Xia Meng
Xia Meng 16 February 1933 – 30 October 2016), a.k.a. Hsia Moon and Miranda Yang, born Yang Meng, was a Hong Kong actress and film producer.[1] She was a key figure of Hong Kong's Left Wing film scene.
Xia Meng | |||||||||||||
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Born | Yang Meng 16 February 1933 | ||||||||||||
Died | 30 October 2016 83) | (aged||||||||||||
Spouse | Lin Baocheng | ||||||||||||
Awards | Golden Phoenix Awards 1993 Special Contribution Award Hong Kong Film Awards – Best Film 1983 Boat People | ||||||||||||
Chinese name | |||||||||||||
Traditional Chinese | 夏夢 | ||||||||||||
Simplified Chinese | 夏梦 | ||||||||||||
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Yang Meng | |||||||||||||
Traditional Chinese | 楊濛 | ||||||||||||
Simplified Chinese | 杨蒙 | ||||||||||||
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Xia Meng's younger sister, Yang Jie, played on the China women's national basketball team from 1954 to 1957.[2]
Debut on stage
Xia Meng was first exposed to drama and stage play at McTyeire School, an elite girls' school established by Methodist missionaries in Shanghai. In 1947, she moved with her family to Hong Kong, where she attended Maryknoll Convent School. In 1949, In conjunction with an event at her school, She was chosen to play the leading role in McTyeire School's English-language production of Saint Joan.
Film career
In 1950, Yang Meng (birthname) and her friends visited a film set of the Great Wall Movie Enterprises Ltd. This was where she was first spotted by the crews, as well as studio manager Yuan Yang'an. Through the help of Yuan's daughter, Mao Mei (an actress and ballerina), Yang Meng accepted his invitation and joined the studio at the age of 17. Inspired by Shakespeare's A Midsummer Night's Dream, the new actress decided to rename herself as Xia Meng (literally "summer dream").
The Great Wall Crown Princess
![](../I/Xiameng_Maozedong.jpg.webp)
She was given her first role as the title character in Li Pingqian's A Night-Time Wife (1951). The comedy was a hit and rocketed Hsia Moon to stardom.[3] Many other hits followed. There was the tragic demimondaine of Cao Yu's classic adaptation Sunrise, at her best as the virtuous widow of A Widow's Tears both in 1956. She was the scapegoat of the feudal moral value in the critically acclaimed Hong Kong classic[4] The Eternal Love (1960), the deprived bourgeoisie in HKFA Archival Gem's Romance of The Boudoir (1960),[5] and played a man masquerading as a woman in The Bride Hunter (1960).
Xia Meng was one of the few Hong Kong movie stars whose films were released in the People's Republic of China before the Cultural Revolution. She exuded glamour in a manner that was then no longer permitted among her mainland counterparts. The Mainland media nowadays have been frequently quoting her as the Chinese answer to Audrey Hepburn.[6]
Cultural Revolution
In the summer of 1967, she visited Guangzhou and witnessed the chaotic situation where the Cultural Revolution had just started. The dire effect was soon to be felt on Hong Kong's Studios which were influenced by Chinese Communist Party, and Great Wall's movies would no longer have the same cachet as before. Feeling insecure and threatened - as well as being pregnant at the time - she excused herself from involvement in the political movement. Soon after she finished the screen performance in Oh, The Spring Is Here (1967), she resigned from the studio in September, and quietly left for Canada before the film was released.
Return as movie producer
After the end of The Cultural Revolution, Xia Meng was invited by Liao Chengzhi, vice chairman of the National People's Congress (NPC) of that time, to attend the 4th National Congress of China Federation of Literary and Art Circles(CFLAC) held in Beijing from 30 October—16 November 1979, which is considered to be her first public appearance after her final screen performance in 1967. Under the encouragement of Liao, she decided returned to movie industry as a producer after an absence of ten years.
In 1980, she formed Bluebird Movie Enterprises Ltd, and produced the debut film Boat People (Ann Hui, 1982), a movie and landmark feature for Hong Kong New Wave, which won several awards including the best picture and best director in the second Hong Kong Film Award. After producing Young Heroes (Mou Dunfei, 1983) and Homecoming (Yim Ho, 1984), Xia Meng sold her film company to Jiang Zuyi. She had no involvement in any film production after that.
Other
Awards
Xia Meng's performance in Peerless Beauty (1953) and A Widow's Tears (1956) won her the Greatest Individual Achievement Award given by the Cultural Ministry of the People's Republic of China. In 1995, Xia Meng was honored the Chinese Film Stars Special Award, in conjunction with 90 anniversary of Chinese Cinema.
