Alexey Parygin

Alexey Borisovich Parygin (Russian: Алексе́й Бори́сович Па́рыгин; born December 2, 1964 in Leningrad) is a Soviet and Russian artist, philosopher, art historian, art theorist and curator. He is the author of several philosophical art projects, including Contemplation of Money (1997-2000), Art is a Business (2000-2015), Art in the Forest (2000-2005), City as an Artist's Subjectivity (2019-2020), Posturbanism Art Project (since 2005).

Alexey Parygin
Born
Alexey Borisovich Parygin

December 2, 1964 (1964-12-02) (age 58)
Leningrad  Soviet Union
EducationHerzen University
Known forContemporary art, Painting, Graphics, Artist's book
Movementarts

Biography

Alexey was born in Leningrad 2 December 1964. His father Boris Parygin was a social psychologist. Alexey studied at the graphics faculty of the Herzen University from 1982–1989. He organized the art group “Union № 0” in Leningrad in 1986-1989 and created the art squatters’ workshop “Nevsky-25” in Leningrad in 1987–1990. Joined the Professional Artists’ Union of Russia in 1994, the Art Critics Association (ACA) member since 2003. PhD in Art History with the thesis Silk Screening as a phenomenon of the 20th Century art (2002).

Since the mid-1980s, the artist perfected printed graphic technics of serigraphy, linocut, woodcut, lithography, cardboard engraving and collagraphy). The artist's works are in many museum collections in Russia (State Catalogue of the Museum Fund of Russia)[1] and the world. The artist lives and makes art in his workshop at the Benois House (St. Petersburg, Russia).

The nature of creativity
Al. Parygin Mad House. 1987, paper, serigraphy
Al. Parygin Animation A City as an Subjective Space. 2021

In 1980-1990 Parygin concentrated on easel oil painting outside and using models at the studio, experimented with various paint foundations such as canvas, plywood, glass and other media and used texture and relief techniques.

From Aleksandr Kamensky’s article (1988):

The works create new poetry, which involuntarily rivals with habitual esthetic stereotypes. For instance, we accept as a common notion to worship joyously the classic beauty of St. Petersburg, its harmony and stately grandeur. This exposition does have variations of that sort. But observe “Night Nevsky” by Parygin. Rough to the touch texture, dark abyss. In the darkness urgent lights explode. They bring forth immediate spiritual angst. One does not regard the regal magnificence of the urban landscape-it is neither cast aside, nor left behind the curtains, as dramatism of modern perception takes over. One regards not a city museum for curious crowds, but one beholds the habitat of our days where we seek, love, fight, suffer. That art defines perception...[2]

From Mikhail German’s article (1991):

...from my point of view, a very serious, worthy and professional exhibition. It's nice that there is a solid culture of color, ...there is a persistent desire to express their feelings of life, their artistic vision.[3]

From the middle of the 90-ies the artist’s main studies subject matter and experiments became signs and sign systems as communicative link of the contemporary society. From 1997 the artist created a series of extended multimedia projects Contemplation of Money, Art is a Business, Art in the Forest.

From Nikolay Blagodatov's article (2002):

His works show high culture, erudition and taste, it is hard to favor any particular piece. Moreover, the artist prefers options on a particular plastic theme, as he himself puts it. He uses various in techniques, and revisits it in different periods of creativity. He believes his plastic theme conveys the plastic state. The state arises and manifests in very different ways, yet retaining its basic sign. Perhaps this art form blends both the sign and its notion.[4]

Since 2000, Parygin has been developing the utopian concept of the form of art after the death of art — Posturbanism Art Project / PostUrbanism.

