Anthony Minghella Nominated
Best Actor Ralph Fiennes Nominated
Best Drama Actor Nominated
Best Actress Kristin Scott Thomas Nominated
Best Drama Actress Nominated
Best Supporting Actress Juliette Binoche Nominated
Best Screenplay – Based on Material from Another Medium Anthony Minghella Won
Best Cinematography John Seale Won
Best Film Editing Walter Murch Nominated
Best Makeup Fabrizio Sforza and Nigel Booth Nominated
Best Production Design Stuart Craig and Stephanie McMillan Nominated
Best Score Gabriel Yared Nominated
Producers Guild of America Awards[47] Outstanding Producer of Theatrical Motion Pictures Saul Zaentz Won
Visionary Award – Theatrical Motion Pictures Won
Satellite Awards[48] Best Motion Picture – Drama Nominated
Best Director Anthony Minghella Nominated
Best Actor in a Motion Picture – Drama Ralph Fiennes Nominated
Best Actress in a Motion Picture – Drama Kristin Scott Thomas Nominated
Best Screenplay – Adapted Anthony Minghella Won
Best Art Direction Stuart Craig Nominated
Best Cinematography John Seale Won
Best Film Editing Walter Murch Nominated
Best Original Score Gabriel Yared Won
Screen Actors Guild Awards[49] Outstanding Performance by a Cast in a Motion Picture Naveen Andrews, Juliette Binoche, Willem Dafoe, Ralph Fiennes,
Colin Firth, Jürgen Prochnow, Kristin Scott Thomas and Julian Wadham
Nominated
Outstanding Performance by a Male Actor in a Leading Role Ralph Fiennes Nominated
Outstanding Performance by a Female Actor in a Leading Role Kristin Scott Thomas Nominated
Outstanding Performance by a Female Actor in a Supporting Role Juliette Binoche Nominated
Society of Texas Film Critics Awards[50] Best Screenplay – Adapted Anthony Minghella Won
Southeastern Film Critics Association Awards[51] Best Picture 3rd Place
Best Actor Ralph Fiennes Runner-up
Best Supporting Actress Juliette Binoche Runner-up
Best Screenplay Anthony Minghella Won
Turkish Film Critics Association Awards Best Foreign Film 16th Place
USC Scripter Awards[52] Anthony Minghella (screenwriter); Michael Ondaatje (author) Won
Writers Guild of America Awards[53] Best Screenplay – Based on Material Previously Produced or Published Anthony Minghella Nominated

Lists

Year Category Distinction
1999 BFI Top 100 British films[54] #55
2002 AFI's 100 Years...100 Passions #56

Soundtrack

See also

  • BFI Top 100 British films
  • The English Patient (Seinfeld)