Political activities
She was also involved in political activities, being selected as a committee member of the Chinese National Cultural Alliance and the Chinese People's Political Consultative Conference.
Legacy
For her contribution to the motion picture industry, Xia Meng has a star with a hand print and autograph by the name of Miranda Yang on the Avenue of Stars in Tsim Sha Tsui Promenade, Hong Kong.
In August 2005, China honored 128 movie stars in a commemorative stamp collection marking 100 years of Chinese language cinema, Xia Meng was one of the honorees.
Print Pictorials and interviews
Filmography
Year | English title | Original title | Role | Notes |
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1951 | A Night-Time Wife | 禁婚記 | Ying Xiazhi | |
1952 | Father Marries Again | 一家春 | ||
Modern Red Chamber Dream | 新紅樓夢 | |||
Nonya | 娘惹 | Yang Yongfen | ||
1953 | A Torn Lily | 孽海花 | Jiao Guiying | |
Marriage Affair | 門 | Kung Mei Feng | ||
Day Dream | 白日夢 |
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The Peerless Beauty | 絕代佳人 | Ru Ji | ||
The Gold-Plated Man | 花花世界 | Mrs Wei | ||
1954 | Merry-Go-Round | 歡喜冤家 | Zhang Qingping | |
Tales of the City | 都會交響曲 | Nancy | ||
Joyce and Deli | 姊妹曲 | Lu Deli | ||
1955 | Never Leave Me | 不要離開我 | Mu Sangqing | |
1956 | Sunrise | 日出 | Chen Bailu | |
The Three Loves | 三戀 | Bai Yiwen | ||
The Wedding Night | 新婚第一夜 | Lin Fang | ||
A Widow's Tears | 新寡 | Fang Mei | ||
1957 | Forever Waiting | 望夫山下 | Liu Wanlin | |
Escape Into Trap | 逆旅風雲 | Xiao Jiaohong | ||
Whither Spring? | 春歸何處 | Zhang Ming | ||
1958 | Those Bewitching Eyes | 眼兒媚 | Yan Er-Mei | |
The Way of Husband and Wife | 搶新郎 | Zhang Caifeng | ||
The Green Swan Club | 綠天鵝夜總會 | Qiu Lin | ||
Husband Hunters | 夫妻經 | Zhang Jingfen | ||
1959 | Sweet as Honey | 甜甜蜜蜜 | Ting Hui-Lan | |
Feast of a Rich Family | 豪門夜宴 | Guest at banquet | ||
An Unfulfilled Wish | 稱心如意 | Wanfen | ||
1960 | Bride Hunter | 王老虎搶親 | Zhou Wenbin | Yue opera film, cross-gender acting |
A Mermaid's Love | 碧波仙侶 |
| Musical film | |
Romance in the Boudoir | 香閨春情 | Suxuan | ||
Rendezvous | 佳人有約 | |||
The Eternal Love | 同命鴛鴦 | Madam Liu | ||
1961 | Ah, It's Spring! | 滿園春色 | ||
1962 | The Princess Falls in Love | 三看御妹劉金定 | Liu Jinding | Yue opera film |
Let's Get Married | 我們要結婚 | Liu Ying | ||
1963 | Between Vengeance and Love | 雪地情仇 | Yinzhu | |
Dong Xiaowan | 董小宛 | Dong Xiaowan | ||
1964 | My Darling Princess | 金枝玉葉 | Princess | Yue opera film |
Garden of Repose | 故園春夢 | Wan Zhaohua | ||
1965 | A Heroic Romance | 烽火姻緣 | She Saihua | Yue opera film |
1967 | The Fair Ladies | 白領麗人 | Jiang Yuhua | |
1968 | Oh, the Spring's Here! | 迎春花 | ||
1982 | Boat People | 投奔怒海 | Producer | |
1983 | Young Heroes | 自古英雄出少年 | Producer | |
1984 | Homecoming | 似水流年 | Producer |
References
- 著名演员夏梦去世享年83岁 曾是金庸梦中情人 (in Chinese). NetEase. 3 November 2016. Retrieved 3 November 2016.
- (in Chinese) ["女篮5号"生活原型怀念谢晋杨洁老人结电影缘]
- 香港电影史话, Volume 4,余慕雲
- "HK Film Archive celebrates 10th anniversary with The Best From the Archive Collection". 7thspace.com. Retrieved 20 November 2016.
- "Hong Kong Film Archive showcases nine rare gems". Info.gov.hk. 19 December 2002. Retrieved 20 November 2016.
- "中国"赫本"夏梦绝美照——新华网江西频道". Jx.xinhuanet.com. 11 April 2011. Archived from the original on 16 April 2011. Retrieved 3 November 2016.