Artist's books
Title page spread / Al. Parygin Eclipse. St. Petersburg. — 2015
Title page spread / Al. Parygin Tsvetnye zvuki (The Colored Sounds). Leningrad. — 1989

Since 1989, Parygin has been contributing to artist's books. His first editions featured visual series of the author's poetic text: Pesok (The Sand). Leningrad. — 1989; Circulation — 5 numbered and signed copies; Tsvetnye zvuki (The Coloured Sounds). Leningrad. — 1989. Circulation — 5 numbered and signed copies;[5][6] Zelenaia kniga (The Green Book). Leningrad. — 1989. Circulation — 6 numbered and signed copies;[7][8] Moia mansarda (My Attic). Leningrad. — 1990. Circulation — 6 numbered and signed copies.[9] And the artist’s book Krasnye karliki (The Red Dwarfs). Saint Petersburg. — 1990. Circulation — 8 numbered and signed copies.[10][11]

From Elena Grigoryant’s article:

Another important direction in contemporary Russian artists’ books, with many precedents set by the Futurists, is the fusion of poetic and artistic talent of artist-authors blessed with Doppelbegabung. The intimate relationships between text and image is enhanced when author and artist are one and the same person and engage in an inter-art discourse that leads to creations that are truly unified works of art. An artist who achieved equal mastery in more than one medium and made different arts merge in his personality was no doubt Alexey Parygin. His poetic collections <...> represent an attempt to synthesize text and plastic figurative form in books where literary and visual languages are calculated to have a simultaneous effect on the reader/viewer. The work of Alexey Parygin have common features that are not accidental as the books were created at more or less the same time.[12]

Spanning for three decades of featured art works the legacy holds about forty unique book objects. In the past decade the artist has participated several major group art editions: “Metamorphosis“. LS Collection Van Abbemuseum. – 2013;[13] “Mayakovsky-Manifesto“. St. Petersburg – 2014.[14][15][16] ”Strannik Gumilëv” (Wanderer Gumilyov). – 2016;[17][18] ”Jubilaeus”. LS Collection Van Abbemuseum. – 2018;[19] ”Russkiy bukvar'” (Russian Alphabet book). M. – 2018;[20] ”Poeziya neizvestnykh slov: Variatsii v kirillitse” (Poetry of Unknown Words: Variations in the Cyrillic alphabet). M. – 2019.[21]

Museum collections
Printmaking / Work in progress (photo). 2019
Al. Parygin. "PostUrbanism Human V". 2014, 100 x 70 cm, paper, mixed media
Al. Parygin. "Lines and Planes VIII", 2010, 80 X 60 cm, paper, mixed media

Exhibitions

Since 1986, the artist participated in more than 250 exhibitions held in Russia (St. Petersburg, Moscow, Rostov-on-Donn, Kazan, Nizhny Novgorod, Kaluga, Arkhangelsk, Saratov, etc.). The artist exhibited in the Netherlands in Groningen, Eindhoven; Germany in Kiel, Hamburg, Aachen; Italy in Naples, Rome, Caltanissetta; Spain in Bilbao; Montenegro in Bar; Latvia in Riga; Poland in Warsaw; China in Beijing; Mexico in Mexico City; India; Brazil in Bagé; Guatemala in San Pedro Carchá; Ethiopia in Addis Ababa and others.

Group projects

The artist participated in international art projects, festivals and open-air exhibits: “Kubachi Tower” (Kubachi, Amuzgi, Makhachkala / Dagestan, 2022);[28] “Artisterium XII” (Kutaisi, Tbilisi/ Georgia, 2019);[29] “Museum for Friends” (Lipetsk/ Russia, 2019); "Clouds" (Art-village Witland. Vistula Spit, 2018);[30] “Printed Graphics” (Kazan, Sviyazhsk/ Tatarstan, 2016); “Crna Gora u o'ima ruskih slikara” (Bar/ Montenegro, 2012); “Warszawa w budowie — architektura XXI w malarstwie (Warsaw/ Poland, 2011) and others.

Principal Artist, Printmaking Studio, Timofey Markov Publishing House, St. Petersburg (2012-2014). The artist worked on several joint publishing projects with Georgy Kovenchuk.

Solo Exhibitions
Posturbanism Back to the Future. Solo exhibition. SPb. 2023
  • Posturbanism: Back to the Future. Alexey Parygin. Engravings, art objects, collection. — Book Graphics Library. Saint Petersburg. March 16 — April 16, 2023.[31][32][33]
  • Parygin & Korolchuk (painting, graphics). — Russian Museum, Lecture Hall. Saint Petersburg. November 30 — December 31, 1991.

