Minutemen (band)

Minutemen were an American punk rock band formed in San Pedro, California, in 1980. Composed of guitarist/vocalist D. Boon, bassist/vocalist Mike Watt, and drummer George Hurley, Minutemen recorded four albums and eight EPs before Boon's death in an automobile accident in 1985; the band broke up shortly thereafter. They were noted in the California punk community for a philosophy of "jamming econo"—a sense of thriftiness reflected in their touring and short, tight songs as well as their eclectic style drawing on hardcore punk, funk, jazz, and other sources.

Minutemen
Minutemen posing in 1982; left to right: Watt, Boon, Hurley
Background information
OriginSan Pedro, California, U.S.
Genres
Years active1980–1985
LabelsSST, New Alliance, Enigma
Past membersD. Boon
Mike Watt
George Hurley
Frank Tonche

History

Formation

Minutemen began when D. Boon and Mike Watt met at age 13. Watt was walking through a park in their hometown of San Pedro, California when Boon, playing a game of "army" with other boys, fell out of a tree right next to him and found that his friends, one named Eskimo, must have ditched him.[2] Both boys shared a passion for music; Boon's mother taught D. to play the guitar and suggested Watt learn to play bass. At first, Watt did not know the difference between bass and standard guitars.[3] The pair eventually started playing music together, mostly covering songs from artists they admired. In the summer of 1973 Watt and Boon formed the Bright Orange Band, with Boon's brother Joe on drums. In 1976 they discovered punk; Boon's mother died, and the Bright Orange Band disbanded shortly thereafter. The next year, the two joined a short-lived band called Starstruck.[4] Following Starstruck's disbandment, Boon and Watt met drummer George Hurley and formed The Reactionaries with vocalist Martin Tamburovich.[4]

After the Reactionaries disbanded, Boon and Watt formed Minutemen in January 1980. Watt has said their name had nothing at all to do with the brevity of their songs; rather, it was derived partly from the fabled minutemen militia of colonial times and partly to lampoon a right-wing reactionary group of the 1960s that went by that name. In the documentary We Jam Econo, Watt also states that the name was a play on "minute" (/maɪˈnjuːt/ my-NEWT). After a month with no drummer, during which Boon and Watt wrote their first songs, the band rehearsed and played a couple of early gigs with local welder Frank Tonche on drums. The group had originally wanted George Hurley to join, but he had joined a hardcore punk band called Hey Taxi! with Michael Ely and Spider Taylor after the Reactionaries disbanded. Tonche quit the group, citing a dislike of the audience the band initially drew, and Hurley took over as drummer in June 1980. (Early rehearsal recordings with Tonche on drums later became the georgeless EP.) Their first live gig was as an opening band for Black Flag.[5]

Early days

Greg Ginn of Black Flag and SST Records produced Minutemen's first 7" EP, Paranoid Time, which solidified their eclectic style. Like most punk bands at the time, the band sold the EP at their shows and at a few local record stores. It became a minor hit within the hardcore scene.[1]

They settled on their music style on their first LP, The Punch Line (1981), and toured constantly around America promoting the album. Their third EP and fourth overall release was Bean-Spill. Their second LP, What Makes a Man Start Fires?, gained attention from the alternative and underground press. They continued touring extensively, which included a double bill with Black Flag in Europe. This tour strengthened their place as one of the most well-known acts in the hardcore scene. In 1983 they released their third LP, Buzz or Howl Under the Influence of Heat.

Minutemen's anti-rockist eclecticism was perhaps best exemplified on 1984's double album Double Nickels on the Dime. Though still somewhat obscure to mainstream audiences, Double Nickels has been cited as one of the more innovative and enduring albums of the 1980s American rock underground. On Double Nickels, they co-wrote some songs with other musicians, notably Henry Rollins, Chuck Dukowski, and Joe Baiza. In 1985 they released their most commercial-sounding recording, Project: Mersh. Though the album sounded more mainstream, it sold poorly compared to Double Nickels due largely to the negative reaction to such a commercial album from within the underground community. They continued touring, and by the time of their final album, 3-Way Tie (For Last), they decided to take a small break. They played their last tour with R.E.M. Their final concert was in Charlotte, North Carolina on December 13, 1985.[6]

D. Boon's death

On December 22, 1985, Boon was killed in a van accident, putting an end to Minutemen. Watt fell into a deep depression after his friend's death, but was convinced to continue performing by Sonic Youth.[7] In fact, the Ciccone Youth project was conceived in an effort to get Watt making music again.[8]

This put an end to the band's plans to record a half studio/half live triple album with the working title 3 Dudes, 6 Sides, Half Studio, Half Live. The live tracks were to be based on the ballots that they handed out and as a way to counteract bootlegging. A year later, however, Watt and Hurley compiled various live recordings, based on the ballots, which were released as Ballot Result.

