Catacombs Nightclub Philadelphia

The Catacombs Nightclub was a gay after-hours club in Philadelphia that played underground dance music, a precursor to house music.[1] Additionally, Catacombs was responsible for the creation of the dance music genre "Philly Classics." The club was a haven and cultural center for music industry professionals and artists of diverse backgrounds in the early '80s.[1]

Logo for Catacombs Philadelphia.

History

Second Story, Philadelphia's premier nightclub, was located at 12th and Walnut Streets in Center City Philadelphia. The Story, as it was lovingly called by the weekly regulars—was the vision of brothers Barry Geftman and Wayne Geftman.[2] The Geftman brothers’ original concept was to create a private, gay club with an environment featuring unique interiors, superior music, excellent sound, and innovative lighting. Under the banner of Disco Design, LTD., Wayne oversaw most of the creative and technical aspects of the club, while Barry deftly performed administrative duties, including staffing and promotions. As brothers, they were able to harness a natural synergy, which was the primary key to their success.

Before Second Story was realized, Wayne and Barry had created their first nightclub, the Music Box. The club was one of the most popular spots at Jersey Shore during summers in the 1970s. New York's “Discoteckin Magazine” called it “a club worth leaving New York for.”

The sound system was designed by Rosner Custom Sound and was installed by Rosner's lead engineer—Donald Carucci, known as an expert in the field of nightclub sound. The Music Box's sound system was unparalleled, and Wayne and DJ Frankie “Who” Sestito frequently turned the music up, which further cemented the club's popularity. With the success of the Music Box at the Jersey Shore, the Geftman brothers realized that it was time to bring their concepts to Philadelphia; hence, the Second Story was born.

Second Story opened its doors on December 6, 1976, after three years of intense design. The facility was in a former church, and key elements from the original building were utilized in its interior design. Rosner designed a state-of-the-art sound system, featuring components that, at the time, were rarely used in the nightclub environment.[3] The light show was also designed with meticulous care, under Barry's close scrutiny. The club opened as a private, gay nightclub. It changed to a more mainstream format after 13 months, which led to unprecedented success and to its reputation as “Philadelphia’s Studio 54.” [4]

Although Second Story was a commercial success, Wayne's love of music compelled him to build another club—one that featured “hardcore” dance music, then popular in after-hours gay juice bars. Later, this style of music was recognized as the precursor to house music, and Wayne's musical vision helped shape the dance genre Philly Classics.

The Geftman brothers opened Catacombs in the fall of 1978 in the basement of the 12th Street structure. The club typically opened on Saturdays at midnight, and it would not close until Sunday around noon sometimes. The first record played at Catacombs was "The Impossible Dream".

Although there remains some confusion over who installed and designed the sound system in Catacombs, the truth is that it was the original sound system from the Music Box. Wayne updated the system by doubling the number of loudspeakers and amplifiers. Designed and installed by Donald Carucci, the modified system created a 360° field of sound, further enhanced by the club's low ceiling. The result was a sound system with crystal-clear music, in a room without dead spots.

Catacombs earned a reputation as a nationally recognized after-hours club, and it became known for being frequented by music-industry professionals from both Philadelphia and New York. Catacombs' most significant contribution to the music industry was its creation of the dance genre Philly Classics. Catacombs closed its doors in December 1986.[1]

Owners
  • Barry Geftman
  • Wayne Geftman

Disc Jockeys
  • Wayne Geftman
  • David Todd[5]
  • Billy Kennedy [6]
  • Donald Stone
  • Tony White
  • Frankie Sestito
  • Frank Goodman

Producers / Remix Artists / Songwriters

Promoters who regularly visited Catacombs
  • David Todd[5] – RCA Records / WMOT Records
  • Terri Rossi – Philadelphia International Records / SAM Records (NY) / Are & B Records (NY) / Billboard (magazine)
  • Fred Smith – Motown
  • David Steel - Polydor Records (NY)
  • Debbie Caponetta – ZE Records (NY)
  • Carter Burnette – WMOT Records
  • Bobby Beasley – WMOT Records
  • Danny Glass – SAM Records (NY)
  • Dan Joseph - TK Records (NY)
  • Izzy Sanchez – Atlantic Records (NY)
  • Ray Caviano[10] – RFC Records, TK Records (NY)
  • Joey Carvello – RFC Records (NY)
  • Billy Stinger – Philadelphia Dance Music Association
  • Ernie Maroni – Philadelphia Organization of Professional Spinners
  • Frank E. Lembo – Pocono Record Pool, Ltd. (Founder & President)
  • Nick Duca – Motown Records
  • Joe Loris – Impact/Power Play (Trade Magazine)
  • Lenny Balk – Impact/Power Play (Trade Magazine)
  • Fred Dicippio – (Promoter)
  • John Brown – (NY)
  • A.J. Cervantes – Butterfly Records (NY)
  • Arnie Smith – Provocative Promotions (NY)
  • Larry Patterson – RCA Records (NY)
  • Franklyn Walker – Gemini Record Pool
  • Mi`cheLe-RenE - PHILLY*NY*BALT*WASH ★ALLL`n ALLL★PromoTionS★ MCA★ PIR★ FRESH★ eTc.

Artists that performed at Catacombs

See also

References
  1. Amorosi, A. D. "Old school promotion needed to revive Phila. club scene?". www.inquirer.com. Retrieved 2022-10-18.
  2. Disco-disco.com, Other legendary US clubs
  3. Billboard Magazine, January 22, 1977
  4. Beasley Law Firm, Building History
  5. David Todd, Discogs - Biography
  6. Everybody Here Tonight Must Party, Discogs - Recording Entry
  7. Gay Today article, Producer To The Divas
  8. Act Like You Know, Discogs - Recording Entry
  9. WhatEver Productions Archived 2012-04-02 at the Wayback Machine, Music Page
  10. Ray Caviano, Discogs - Biography

39.94880°N 75.16048°W / 39.94880; -75.16048

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.