Group Exhibitions
Fragment of the exhibition. SPb. 2022
  • Nuovi corpi nuove forme, Libri d’Artisti — Libri Oggetto (Dalla collezione Archivio di Comunicazione Visiva e Libri d’Artista). — Galleria Civica d'Arte di Palazzo Moncada. Caltanissetta. 2022.[34]
  • 5ª Bienal Internacional de Gravura „Lívio Abramo“. — Casa da Cultura Luiz Antonio Marinez Corrêa. Araraquara. 2018 — 2019.
  • OSTEN Biennial of Drawing. — National Gallery of Macedonia — Chifte Hammam. Skopje. North Macedonia. 2018
  • E’CARTA Mini carte contemporanee. — MAiO Museo dell’Arte in Ostaggio e delle grafiche visionarie. Cassina de' Pecchi. 2018.
  • Il PIACERE NEI LIBRI rassegna di arte erotica dagli ex libris ai libri d’artista. — Castel Nuovo. Naples. 2018.[35]
  • Sculture da Viaggio — omaggio a Bruno Munari. — Museo regionale interdisciplinare di Caltanissetta. Caltanissetta. 2017.[36][37]
  • Die Verwandlung. 25 Jahre russische Künstlerbücher. — Staats- und Universitätsbibliothek Hamburg. Hamburg. 2013 — 2014.[38]
  • Latvijas Nacionālās bibliotēkas grafikas jaunieguvumi (gravīras, grāmatu plates, zīmējumi): 2010-2011. — National Library of Latvia. Riga. 2012.[39]
  • V Bienal Internacional de la Acurela. — Mexico City. 2002 — 2003.
  • Равноденствие. — Gallery Nevsky 20. Leningrad. 1991.
  • Молодежная выставка. — Exhibition Hall of the Artists Union of Russia on Okhta. Leningrad. 1990.
  • Без жури. — Exhibition Hall of the Artists Union of Russia on Okhta. Leningrad. 1989.
  • Ленинград, история, люди (молодежная республиканская выставка). — Exhibition Hall of the Artists Union of Russia on Okhta. Leningrad. 1988.

Teaching

Teaching work since 1988.

Taught courses: Drawing at the Department of Graphics and Sculptures Herzen University (2020-2021). Color science, printed graphics, research at the Department of Graphic Design at St. Petersburg State University of Industrial Technologies and Design (2018-2019). He taught layout, the basics of composition, and the foundations of sculpture at the Institute of Landscape Architecture Saint-Petersburg State Forestry University (2017-2019). Painting course and drawing course at the Department of Interior Design/ St. Petersburg State University of Industrial Technologies and Design (2003-2012), for which the concept of learning and working programs of the 1st in the 4th course was developed; painting course at the Design School, St. Petersburg, (2004-2009). Author's course Basics of examination of graphic works of art at the Department of Art Studies of St. Petersburg Humanitarian University of Trade Unions, the management of diploma works (1995-2001).

Bibliography

Texts by A. Parygin
A City as an Artist’s Subjective Space. (Rus & En) 2020
The Art of Silk Screening. The 20th century. / Cover. 2010

Among the priority scientific interests of A. B. Parygin is the history of the techniques of the author's printed graphics, first of all — silk screening. Issues of the primacy of using silkscreen as an art technique; Regional schools and an early history of the process; The chronology and geography of its spread in the world; the interconnection of the latest currents and technological innovations in art. Silkscreen in the art of the United States and Canada and Cuba (1920-60s), in European art: Germany, England, France, Finland (1930-60s) and the USSR. Parygin is the author of Russia's first fundamental art research on the history and phenomenology of creative silk screening. The results are published in two monographs (2009, 2010).[40]

Parygin is the author of Russia's first fundamental art research on the history and phenomenology of creative silk screening . The results are published in two monographs (2009, 2010). The author of more than 100 articles on the history of graphics and contemporary art, including the artists of St. Petersburg (N.F. Lapshin, O.A. Lyagachev, Yu.K. Lyukshin, A. I. Kuindzhi, V.M. Konashevich, A.A. Korolchuk, M.A. Kopylkove, N.I. Kofanove, B.N. Koshelokhov, G.V. Kovenchuk, A.V. Kaplun, L.K. Kazbekove, T.S. Kerner and others) for the German academic directory Allgemeines Künstlerlexikon Die Bildenden Künstler aller Zeiten und Völker (AKL).