In addition, Richard Meltzer had sent Watt lyrics for ten songs for an album on which he was going to collaborate. This project, eventually titled Spielgusher, was completed (by Watt, Meltzer, Yuko Araki, and Hirotaka Shimizu) and released in January 2012 on clenchedwrench.[9]

After disbanding

Following Boon's death, Watt and Hurley originally intended to quit music altogether. But encouraged by Minutemen fan Ed Crawford, they formed Firehose in 1986 and have both formed solo projects since Minutemen disbanded.

Watt has created four acclaimed solo albums, recorded four with now-former-wife Kira Roessler as the duo dos, recorded three others as part of the punk jazz jam band Banyan with Stephen Perkins (Jane's Addiction), Nels Cline (Wilco), and Money Mark Nishita (Beastie Boys), contributed on "Providence" off Sonic Youth's album Daydream Nation and "In the Kingdom No. 19" and "Bubblegum" off EVOL, toured briefly as a member of Porno for Pyros in 1996 and J Mascis and the Fog in 2000 and 2001, and became the bassist for The Stooges in 2003. He founded his own label, Clenchedwrench, in 2011, to release many of his own projects, including his fourth solo album Hyphenated-man. George Hurley has produced work with Vida, Mayo Thompson, and Red Crayola, further indulging the free-form and off-the-wall leanings showcased on Double Nickels. Hurley and Watt have also continued to make music together both live and in the studio since Firehose's splitting in 1994, starting with a track, along with Petra Haden and Stephen Perkins, for the NORML benefit album Hempilation II in 1998. (See Legacy below for further Hurley/Watt projects.)

George Hurley and Mike Watt

On rare occasions since 2001, and usually in the Los Angeles area (two December 2004 performances in England being a notable exception), George Hurley and Mike Watt, who have remained friends since Firehose's disbanding in 1994, reunite to play a set list of all Minutemen songs as a duet.[10]

They refuse to have a substitute guitarist play late Minutemen guitarist D. Boon's parts; instead the songs are arranged for bass and drums. They insist that they not be billed as Minutemen for these shows or referred to as a Minutemen reunion,[10] as they do not want to cheapen or "vampire" the Minutemen name. Instead, they insist on being billed under their real names and that the advertisements state that they will be "playing Minutemen songs as a duet." They were chosen by Jeff Mangum of Neutral Milk Hotel to perform one of these shows at the All Tomorrow's Parties festival that he curated in March 2012 in Minehead, England.[11]

Musical style

Billboard described the group as "provocative art-punk minimalists."[12] They were influenced heavily by bands such as Wire,[13] Gang Of Four, The Pop Group,[13] Richard Hell & The Voidoids, and The Urinals, and nearly all of their early songs had unusual structures and were less than a minute long—even later, when Minutemen's music became slightly more conventional, their songs rarely passed the three-minute mark. Though Minutemen were members of the hardcore punk community and were somewhat influenced by the speed, brevity, and intensity of hardcore punk, they were known for hybridizing punk rock and hardcore with various forms of music (like jazz, funk, acid rock, and R&B), separating them from most hardcore bands of that era. Critic Simon Reynolds compared their "nimble punk-funk" to Gang of Four.[14] In a 1984 Trouser Press article, John Leland wrote, "[t]he Minutemen make anti-fusion music. They use particles of jazz, noise and especially funk to split apart the sluggish nucleus of rock. The songs are necessarily fragmented, but quality musicianship creates an overall unity. The band rearranges fragments so adroitly and thoughtfully that even 30-second songs are fully satisfying compositions."[15]

Minutemen were fans of Captain Beefheart,[16] and echoes of his distinctive, disjointed, avant-blues music can be heard in their songs, especially their early output. Through most of their career they ignored standard verse-chorus-verse song structures in favor of experimenting with musical dynamics, rhythm, and noise. Later in their career they blended in more traditional song elements they had initially avoided. They also played cover versions of classic rock songs by bands such as Creedence Clearwater Revival,[17] Steely Dan,[18] and Blue Öyster Cult.[19]

