Anna Hastings

Anna Hastings: The Story of a Washington Newspaperperson is a 1977 political novel by Allen Drury which follows the titular reporter as she climbs her way to the top of the Washington media elite. It is set in a different fictional timeline from Drury's 1959 novel Advise and Consent, which earned him a Pulitzer Prize for Fiction.[1]

Anna Hastings
US first edition
AuthorAllen Drury
CountryUnited States
LanguageEnglish
SeriesMark Coffin, U.S.S.
GenrePolitical novel
PublisherWilliam Morrow
Publication date
July 1977
Media typePrint (Hardcover & Paperback)
Pages300
ISBN0-688-03221-4
Followed byMark Coffin, U.S.S. 

Plot summary

Anna Kowalczek arrived on Capitol Hill the very day America entered World War II. She infiltrated the exclusively male domains of politics and journalism by hiding her intelligence and drive behind a façade of cheerful, irreverent innocence—playing the role men expected of bright, pretty girls in 1941. Thirty-five years later, Anna Hastings, widow of Texas Senator Gordon Hastings, is an influential columnist, powerful television personality, major political figure, publisher of one of the most respected newspapers in the country, and master of a media empire she ruled with a whim of iron.

Anna Hastings is the story of her public and personal struggles as she climbs her way from obscurity to legend, set against the backdrop of Washington during the tumultuous years of World War, Cold War, the Civil Rights Movement, and the emergence of feminism as a distinct political force. Drawing on his years reporting on the Senate, Allen Drury again presents an "insider's view" of both the Senate and the Washington Press Corps during these decades of rapid social and political change.

Reception

In 2009, The Wall Street Journal published a retrospective by National Public Radio commentator Scott Simon in which he called Anna Hastings "both an unsparing and sympathetic portrait of a newspaperwoman when they were rare and often maligned."[2] John Barkham wrote in The Victoria Advocate in 1977:

What Drury's Washington novels badly needed was a blue pencil, a less blatant ideology, and greater attention to characterization. In Anna Hastings he delivers all three. This is his most convincing Washington novel since Advise and Consent in 1959. Moreover, he has freed himself of the incubus of his crippling cast of carry-ver fossilized pols from earlier books. Anna Hastings is both a fresh face and a fresh start in Drury fiction.[3]

Inevitably there were some observers who assumed similarities between Anna Hastings and Katharine Graham, publisher of The Washington Post. This supposition resurfaces occasionally, as when Roger Kaplan, writing for the Policy Review in 1999,[4] called Anna Hastings a "transparent attack," adding:

Though [Drury] never lost his talent for spinning a good yarn, drawing amusing, likable, admirable, and detestable characters in great quantity ... His demolition of The Washington Post and the vices he considered to have seeped into the craft of political journalism in America [in] Anna Hastings is incomprehensible to anyone not familiar with the evolution of the American media, and particularly the Washington media, in the past generation.[4]

However, there is no evidence Graham herself saw any such similarities or perceived the novel as critical of herself or her newspaper. Like most reviewers at the time, Barkham noted that "Washington is in fact graced by an influential woman newspaper publisher, but she is quite unlike Anna. Drury in fact makes a point of introducing her and her paper into his narrative."[3] The two publishers, real and fictional, would again be referenced in Drury's 1983 novel Decision.

Though Allen Drury portrayed equal rights for all Americans, including women, as an essential political goal in all of his novels, he was of a generation that came of age in the 1930s and his language can sound condescending to modern sensibilities. John Maxwell Hamilton reflected this perception when he called Anna Hastings "mean spirited about what was then budding feminism" in his 2000 book Casanova Was a Book Lover. He quoted Allen Drury's dedication of Anna Hastings as illustrative of his point:

Dedicated to all those vigorous, determined, indomitable, and sometimes a wee bit ruthless Bettys, Barbaras, Helens, Nancys, Kays, Marys, Lizes, Deenas, Dorises, Mays, Sarahs, Evelyns, Mariannes, Clares, Frans, Naomis, Miriams, Maxines, Bonnies and the rest, who never cease to amuse, annoy and quite often out scoop their male colleagues of the Washington press corps. They've made it in a tough league—at a certain cost, of course; but they've made it.[5]

Series

Anna Hastings takes place in a separate timeline from the Advise and Consent series, and was followed in 1979 by Mark Coffin, U.S.S., Drury's next modern political novel. Though Hastings does not appear in this novel, she is a minor character in The Hill of Summer (1981) and The Roads of Earth (1984), the two sequels to Mark Coffin, U.S.S..

References
  1. "Pulitzer Prize Winners: Fiction (1948-present)". Pulitzer.org. Retrieved January 14, 2015.
  2. Simon, Scott (September 2, 2009). "At 50, a D.C. Novel With Legs". The Wall Street Journal. Retrieved January 15, 2015.
  3. Barkham, John (August 7, 1977). "Drury Returns to Washington". The Victoria Advocate. Retrieved January 15, 2015.
  4. Kaplan, Roger (October–November 1999). "Allen Drury and the Washington Novel". Policy Review. Hoover Institution at Stanford University. Retrieved January 16, 2015.
  5. Hamilton, John Maxwell (April 2000). Casanova Was a Book Lover: And Other Naked Truths and Provocative Curiosities About the Writing, Selling, and Reading of Books. LSU Press. p. 103. ISBN 0-807-12554-7.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.