Monographs
  • Parygin A.B. The Art of Silk Screening. The 20th century. History, Phenomenology, Techniques, Names. — St. Petersburg: ST. Petersburg GUTD, 2010. — 304 p. — ISBN 978-5-7937-0490-8 (RUS)[41]
  • Parygin A.B. Silk Screening As Art. Techniques, History, Phenomenology, Artists. — St. Petersburg: ST. Petersburg GUTD, 2009. — 261 p. — ISBN 978-5-7937-0397-0 (RUS)[42]

Publications by A. Parygin
  • Parygin Alexey A City as an Artist's Subjectivity / Artist’s Book Yearbook 2022-2023. Edited by Sarah Bodman. — Bristol: CFPR (Centre for Fine Print Research). University of the West of England, 2022. — 292 pp. ISBN 978-1-906501-22-8[43]
  • Parygin A. B. Постурбанизм как гипотеза. — St. Petersburg art notebooks, # 68, St. Petersburg: AIS, 2022. — P. 255-259. ISBN 978-5-906442-32-1 (RUS)
  • Parygin A. B. Созерцание денег (авторский комментарий к проекту). — St. Petersburg art notebooks, # 68, St. Petersburg: AIS, 2022. — P. 260-265. ISBN 978-5-906442-32-1 (RUS)
  • Parygin A. B. Искусство — это бизнес (авторский комментарий к проекту). — St. Petersburg art notebooks, # 68, St. Petersburg: AIS, 2022. — P. 248-254. ISBN 978-5-906442-32-1 (RUS)
  • Parygin Alexey "A City as the Artist's Subjectivity" is an Artist is a large Russian project in the livre d'artiste format // Book Arts Newsletter. — No. 140. Bristol: CFPR (Centre for Fine Print Research). University of the West of England, 2021, July — August. — P. 46-48. ISSN 1754-9086[44]
  • Parygin A. B. A City as an Artist’s Subjective Space / City as Artist's subjectivity. Artist's book project. Catalog. Authors of the articles: Parygin A.B., Markov T.A., Klimova E.D., Borovsky A.D., Severyukhin D.Ya., Grigoryants E.I., Blagodatov N.I. (Rus & En) — SPb: Ed. T. Markova. 2020. — 128 p. — S. 5. ISBN 978-5-906281-32-6[45]
  • Parygin A.B. Printed graphics between "yesterday" and "tomorrow" / Vs. Art. catalogue of "Printed Graphics of St. Petersburg Artists." St. Petersburg: SPb SH. 2020. — 192 p. P. 3–8. ISBN 978-5-6043891-1-9 (RUS)
  • Parygin A. B. Posturbanism as a concept of the future // St. Petersburg art notebooks, # 53, St. Petersburg: AIS, 2019. — P. 236–238. ISBN 978-5-906442-17-8 (RUS).
  • Paryguine А. Idée et Manifeste [Posturbanisme] // Revue Trakt — Nu. 6; Juin 2018. — Paris. — pp. 26–28. ISSN 2558-3522 (French)
  • Parygin A. B. Artist's Book as an art form / "The Art of Printed Graphics: History and Modernity." In Sat. Articles on the materials of the scientific conference Fourth Kazan Art Studies Readings November 19–20, 2015. Kazan: GMAI RT, 2015. — P. 75–78, il. ISBN 978-5-4428-0085-2 (RUS)
  • Parygin A. B. Ljukšin, Jurij, Ljagačev, Oleg // Allgemeines Künstlerlexikon Die Bildenden Künstler aller Zeiten und Völker.[46] — Walter de Gruyter. Band 85 — 2015, 540 p. ISBN 978-3-11-023190-8 (German)
