Allen Drury's University series

In 1938, student body president Willie Wilson begins his senior year at "the University" with the threat of war in Europe looming. He and his diverse Alpha Zeta fraternity brothers find themselves facing off in a microcosm of the changing world around them. Wilson tries to sponsor the fraternity's first Black member, only to be thwarted by the blatantly racist scion of a South Carolina family. The Black student blames Wilson for building his hopes up. Also, another member is hopelessly in love with Wilson's younger brother.

Library Journal complimented the novel as "bustling" and "old-fashioned", conceding that "the large cast is initially confusing, and some awkward writing doesn't help, but the storytelling soon gathers momentum, engrossing the reader in the fate of the numerous characters."[9] Publishers Weekly wrote:

Drury's 17th novel is a long, long book, a fact that will be painfully obvious to those who plod through to the end ... there are a plethora of formulaic characters and situations that portend all the issues of the latter two-thirds of the 20th century ... There are some saving graces — the protagonist is not quite perfect, with a nice touch of arrogance that slightly humanizes him; and many readers will be surprised by which of the two women in his life finally gets the ring — but, overall, the book is a dreary bore.[9]

Kirkus Reviews called the many characters "tokens and stereotypes all", noting that "sweet scenes of halcyon days and noble youth coming-of-age are mixed with heavy dollops of melodrama, and the result is pure treacle" and calling the novel "painfully slow, woefully anachronistic — though a real gem for Stanford boosters and alums."[8]

Returning from the war, Willie Wilson and the remaining fraternity brothers of Alpha Zeta face a post-war world with new challenges, including marital and family woes, complicated sexuality, the Cold War and the Vietnam War.

Far down Palm Drive he could see the dusty summer green of the Oval, the bright mosaic front of the Memorial Church, the gentle outlines of the Coast Range rising beyond. All was calm and placid in the warmth of the last September afternoon. The terrible war — the troubled peace — lives begun and already half over. It was twenty-five years since he had last seen that peaceful sight.
It was only yesterday.
World War II is over.
And he has survived.

— Allen Drury, Into What Far Harbor?[12]

Octogenarian Willie Wilson plans a 2001 reunion for his surviving pals as he looks back on the previous few decades of his life, including his run for the Presidency in the 1980s. Crossing him at every turn in these turbulent times is the villainous René Suratt.

Publishers Weekly called Drury's final novel "one last hyperbolic salvo at those he deems culpable for America's plummeting moral, cultural and political values" and suggested that "the story crumbles beneath the weight of its own world-weariness and despair for a nation that no longer measures up to the author's ideals."[2] The review also noted:

Wilson and Suratt persist for decades in their barely civilized debate, fueling it with an inexhaustible supply of enmity and mutual jealousy. Unfortunately for the reader, it's like watching two drivers who engage in strident highway shouting matches on their daily commute between glass house and ivory tower.[2]

Erik Tarloff wrote in The New York Times, "the real problem with Public Men is less its political content than its inability to hit its chosen targets." He added, "this is a book that, fittingly enough, matches its valedictory status with a valedictory tone and atmosphere. But it isn't likely to satisfy readers who aren't already devotees of Mr. Drury's work."[3] Mary Carroll of Booklist said of the book, "There's nothing subtle about the politics here, but readers who enjoyed Drury's earlier University novels will want to peruse the final leg of these public men's journey to that great frat house in the sky."[5] Barbara Conaty wrote for Library Journal:

The novel is like the ultimate Christmas letter, offering chatty, reflective accounts of people just before death's threshold. Lugubrious in its pessimism, it has a profound resonance with fin-de-siècle America ... Many fans will enjoy the novel's elegiac flavor as it reflects on battles lost and won; new readers will want to continue into Drury's backlist of 19 novels.[13]

Kirkus Reviews called the novel "a middlebrow time-passer for the Drury faithful" and noted, "Drury's a high-spirited and dreadful stylist. Still, there's some fun in his romping run-on sentences and larger-than-life cardboard figures, mouthing off paralyzing nullities as they batter straw horses."[14] The Amazon.com review stated, "Political junkies will appreciate the twists and turns of this Washington insider novel. Readers who require a modicum of literary polish, however, will be disappointed. Drury's talents lie in plotting his intricate tales; his writing is merely serviceable."[15]