China Venture

In 1945, during World War II, a Japanese admiral is severely injured in an airplane crash in a remote jungle. He possesses vital intelligence that may affect the course of the war. A joint American team of Marines and Navy personnel are deployed to locate the admiral and interrogate him before he dies from his wounds. The mission is plagued by both the Japanese occupiers and Chinese guerilla forces. O’Brien and Sullivan clash initially, but grow to respect one another before Sullivan is murdered at the hands of Askin.

The Japanese prisoner is successfully delivered to a US submarine, and his interrogation reveals that the Japanese military is deterined to fight to the bitter end. The picture closes with documentary footage of a mushroom cloud, suggesting the Americans resort to atomic warfare to defeat Japan.[1]

• Edmond O'Brien - Capt. Matt Reardon
• Barry Sullivan - Commander Bert Thompson
• Jocelyn Brando - Lt. Ellen Wilkins
• Leo Gordon - Sgt. Janowicz
• Leon Askin as Wu King
• Lee Strasberg - Patterson
• Richard Loo - Chang Sung
• Dayton Lummis as Dr. Masterson
• Dabbs Greer as Galuppo
• Philip Ahn as Adm. Amara
• James Anderson as Cpl. Walters

Source:[2]

China Venture is almost unique among Seigel's films, in that it lacks the key character elements that normally preoccupy the director.[3] The protagonists do not struggle with heroic vs. anti-heroic tendencies, nor does a femme fatale emerge to manipulate male characters. Pessimism, manifested in a damaged hero, is largely absent.[4] Biographer Judith M. Kass writes:

China Venture is atypical of Seigel's films in several respects. Although there is an insane criminal type {Leon Askin) he has no opposite among the American servicemen. O’Brien's and Sullivan's determination to do their job is not presented as an outgrowth of any abnormal personality trait…The company is not doomed, simply threatened by the progression of events. Nor are the heroes—who are real, not anti-heroes—psychologically damaged. War may be a sphere which this group customarily inhabits, but in more traditional Seigel films, the war is a deranged microcosm of a larger world. [5]

Kass adds that “the only woman present (Jocelyn Brando) is responsible for saving the admiral's life and is neither seductive nor fatal, rather the opposite, while retaining her femininity.”[6]

• Kass, Judith M. (1975). Don Seigel: The Hollywood Professionals, Volume 4 (1975 ed.). New York: Tanvity Press. p. 207. ISBN 0-498-01665-X.

• China Venture at IMDb