  • Parygin A. B. Lapšin, Nikolaj; Kuindži, Archip // Allgemeines Künstlerlexikon Die Bildenden Künstler aller Zeiten und Völker. — Walter de Gruyter. Band 82 — 2014, 539 p. ISBN 978-3-11-023187-8 (German)
  • Parygin A. B. Konasevic, Vladimir; Korolcuk, Andrej; Kopylkov, Mikhail; Kofanov, Nikolaj // Allgemeines Künstlerlexikon Die Bildenden Künstler aller Zeiten und Völker. — Walter de Gruyter. Volume 81 — 2013, 540 p. ISBN 978-3-11-023186-1 (German)
  • Parygin A. The Bedbug — 2013. P. 140-165 / In the book: Georgy Kovenchuk (Gaga) draws "The Bedbug" (book-album) // Kovenchuk G., Borovsky A. — SPb: T. Markov Publishing House. — 2013, 160 p. ISBN 978-5-906281-08-1[47] (RUS)
  • Parygin A. B. Koselochov, Boris; Kovencuk, Georgij; Kovalskij, Sergei // Allgemeines Künstlerlexikon Die Bildenden Künstler aller Zeiten und Völker. — Walter de Gruyter. Volume 80 — 2013, 540 p. ISBN 978-3-11-023185-4 (German)
  • Parygin A. B. The birth of Russian silk screening / Ural art and museum business: experience, problems, perspectives. Sat. Mat. Conf. All-Russian art readings of B. V. Pavlovsky's memory. EMIYA, 2011. Yekaterinburg. 2013. — pp. 194–198. (RUS)
  • Parygin A. B. Moscow silkscreen 1950-2010 // Design. Materials. Technology. No 3 (28), St. Petersburg: SPb GUTD, 2013. — P. 77–82, Il. 1. ISSN 1990-8997 (RUS)
  • Parygin A. B. Kabacek, Leonid; Kacnelson, Grigory; Kaplun, Adrian; Kazbekov, Latif; Kerner, Tatjana // Allgemeines Künstlerlexikon Die Bildenden Künstler aller Zeiten und Völker. — Walter de Gruyter. Volume 79 — 2013, 535 p. ISBN 978-3-11-023184-7 (German)
  • Parygin A. B. Canadian Silk-Screen Project. (1942-1963) // St. Petersburg Art Notebooks, # 26, St. Petersburg: AIS, — 2013. — P. 228–230. ISBN 978-5-906442-01-7 (RUS)
  • Parygin A. B. Silk Screening in the Art of Post-War Germany // Design. Materials. Technology. No 2 (22), St. Petersburg: SPb GUTD, 2012. — P. 66-72, Il. ISSN 1990-8997 (RUS)
  • Parygin A. B. The Picturesque Avant-garde of the XX century as a School // St. Petersburg State University of Technology and Design. — 2012. Series 3. No 1, St. Petersburg: SPb GUTD, 2012. — pp. 88–92, Il. ISSN 2079-8210 (RUS)
  • Parygin A. B. The First Steps of Creative Silk Screening in Russia // Design. Materials. Technology. No 2 (17), St. Petersburg: SPb GUTD, 2011. — P. 74-78, il. ISSN 1990-8997 (RUS)
  • Parygin A. B. Course of painting and drawing at the Interior Department // St. Petersburg Art Notebooks, # 21, St. Petersburg: AIS, 2011. — P. 181-190. ISBN 978-5-9902810-2-8 (RUS)
  • Parygin A. B. The First Steps of Creative Silk Screening (serigraphy) in Europe // Design. Materials. Technology. No 3 (14), St. Petersburg: SPb GUTD, 2010. — P. 114-116, Il. ISSN 1990-8997 (RUS)