Notes

  1. Tied with Mary Tyler Moore for Flirting with Disaster.
  2. Tied with Chris Menges for Michael Collins.

References

  1. "The English Patient (1996)". BBFC. Retrieved March 30, 2021.
  2. "The English Patient (15)". British Board of Film Classification. December 4, 1996. Retrieved March 4, 2013.
  3. "The English Patient". American Film Institute. Retrieved December 1, 2017.
  4. "The English Patient". British Film Institute. Retrieved December 1, 2017.
  5. Bauer, Patricia. "The English Patient". Encyclopædia Britannica. Retrieved May 21, 2020.
  6. The English Patient at Box Office Mojo
  7. Shulgasser, Barbara (November 22, 1996). "Masterful 'English Patient'". San Francisco Chronicle. Retrieved May 30, 2015.
  8. British Film Institute - Top 100 British Films (1999). Retrieved August 27, 2016
  9. Smith, Anna. "The English Patient – is it time to revive the epic romance?". Retrieved September 27, 2021.
  10. "'The English Patient' TV Series Adaptation In Works At BBC From Emily Ballou & Miramax TV". Retrieved September 27, 2021.
  11. Ondaatje, Michael (March 24, 2008). "Remembering my friend Anthony Minghella". The Guardian. Retrieved May 30, 2015.
  12. Blades, John (November 24, 1996). "'The English Patient': Minghella's Film Fitting Treatment of Ondaatje Novel". Chicago Tribune. Retrieved May 30, 2015.
  13. "Saul Zaentz producer of Oscar winning movies dies at 92". The New York Times. January 5, 2014. Retrieved May 30, 2015.
  14. "Film locations for The English Patient (1996)". movie-locations.com. 2014. Archived from the original on March 18, 2016. Retrieved May 30, 2015.
  15. Random House Inc.
  16. Bolton, Chris (August 31, 2002). "The Conversations: Walter Murch and the Art of Editing Film by Michael Ondaatje". Powell's Books. Archived from the original on May 30, 2015. Retrieved May 30, 2015.
  17. "The English Patient". The Internet Movie Plane Database. 2015. Retrieved May 30, 2015.
  18. "Stearman Model 75: History, performance and specifications". pilotfriend.com. 2006. Retrieved May 30, 2015.
  19. The English Patient at Rotten Tomatoes
  20. The English Patient at Metacritic
  21. Ebert, Roger (November 22, 1996). "The English Patient Movie Review (1996)". rogerebert.com. Retrieved May 30, 2015.
  22. Maltin, Leonard (2013). 2013 Movie Guide. Penguin Books. p. 416. ISBN 978-0-451-23774-3.
  23. "Cinemascore". Archived from the original on December 20, 2018. Retrieved July 21, 2020.
  24. "$225,000,000 and still going strong (advertisement)". Screen International. August 8, 1997. pp. 6–7.
  25. "The 69th Academy Awards (1997) Nominees and Winners". Academy of Motion Picture Arts and Sciences. Archived from the original on November 9, 2014. Retrieved October 23, 2011.
  26. Van Gelder, Lawrence (March 25, 1997). "'English Patient' Dominates Oscars With Nine, Including Best Picture". The New York Times. Retrieved June 18, 2008.
  27. "The ASC Awards for Outstanding Achievement in Cinematography". Archived from the original on August 2, 2011.
  28. "1997 Winners & Nominees". Art Directors Guild. Retrieved November 7, 2021.
  29. "Nominees/Winners". Casting Society of America. Retrieved July 10, 2019.
  30. "AFI Past Winners - 1997 Winners & Nominees". AFI-AACTA. Archived from the original on January 4, 2015. Retrieved January 24, 2016.
  31. "Berlinale: 1997 Prize Winners". berlinale.de. Archived from the original on November 11, 2013. Retrieved January 8, 2012.
  32. "BSFC Winners: 1990s". Boston Society of Film Critics. Retrieved July 5, 2021.
  33. "BAFTA Awards: Film in 1997". BAFTA. 1997. Retrieved September 16, 2016.
  34. "Best Cinematography in Feature Film" (PDF). Retrieved June 3, 2021.
  35. "The 1998 Caesars Ceremony". César Awards. Retrieved July 5, 2021.
  36. "1988-2013 Award Winner Archives". Chicago Film Critics Association. Retrieved August 24, 2021.
  37. "3rd Annual Chlotrudis Awards". Chlotrudis Society for Independent Films. Retrieved April 23, 2022.
  38. "The BFCA Critics' Choice Awards :: 1996". Broadcast Film Critics Association. Archived from the original on December 12, 2008.
  39. "49th DGA Awards". Directors Guild of America Awards. Retrieved July 5, 2021.
  40. "1996 FFCC AWARD WINNERS". Florida Film Critics Circle. Retrieved August 24, 2021.
  41. "The English Patient – Golden Globes". HFPA. Retrieved July 5, 2021.
  42. "1997 Grammy Award Winners". Grammy.com. Retrieved May 1, 2011.
  43. "The 22nd Annual Los Angeles Film Critics Association Awards". Los Angeles Film Critics Association. Retrieved July 5, 2021.
  44. "1996 Award Winners". National Board of Review. Retrieved July 5, 2021.
  45. "Past Awards". National Society of Film Critics. Retrieved July 5, 2021.
  46. "1st Annual Film Awards (1996)". Online Film & Television Association. Retrieved May 15, 2021.
  47. Copeland, Jeff (March 13, 1997). "Producers Honor a Very Patient Zaentz". E! News. Archived from the original on September 23, 2017. Retrieved October 12, 2017.
  48. "1997 Satellite Awards". Satellite Awards. Retrieved August 24, 2021.
  49. "The 3rd Annual Screen Actors Guild Awards". Screen Actors Guild Awards. Archived from the original on November 1, 2011. Retrieved May 21, 2016.
  50. Baumgartner, Marjorie (December 27, 1996). "Fargo, You Betcha; Society of Texas Film Critics Announce Awards". The Austin Chronicle. Retrieved December 16, 2010.
  51. "1996 SEFA Awards". sefca.net. Retrieved May 15, 2021.
  52. "Past Scripter Awards". USC Scripter Award. Retrieved November 8, 2021.
  53. "Awards Winners". wga.org. Writers Guild of America. Archived from the original on December 5, 2012. Retrieved June 6, 2010.
  54. "BFI's Top 100 British Films of the 20th Century". listal.com. 2015. Retrieved May 30, 2015.

Further reading

  • Blakesley, David (2007). "Mapping the other: The English Patient, colonial rhetoric, and cinematic representation". The Terministic Screen: Rhetorical Perspectives on Film. Southern Illinois University Press. ISBN 978-0-8093-2488-0.
  • Deer, Patrick (2005). "Defusing The English Patient". In Stam, Robert; Raengo, Alessandra (eds.). Literature and Film: A Guide to the Theory and Practice of Film Adaptation. Blackwell. ISBN 0-631-23054-8.
  • Minghella, Anthony (1997). The English Patient: A Screenplay by Anthony Minghella. Methuen Publishing. ISBN 0-413-71500-0.
  • Thomas, Bronwen (2000). "Piecing together a mirage: Adapting The English patient for the screen". In Giddings, Robert; Sheen, Erica (eds.). The Classic Novel from Page to Screen. Manchester University Press. ISBN 0-7190-5230-0.
  • Yared, Gabriel (2007). Gabriel Yared's The English Patient: A Film Score Guide. The Scarecrow Press. ISBN 978-0-8108-5910-4.
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