Boon and Watt split songwriting fairly evenly (and Hurley made many contributions as well), though Watt rarely sang and Hurley even less so. Boon's songs were typically more direct and progressively political in nature, while Watt's were often abstract, self-referential "spiels." Lyrics and themes would thus often veer from surreal humor, as in "Bob Dylan Wrote Propaganda Songs" and "One Reporter's Opinion", to the frustrations of blue collar life in California, as in the enduring "This Ain't No Picnic". While many contemporaries rarely displayed a sense of humor, Minutemen were generally more light-hearted and whimsical. One example of this can be found in the title of their album Double Nickels on the Dime, which poked fun at Sammy Hagar's "I Can't Drive 55" by implying that the Minutemen preferred to take risks with their music rather than behind the wheel of a car.[20]

Legacy

Many of the band's peers credit Minutemen. Dave Alvin of The Blasters called Minutemen "one of the finest combos to ever step on to a beer soaked stage".[21] Joe Strummer of The Clash listed Minutemen as one of the ultimate punk bands along with Ramones, Television Personalities, and Buzzcocks.[22]

In the early 2000s, the instrumental portions of the Minutemen song "Corona" was the main theme song of the MTV reality stunt show Jackass.

In 2000 Watt, as administrator of the band's publishing, allowed the automaker Volvo to use the Boon instrumental "Love Dance" in a car ad. Boon's royalties were paid to his father, who was suffering from emphysema. Watt simply refers to the decision as a way for Boon to help his father from beyond the grave.[23]

Since 2001 Watt and Hurley have done occasional gigs, mainly in the L.A. area except for two December 2004 shows in England, playing Minutemen songs as a duo with no guitarist. At some of these gigs, Watt would set up one of Boon's old guitars and amps on the side of the stage where Boon used to stand. These performances, at Watt's insistence, are to be billed strictly as "George Hurley and Mike Watt". They are also now involved in an improvisational music group, Unknown Instructors, with members of Saccharine Trust and Pere Ubu.

The group's career is chronicled in the book Our Band Could Be Your Life, a study of 13 important American underground rock groups by veteran music journalist Michael Azerrad. The title is taken from the lyrics to the Double Nickels track "History Lesson – Part II."[24]

The documentary film We Jam Econo charts the band's history through interviews with Watt, Hurley, Henry Rollins, Flea of Red Hot Chili Peppers, and other California punk rock contemporaries.[25] The film premiered at the Warner Grand Theatre in the Minutemen's hometown of San Pedro in February 2005. The film was released on DVD in June 2006. In the spring of 2007 the documentary went into a heavy rotation cycle on various Sundance cable television channels.

In 2003 Watt released his own book on Minutemen, Spiels of a Minuteman, which contains all of Watt's song lyrics from the Minutemen era as well as the tour journal he wrote during Minutemen's only European tour with Black Flag, essays by former SST co-owner Joe Carducci, Sonic Youth's Thurston Moore, Blue Öyster Cult lyricist and longtime Watt hero Richard Meltzer, and illustrations by Raymond Pettibon that had been used in all of Minutemen's album artwork. The book, released by Quebec-based publisher L'Oie de Cravan, is published in English and French.[26] In June 2015, Watt went on WTF with Marc Maron to discuss the legacy of the Minutemen.[27]

Covers and tributes

Watt has dedicated all of Firehose's releases and his solo albums to the memory of Boon.[28][29][30][31][32][33] "Disciples of the 3-Way" on Firehose's final studio album Mr. Machinery Operator is about Minutemen,[33] and "The Boilerman" from Watt's second solo album Contemplating The Engine Room (which parallels the stories of Minutemen, Watt's father, and the novel The Sand Pebbles) is about Boon;[34] Watt had guitarist Nels Cline play one of Boon's old Fender Telecaster guitars on the track.[35]

Sublime (whose lead singer Bradley Nowell also died prematurely) sampled Boon saying "Punk rock changed our lives" on "History Lesson Part II" from Double Nickels as part of their song "Waiting For My Ruca" from 1992's 40 Oz. to Freedom. On the final track from the same album titled "Thanx", all three Minutemen are mentioned. Watt repaid this salute by appearing in Sublime's video for "Wrong Way" in 1996. Sublime also sampled George Hurley's drum intro from "It's Expected I'm Gone" for their "Get Out! (remix)" on their posthumous release Second Hand Smoke, as did San Diego-based indie rockers Pinback on their eponymous debut LP. The Unknown Instructors track "Punk Is Whatever We Make It To Be" from their first album The Way Things Work contains interpolations by vocalist Dan McGuire of several lyrics from Double Nickels on the Dime.[36]

In 1994, Little Brother Records released the Minutemen tribute CD and LP Our Band Could Be Your Life. The CD version included 33 tracks by artists covering Minutemen songs, plus a track with a Boon interview and a live version of the Minutemen song "Badges". The LP version had 23 tracks, including the interview and Minutemen items.[37] Tribute songs have been written by several acts, including The Ergs!, The Fad, and Uncle Tupelo. Bargain Music, Hot Club de Paris, Karate, Brutal Truth, Jeff Mangum, Yonder Mountain String Band and Red Hot Chili Peppers have all covered Minutemen songs.