Interview

Critique

Exhibition catalogs
  • Posturbanism: Back to the Future. Alexey Parygin. Engravings, art objects, collection. Authors of the articles: Konokotina L., Kononikhin N. St. Petersburg: BKG. — 2023. — 24 p.[51] (RUS)
  • Kolekcija. Iespiedgrafika Latvijas Nacionālās bibliotēkas Mākslas krājumā/ Mākslas krājumā. Dmitrijs Zinovjevs, Mārtiņš Mintaurs, Anda Boluža. Rīga: National Library of Latvia. — 2022. — 230 lpp. ISBN 9789934610240
  • Imago Mundi/ Beyond the Black square. Contemporary Artists from St. Petersburg. Texts: Luciano Benetton, Liliana Malta, Gleb Ershov. — Treviso: Antiga Edizioni, 2021. — 480 pp. — P. 308-309. ISBN 978-88-8435-135-7[52][53]
  • III Международная триеннале современной графики в Новосибирске. Новосибирский государственный художественный музей. Novosibirsk: Изд-й дом «Вояж». — 2021. — 276 с.
  • Second International Print Biennale (07.09—07.11.2019). Yerevan. — 2021. С. 357.
  • A City as an Artist’s Subjective Space. Групповой проект в формате книги художника/ Каталог. Авт. вст. статей: Парыгин А. Б., Марков Т. А., Климова Е. Д., Боровский А. Д., Северюхин Д. Я., Григорьянц Е. И., Благодатов Н. И. Под общей редакцией Парыгина А. Б. — Saint Petersburg: Изд. Т. Маркова. — 2020. — 128 с. ISBN 978-5-906281-32-6
  • The Looking Glass and Through It. International art project. Catalog / Зеркала и зазеркалье. Международный выставочный проект. Каталог. МИСП. Авт. вст. статей: Толстая О., Шакирова Л., Пацюков В., Ипполитов А. Saint Petersburg: НП-Принт. — 2020. — 208 с.
  • 4-я Казанская международная биеннале печатной графики "Всадник". Каталог / Авт. вст. ст. О. Л. Улемнова. Kazan: Заман. — 2019. — 128 с. ISBN 9785442801408
  • IX Международная выставка Уральской триеннале печатной графики. Каталог / Авт. сост. И. Н. Оськина. Ufa. — 2019. — 216 с.
  • Artisterium XII. Artisterium On the Road // Catalog (7 notebooks in the cover). Tbilisi: Artisterium. — 2019.[54]
  • Nuire № 5. Quatrième biennale internationale de poésie visuelle d’Ille sur Tet Catalogne nord // Catalog. Ille-sur-Têt. — 2019. — 95 p. P. 82.
  • 5ª Bienal Internacional de Gravura "Lívio Abramo" // Catalog. Araraquara. — 2019. — 23 p.[55]
  • OSTEN BIENNIAL of DRAWING Skopje 2018 // Catalog. Skopje: Остен музеј на цртеж — 2018. — 224 р. ISBN 978-608-4837-04-6[56]
  • V Фотобиеннале современной фотографии. Русский музей // Каталог. Saint Petersburg: Palace Editions, Russian Museum. — 2018. — 240 с.
  • MicroMacroCosm // Catalog. Mumbai. IPEP — 2018. — 24 p.
  • Il PIACERE NEI LIBRI rassegna di arte erotica dagli ex libris ai libri d’artista // Catalogo Biennale del libro d’artista IV Edizione. Napoli: Lineadarte, 2018. — 180 p.
  • Third International Printmaking Biennial in Cacak // Catalog. Cacak. — 2018. — 105 р.[57]
  • “17. INTERBIFEP” Mezinárodní bienále festivalu portrétu // Catalog. Tuzla: Mezinárodní portrétní galerie Tuzla. — 2018. — 186 p.[58]
  • Die Verwandlung. 25 Jahre russische Künstlerbücher 1989—2013. LS collection Van Abbemuseum Eindhoven. Antje Theise, Klara Erdei, Diana Franssen. Eindhoven, 2013. — 120 p.
  • 黑龙江美术出版社(黑龍江美術出版社) Heilongjiang Fine Arts Publishing House. Harbin (哈尔滨). (中国). Chief Editor Chen Fenyue. Executive Chief Editor Catherine Druzhinin. V. 1. Graphics St. Petersburg. 2013. — 292 p.
  • V Bienal Internacional de la Acurela. Articolo introduttivo: Dr. Gerardo Estrada, A. Guati Rojo. Mexico City, 2002. — 88 p.
  • Петербург 95; Петербург 96; Петербург 97; Петербург 98; Петербург 2000; Петербург 2011. Авт. вст. ст.: Л. Скобкина. Saint Petersburg: Saint Petersburg Manege, 1996; 1997; 1998; 1999; 2001; 2012, ил.
  • II-й Международный фестиваль экспериментальных искусств и перформанса/ Каталог. Авт. вст. ст.: Л. Скобкина. Saint Petersburg: Saint Petersburg Manege, 1998. — 63 с.
  • Равноденствие// Буклет к выставке на Невском 20. — Автор вступит. ст. Юдина Т. К. Галерея ТСХ. Saint Petersburg., 1991.

