Carrie Eliza Getty Tomb

The Getty Tomb has been said to be the most significant piece of architecture in Graceland cemetery and the beginning of Sullivan's involvement in the architectural style known as the Chicago School.

The tomb, which stands on its own triangular plot of land, is composed of limestone masonry construction. Roughly a cube in shape, the bottom half of the tomb is composed of large, smooth limestone blocks. The upper half is composed of a rectangular pattern of octagons, each containing an eight-pointed starburst design. The cornice is banded with smooth limestone above intricate spiraling patterns below, and the top-edge of the roofline is straight and horizontal on the front and back and scalloped in a concave fashion on the sides.

Side window

When approaching the tomb, the obvious focus is the ornate doorway. An intricately ornamented bronze gate and door, patinated green over time, are spanned by a broad semi-circular archway. The voussoirs, emanating radially in long thin wedges, share alternating plain and intricately carved concentric bands. The twin gates as well as the door behind share a combination of geometric and floral details that incorporate the starburst seen in the upper patterned walls. The three other sides of the tomb house semi-circular, bronze-clad windows that mimick the arch and door details of the front. A plaster cast of the door was exhibited at the 1900 Paris Exhibition where it won Sullivan an award.

Henry joined his wife in the tomb shortly after he died in Paris, France, on March 31, 1919 (date per his obituary in the Chicago Daily Tribune, published April 2, 1919). Their only child Alice was added in 1946. On March 10, 1971, the tomb was designated as a Chicago Landmark by the Commission on Chicago Landmarks.[2]

• Martin Ryerson Tomb
• Wainwright Tomb

• Lanctot, Barbara. A Walk Through Graceland Cemetery. Chicago: Chicago Architecture Foundation, 1999. 37–39.

Wikimedia Commons has media related to Getty Tomb.