In 2015, the band EL VY, an American indie rock collaboration between Matt Berninger (lead vocalist of The National) and Brent Knopf (founding member of Ramona Falls and Menomena), inspired by both Grease and We Jam Econo, imagined "as a sort of punk rock musical following the adventures of Didi and Michael — named after the Minutemen's D. Boon and Mike Watt. Their song, It's a Game, is about The Minutemen.

Economical practices

The group's early recordings (up until their 1985 12" EP Project: Mersh) were recorded as "econo" (Pedro slang for inexpensive, short for "economical") as possible – the group would book studio time after midnight at cut rates, tech their own shows, practice the songs before going into the studio, record on less-expensive used tape, and record the songs in the order they intended to have them on the record rather than waste time editing the master tape during the sequencing phase. In fact, contrary to standard practice even in indie rock, Minutemen sometimes saw records as a way to promote their tours, not the other way around.

Minutemen toured frequently, but usually for only a few weeks at a time – they all held down day jobs. Their "econo" practices helped ensure that their tours were generally profitable.

Album art

Several Minutemen album sleeves and covers, such as the Paranoid Time EP and What Makes a Man Start Fires? LP and the inner gatefold jacket for Double Nickels on the Dime, feature drawings by noted artist Raymond Pettibon, who was at the time associated with the SST label. Other album covers, like on The Punch Line, Project: Mersh, and 3-Way Tie (For Last), featured paintings by Boon.

Discography

Studio albums
  • The Punch Line (1981)
  • What Makes a Man Start Fires? (1983)
  • Double Nickels on the Dime (1984)
  • 3-Way Tie (For Last) (1985)

Extended plays
  • Paranoid Time (1980)
  • Joy (1981)
  • Bean-Spill (1982)
  • Buzz or Howl Under the Influence of Heat (1983)
  • Tour-Spiel (1984)
  • Project: Mersh (1985)
  • Minuteflag (1986)
  • Georgeless (1993)
  • Minutemen/Saccharine Trust Split (2011)

Compilations
  • The Politics of Time (1984)
  • My First Bells (1985)
  • Ballot Result (1987)
  • Post-Mersh, Vol. 1 (1987)
  • Post-Mersh, Vol. 2 (1987)
  • Post-Mersh, Vol. 3 (1989)
  • Introducing the Minutemen (1998)

See also
  • We Jam Econo – full-length Minutemen documentary from 2005

References
  • Michael Azerrad, Our Band Could Be Your Life: Scenes From the American Indie Underground 1981–1991 (USA: Little Brown, 2001). ISBN 0-316-78753-1
  • Michael T. Fournier, Double Nickels On The Dime – 331⁄3 Series (USA: [Continuum], 2007) ISBN 0-8264-2787-1
  • Guardian, August 17, 2009 [38]