Works
  • Marina on Green. 1986, paper, pastel
    Marina on Green. 1986, paper, pastel
  • The Romantic Landscape. 1997, oil on canvas
    The Romantic Landscape. 1997, oil on canvas
  • The Shine. 2018, paper, watercolor
    The Shine. 2018, paper, watercolor
  • Relict III, 2019, paper, lithography
    Relict III, 2019, paper, lithography
  • Something III, 2019, paper, serigraph
    Something III, 2019, paper, serigraph

References
  1. "Алексей Борисович Парыгин". Archived from the original on 2021-09-22. Retrieved 2022-12-08.
  2. Каменский А. А. Что значит быть современным? Ответ на этот вопрос ищут молодые художники. — Правда, 9 сентября 1988. (Rus).
  3. Михатл Герман/ Равноденствие II / Буклет к выставке. — СПб, 2003. (Rus).
  4. Николай Благодатов Искусство — это поиск, поиск — это искусство. — Нева, № 2, 2002. — С. 254. (Rus).
  5. Al. Parygin Tsvetnye zvuki. Copy no. 4/5. / LS Collection Van Abbemuseum.
  6. Al. Parygin Tsvetnye zvuki. Copy no. 3/5. / Saxon State and University Library Dresden.
  7. Al. Parygin Zelenaia kniga. Copy nr. 5/6. / LS Collection Van Abbemuseum
  8. Al. Parygin Zelenaja kniga. Copy no. 2/6. / Saxon State and University Library Dresden
  9. Al. Parygin Moja mansarda. Copy no. 6/6. / Saxon State and University Library Dresden.
  10. Al. Parygin Krasnye karliki. Copy nr. 8/8. / LS Collection Van Abbemuseum.
  11. Reinhard Grüner private Collection of modern artists' books Munich. Moderne Buchkunst seit 1960 / Eine private Sicht.
  12. Grigoryants El. Absorbing the Futurist heritage: Vasily Vlasov and Alexey Parygin / The Futurist Tradition in Contemporary Russian Artists’ Books // International Yearbook of Futurism Studies / Special Issue on Russian Futurism. Ed. by Günter Berghaus. — Berlin & Boston: Walter de Gruyter. Vol. 9 — 2019, S. 280.
  13. Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky/ Alexey Parygin “Metamorphosis“
  14. Stanford University Libraries. Project Mayakovsky-manifesto : marking the 120th anniversary of the birth of Vladimir Mayakovsky
  15. WorldCat/ Project Mayakovsky-manifesto: Limited edition of 27 copies, signed by the artists.
  16. Маяковский—Манифест/ Mayakovsky-Manifesto. 13 works / 13 artists of St. Petersburg and Moscow, in a box. Homage to Vladimir Mayakovsky.
  17. Stanford University Libraries/ ”Strannik Gumilëv” (Wanderer Gumilyov). – 2017
  18. Columbia University Libraries/ ”Strannik Gumilëv” (Wanderer Gumilyov). – 2017
  19. ”Jubilaeus”. LS Collection Van Abbemuseum Library.
  20. "Русский букварь" в галерее «На Каширке». Москва.
  21. ЗДАНЕВИЧ: ЗДЕСЬ И СЕЙЧАС.
  22. Project Mayakovsky-manifesto : marking the 120th anniversary of the birth of Vladimir Mayakovsky Identifier: ISBN 5906281029; System number: 017842103
  23. Vladimir Mayakovsky Celebrated.Princeton University Library. Rare Books & Special Collections Department
  24. LS Collection Van Abbemuseum. Aleksei Parygin
  25. Katalog: Parygin, Aleksej
  26. Буквари и буквы в собрании Эрмитажа. Выставка (Rus).
  27. Парыгин Алексей Рисунок. Univers-1. 2021
  28. Кубачинская башня III / 2022. International Biennale of Printed Graphics