Notes
  1. Calvert, John. "An Econo History Of The Minutemen". The Quietus. Retrieved August 30, 2015.
  2. Craig Young. "Contemplating Mike Watt". Ear Pollution. Retrieved June 11, 2007.
  3. Karen Schoemer. "Watt Bio". Mike Watt's Hoot Page. Retrieved June 11, 2007.
  4. Mike Watt & Kira Roessler. "Dos Bio". Mike Watt's Hoot Page. Archived from the original on September 24, 2005. Retrieved June 11, 2007.
  5. Azerrad, Michael (2001). Our Band Could Be Your Life. ISBN 9780316063791.
  6. Fred Mills (September 10, 2005). "The Minutemen: Men At Work". Harp Magazine. Archived from the original on April 19, 2007. Retrieved June 11, 2007.
  7. "Down The Highway: Mike Watt Interview". YouTube. April 12, 2015. Archived from the original on December 21, 2021. Retrieved March 28, 2019.
  8. Azerrad, Michael (July 2, 2002). Our Band Could Be Your Life : Scenes from the American Indie Underground 1981-1991 (First Back Bay paperback ed.). Boston. p. 94. ISBN 9780316787536.
  9. Watt, Mike. "spielgusher". Mike Watt's Hoot Page. Mike Watt. Retrieved February 3, 2012.
  10. "All Tomorrow's Parties - Minutemen Duet (Mike Watt and George Hurley)". Dusted Magazine. Archived from the original on July 17, 2014. Retrieved August 31, 2015.
  11. "ATP curated by Jeff Mangum". Atpfestival.com. Retrieved September 15, 2011.
  12. Allen, Mike (January 8 – March 26, 2011). "FH QUESTIONS with MIKE WATT". Billboard. Vol. 123, no. 1. Retrieved May 22, 2022.
  13. Manchester, Guy (April 22, 2014). "Mike Watt On… Brother Mike Shares Words of Wisdom About Punk, The Minutemen, The Stooges and much more…". Louder Than War. Retrieved March 18, 2019.
  14. Reynolds, Simon (2010). Totally Wired Postpunk Interviews and Overviews. Soft Skull.
  15. Leland, John (April 1984). "Minutemen". Trouser Press. Vol. 11, no. 2. New York. p. 12. Retrieved December 18, 2021.
  16. McCall, Tris (December 17, 2010). "Captain Beefheart dies at 69". NJ.com. Retrieved March 18, 2019.
  17. Masters, Marc (November 13, 2016). "Double Nickels on the Dime". Pitchfork. Retrieved March 18, 2019.
  18. Metcalf, Stephen (November 4, 2005). "The Rock Snob". Slate. Retrieved March 18, 2019.
  19. 'Enthal, Andrea (April 1986). "Underground". Spin. 2 (1): 47.
  20. Sound Opinions (May 25, 2011). "Sound Opinions May 25, 2011". PRX. Retrieved September 1, 2011.
  21. Alvin, Dave (April 29, 2014). "fIREHOSE - Song for Dave Alvin". Facebook. Retrieved March 28, 2019.
  22. Weisbard, Eric (May 2001). "Joe Stummer: The word on punk past and present from the former Clash frontman". Spin. 17 (5): 90.
  23. CJ Marsicano (August 7, 2001). "A Conversation with Mike Watt, Pt. 2". Project X Webzine. Archived from the original on April 4, 2005. Retrieved June 11, 2007.
  24. Michael Azerrad (December 1, 2012). Our Band Could Be Your Life: Scenes from the American Indie Underground, 1981-1991. Hachette Digital, Inc. pp. 13–. ISBN 978-0-316-24718-4. Retrieved January 22, 2013.
  25. Greg Prato (February 16, 2005). "Minutemen Remembered In New Documentary". Billboard.com. Retrieved June 11, 2007.
  26. "Spiels d'un minuteman / Spiels of a minuteman". oiedecravan.com. Retrieved August 31, 2015.
  27. "Episode 610 - Mike Watt". WTF with Marc Maron. June 11, 2015. Retrieved June 12, 2015.
  28. Mike Watt, liner notes of Ragin' Full-On, SST Records, 1986
  29. Mike Watt, liner notes of if'n, SST Records, 1987
  30. Mike Watt, liner notes of fROMOHIO, SST Records, 1989
  31. Mike Watt, liner notes of Flyin' The Flannel, Columbia Records, 1991
  32. Mike Watt, liner notes of Live Totem Pole EP, Columbia Records, 1992
  33. Mike Watt, liner notes of Mr. Machinery Operator, Columbia Records, 1993
  34. Mike Watt, interviewed by Jay Babcock (August 23, 2000). "Talkin' The Opera". Mike Watt's Hoot Page. Retrieved June 11, 2007.
  35. Nels Cline, interview segment from the bonus features of the DVD We Jam Econo: The Story of the Minutemen, Plexifilm, 2006
  36. Joe Baiza, D. Boon, Jack Brewer, Chuck Dukowski, George Hurley & Mike Watt (composers), The Unknown instructors (artist), "Punk Is Whatever We Make It To Be", The Way Things Work, Smog Veil Records, 2005.
  37. "Various - Our Band Could Be Your Life - A Tribute To D Boon And The Minutemen". Discogs. Retrieved May 30, 2019.
  38. Simon, Paul; Rogers, Jude (August 17, 2009). "The hidden gems that have pop stars hooked". The Guardian. London.

Further reading
  • Joe Carducci, Rock and the Pop Narcotic (Los Angeles: 2.13.61, 1993). ISBN 0-9627612-1-4
  • Leland, John; Robbins, Ira A. (1991). "Minutemen". In Robbins, Ira A. (ed.). The Trouser Press Record Guide (4th ed.). Collier Books. pp. 431–432.
  • Mike Watt, Spiels of a Minuteman (Quebec, Canada: L'Oie De Cravan, 2003) ISBN 2-922399-20-6
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.