  29. ARTISTERIUM 12 / 2019. Annual International Contemporary Art Exhibition and Art Events
  30. Погодаева, М. Облака над Балтикой // Балтийские ведомости. — № 12, 25 мая 2018. С — 14.
  31. КультОбзор Alexey Parygin. Posturbanism: Back to the Future. Engravings, art objects, collection. 2023
  32. МЦБС им. М.Ю. Лермонтова Exhibition «Posturbanism: Back to the Future. Alexey Parygin. Engravings, art objects, collection». 03/15/2023
  33. «Posturbanism: Back to the Future» Exhibition. Anastasia Tamilo. Channel One Russia — Saint Petersburg. "Good morning St. Petersburg". March 17, 2023 9:50
  34. “Nuovi corpi, nuove forme”, sabato 7 maggio si inaugura la mostra a Palazzo Moncada
  35. Il PIACERE NEI LIBRI
  36. Omaggio a Bruno Munari. 2 NOVEMBRE 2017
  37. “Sculture da Viaggio omaggio a Bruno Munari”. 29 ottobre 2017
  38. Die Verwandlung. 25 Jahre russische Künstlerbücher 1989—2013. LS collection Van Abbemuseum Eindhoven. Intro articles: Antje Theise, Klara Erdei, Diana Franssen. Eindhoven, 2013
  39. Latvijas Nacionālā bibliotēka Latvijas Nacionālās bibliotēkas grafikas jaunieguvumi. 2012
  40. Who’s Who in Screenprinting/ Alexey Parygin
  41. Искусство шелкографии. XX век история, феноменология, техники, имена монография Парыгин А. Б. National Electronic Library
  42. СПб. Общедоступные библиотеки. КАТАЛОГ Archived 2021-01-08 at the Wayback Machine: Шелкография как искусство. Техника, история, феноменология, художники: [монография]
  43. Artist’s Book Yearbook 2022-2023. Edited by Sarah Bodman. — Bristol: CFPR. University of the West of England, 2022
  44. "A City as the Artist's Subjectivity" is an Artist is a large Russian project... // Book Arts Newsletter. — No. 140. 2021, July — August. — P. 46-48. pdf
  45. Общедоступные библиотеки СПб. КАТАЛОГ: Город как субъективность художника. Каталог проекта в формате групповой книги художника
  46. Allgemeines Künstlerlexikon (AKL) Die Bildenden Künstler aller Zeiten und Völker
  47. Library. Getty Research Institute Georgy Kovenchuk (Gaga) draws "The Bedbug" (book-album)
  48. Сборник материалов 12-й научно-практической конференции «Трауготовские чтения 2022». — СПб: БКГ, 2023. PDF
  49. Caroline Wilkins A vocal journey through the language of zaum. Date: Jan. 2019
  50. Elena Grigoryants The Futurist Tradition in Contemporary Russian Artists’ Books. Published by De Gruyter. From the book Volume 9 2019
  51. PDF Постурбанизм: Назад в будущее. Алексей Парыгин. Гравюра, объект, коллекция. 2023
  52. IMAGO MUNDI: A GLOBAL MAP OF CONTEMPORARY ART BY LUCIANO BENETTON. Elena Shampanova. 19/12/2020
  53. Beyond the Black Square - Imago Mundi. Contemporary Artists from St. Petersburg Imago Mundi — Luciano Benetton Collection
  54. pdf-Catalog. Artisterium XII. Artisterium On the Road. BOOK 6. The United Futuristic Platform. 2019
  55. pdf-Catalog. 5ª Bienal Internacional de Gravura "Lívio Abramo". 2019
  56. OSTEN BIENNIAL of DRAWING Skopje 2018 // pdf-Catalog.
  57. pdf-Catalog. Third International Printmaking Biennial in Cacak. 2018
  58. 17 INTERBIFEP — pdf-Catalog. 2018

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